Scotland Yard once again call upon the services of author Jack Haldean to help solve this most complicated of cases. Soon there are links to a serial thief and murderer, known as the The Vicar, and it seems there is more to this case than a family feud over inheritance.
Scotland Yard once again call upon the services of author Jack Haldean to help solve this most complicated of cases. Soon there are links to a serial thief and murderer, known as the The Vicar, and it seems there is more to this case than a family feud over inheritance.
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Overview
Scotland Yard once again call upon the services of author Jack Haldean to help solve this most complicated of cases. Soon there are links to a serial thief and murderer, known as the The Vicar, and it seems there is more to this case than a family feud over inheritance.
Product Details
| ISBN-13: | 9781780104157 |
|---|---|
| Publisher: | Severn House |
| Publication date: | 07/01/2013 |
| Series: | Jack Haldean Series , #7 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 240 |
| File size: | 702 KB |
About the Author
Read an Excerpt
Blood from a Stone
A Jack Haldean Mystery
By Dolores Gordon-Smith
Severn House Publishers Limited
Copyright © 2013 Dolores Gordon-SmithAll rights reserved.
ISBN: 978-1-78010-415-7
CHAPTER 1
In Lamont's Rambles in Sussex and Hampshire Byways, published by Rynox and West, 1922, price one shilling and threepence, the following entry may be read:
Breagan Grange, Breagan Hollow, near Madlow Regis, Sussex: the property and chief residence of Francis Leigh, Esquire. The house, a neo-classical edifice on a mediaeval foundation, was extensively remodelled c.1728 under the influence of John Vanbrugh and little of the original structure now remains.
The gardens are particularly noteworthy, boasting a classical Arcadian temple ascribed to Vanbrugh. The temple, built into the hillside of Breagan Stump, acts as the portico or entrance to a cave housing a Roman altar and carvings dating from the latter period of Roman occupation.
The altar has been ascribed to the worship of the British-Romano god, Euthius, to whom one other dedication in Tidepit, Dorset, has been found. A Roman urn, of native manufacture, was discovered buried beneath the altar, which, when opened, was found to contain the treasure which came to be known as The Breagan Bounty. Part of this treasure is now in the British Museum. The Bounty, dated to the late Third Century, consisted of Roman coins, jewellery and a golden box of exquisite workmanship containing a collection of uncut sapphires.
A series of excavations in the cave were carried out in 1834 when the grisly discovery of ancient human remains led to speculation (fuelled in part by a possible interpretation of the carvings on the altar and walls) that the cave could have been the scene of human sacrifice.
Nearest Railway Station: (approx. 2 miles) Madlow Regis.
Admission: by application.
Mary Hawker shielded her eyes from the August sunshine, looking at the man standing beside the wooden bench. 'I don't like the thought of digging in the cave, Frank. Whose idea was it?'
Frank stuck his hands in his pockets, hesitating before he answered. 'It's Evie's, as a matter of fact.' He grinned. 'I think what she's really hoping for is some more treasure.'
Mary nodded unenthusiastically. She'd had a good idea that it was Frank's wife, Evie, who was responsible. She didn't like Evie, a fact of which Frank was completely oblivious. Mary chose her words carefully. She always did when talking about Evie.
'I don't like it,' she said. 'Perhaps Evie doesn't understand but you grew up here, Frank. You know – you must know – there are forces in the cave which shouldn't be disturbed. No good will come of it.'
Frank turned and glanced up the gentle slope of Breagan Stump to where the white stone of classical pillars gleamed through the surrounding trees. His mouth twisted.
Mary Hawker, who was usually such a nice, sensible woman with no nonsense about her, had an obstinate belief in what his wife, Evie, roundly dismissed as stupid rubbish. Mary Hawker had even, Frank knew, gone in for séances after her husband, Charlie, had died.
Mary saw how his shoulders went back as he unconsciously braced himself. 'Nonsense,' he said with false heartiness. 'Absolute nonsense. It's about time the temple and the caves were properly looked in to. It might put a stop to some of these silly local superstitions.'
'You can't dismiss the stories about Breagan Stump as silly local superstitions, Frank. It's a place that must be treated warily.'
Frank, stuck for a reply, scuffed his foot awkwardly.
'What about Terry's painting of the temple?' asked Mary, knowing she was onto a winner. Although it was years since Terry and Frank had met, she knew the depth of Frank's affection for Terry. He was Frank's cousin but, after his parents had died, Terry had lived with the Leighs and been more like a brother than a cousin to Frank. 'You've always said it's one of the best paintings he ever did and yet you don't like it, do you?' Frank shrugged. 'There's something about the shadows, that's all. I've got it on display,' he added defiantly. 'It's in the hall for all to see.'
'I remember talking to him about it,' said Mary reminiscently. 'It's years ago now, of course, but Terry was very dubious about having it framed. I remember him saying that when you paint a scene, even if it's somewhere you know well, you get under the skin of a place. There was something about the temple that he didn't care for at all. You must have sensed a presence there at times.'
Frank ran his hand through his grey hair. 'I suppose I have,' he admitted with a rueful grin. 'But dash it, Mary, that has to be nothing more than a flight of fancy or a trick of the light. It's different for Terry. He's an artist and a damn good one. He has to have a lively imagination. I haven't got any imagination. I'm no artist.'
No, Frank wasn't an artist, thought Mary. He was something far better, a kindly, honest man with a capacity for hard work. Evie didn't appreciate him ...
I appreciate him, she thought savagely. I care for him much more than Evie, with her fashionable clothes, her holidays and her trips to Town ever could.
Mary was in love with Frank. She didn't know how long she'd been in love with him, but she knew to the minute when she'd first admitted it to herself.
It was sixteen months and three days ago, the second anniversary of Charlie's death. Frank had called with a bunch of flowers for her. 'Something and nothing,' he'd said awkwardly. 'Celia sends her love. She picked the flowers for you. Sad occasion and all that, but we wanted to mark it in some way.' He coughed awkwardly. 'Charles was a grand chap. You must miss him. It's been tough for you.'
Frank really did understand how tough it had been. She knew that. His wife, Diana, had died years before, leaving him with baby Celia.
Celia was a young woman now, engaged to be married. Frank had been a good father. She'd always liked that, and it had been kind of Celia to think of her. She remembered thanking him – she'd said something about Celia – and reaching out for the flowers. Their hands touched and she suddenly noticed how strong and capable his hands were.
It was like a dam bursting. In that instant, with shattering force, her world turned upside down. She loved Frank.
She hadn't said anything, of course. But Frank knew. He must know. The world, which had been grey, drab and everyday was suddenly shot through with blinding light and glorious possibilities. She didn't have to say anything. They were such old friends it could surely only be a matter of time.
Frank sat down on the bench beside her, took his pipe from his pocket and filled it thoughtfully. 'Evie's going to dig up an expert to investigate the cave. I'll be interested to hear what he has to say.'
'When's she expected back?' asked Mary.
'Soon, I hope,' said Frank. 'The holiday will have done her good.' He brought out his tobacco pouch and pipe and stuffed tobacco into the bowl. 'I wish there was more for her here. She gets bored with the country.'
Evie had no right to be bored, thought Mary waspishly. What on earth was wrong with the country?
'I can't really blame her for being bored,' Frank said with his shy, rather boyish smile. 'I'm so tied up with the estate it's difficult to come and go as I please.'
'Only because you work so hard.'
'Yes ...' His brow furrowed in a frown. 'I can't afford to be away.'
Mary looked at him sharply. It sounded as if Frank couldn't afford the time, but she was fairly sure he couldn't afford the money, either. He had to be careful. Evie, she guessed, resented it. She probably, thought Mary, resented it very much ... Had Frank guessed? Maybe not. He had never guessed how she felt, after all.
Sudden, bitter hatred clutched deep inside. If only Evie would stay away and never return! Without Evie she could pretend that her dearest dream, that the enticing future that leaned out and beckoned to her sixteen months and three days ago was still possible.
Frank was an idiot. A very dear idiot, but still an idiot. That was another date she would never forget, the day ten months ago when he broke the ghastly news to her. 'Mary, I know you'll be pleased. I'm getting married again.'
God knows what she'd said or done. Nothing out of place. Nothing to make him guess that all the colour had been drained from her world. Conventional, dowdy and dull. That's what she was and that's what she seemed. Not, she thought bitterly, like Evie, with her wonderful clothes and her perfectly made-up face.
Frank was completely bowled over by Evie. They had met at a cocktail party, and had fallen into conversation when it turned out that Evie knew an old aunt of Frank's, a Mrs Constance Paxton. Evie had, in Mary's opinion, played the connection for all it was worth, and Frank was caught, hook, line and sinker.
Frank clearly thought that Evie was the bee's knees. He really was, thought Mary, this time without a warm glow of affection, an idiot.
'I think we'd better be getting back,' said Frank. He stood up, offering her his arm, and together they walked across the grounds to the house.
Frank, pipe in mouth, stopped beside the painting in the hall. Terry's painting, the painting of the temple.
On the grass in front of the temple sat a younger Frank, his hair dark, sharing a picnic with little Celia. The chequered blue and white picnic cloth at the centre of the painting, the white of the classical columns and the blue of the sky picked up the colours of Celia's white frock tied with blue ribbons.
'I dunno,' he said, between puffs of smoke. 'There's something about it. I don't know what.'
It should have been, Mary thought, a delightful picture but there was something unsettling about it, as if something was hiding in the shadows, hidden by the bright glare of the sun. She looked at the signature. Terence Napier. 1914. Very soon after the painting was completed, the war had gathered him up and carried him off.
She shivered. That summer of 1914 had been wonderful, the last in a line of wonderful summers. It was as if the old world, the world before the war, had wanted to end in one last blaze of sun-soaked glory before the black clouds rolled in and darkness shrouded the earth.
'Mary?' asked Frank. 'What's wrong?' 'It's nothing.' Incredibly, her voice nearly broke. 'Nothing much, that is.'
There was lots more she could have said: in 1914 Charlie was alive, Frank was young and unworried and, most of all, there was no Evie lurking in the shadows, draining her happiness away.
'Before the war,' Frank said softly. He sighed. 'Nothing was ever the same again.' He reached out and touched the painted signature. 'Good old Terry. I haven't heard from him for ages.'
Mary shook herself. 'Didn't he go to the South Seas or something?' she asked in a consciously bright voice. 'I know it was somewhere frightfully exotic.'
'Absolutely he did,' said Frank with a laugh. 'The last time I saw Terry he said he wanted to get as far away from the war as he possibly could. I had a postcard from him in Tahiti. He was painting and beach-combing, poor as a church mouse, but as happy as a sandboy, without a care in the world.'
For all her belief in the supernatural, Mary had a strong practical streak. 'What on earth did he live on?'
'Terry never bothered about money.'
Mary found that unsatisfactory. Everyone had to bother about money. The painting was very, very good. Surely someone with that amount of talent would amount to something? 'I wonder,' she said thoughtfully, 'what Terry's doing now?'
In the village of Topfordham, twenty-two miles from Breagan Grange, Dr James Mountford could have answered Mary Hawker's question.
'Terence Napier?' said Dr James Mountford with a frown. He picked up the note from the tray of coffee and biscuits his wife had brought in to the surgery.
Mrs Mountford always brought in coffee and biscuits into the surgery after the morning patients had departed. It was part of Dr Mountford's invariable routine and Dr Mountford, a solidly built, middle-aged, well-scrubbed-looking man with the healthy complexion of one who enjoyed country air and country food, liked routine.
Urgent visits first – they weren't that common, thank goodness – then down to business in the front room of the Mountfords' house in Fiddler Street which was kitted out as a surgery.
Mildred Mountford, who, with the help of a girl, acted as both secretary and dispenser, used the adjacent room to make up the medicines her husband prescribed. Elevenses, as Mrs Mountford called their morning coffee, was followed by visits to those patients who were either ill enough or well-off enough to warrant a call from the doctor.
'That's right. Terence Napier,' said Mrs Mountford, as she crunched her way through a custard cream. 'Mrs Paxton's nephew. Mrs Paxton sent the note round with her maid, Florence. I imagine she wants to discuss him with you.'
Dr Mountford's eyebrows rose slightly. Mrs Constance Paxton of The Larches definitely came into the category of the well-off. If she requested a visit, he would certainly call, but he was still puzzled as to why.
'Mrs Paxton doesn't say anything about any nephew in her note, Milly. I didn't know she had a nephew.'
'That's just it, James. Nobody did, but he's there, all the same. Just turned up out of the blue. Naturally Mrs Paxton wouldn't say anything about it in a note. Apart from anything else, Florence would be bound to read it, but I'm certain Mrs Paxton wants to talk to you about Terence Napier. I questioned Florence and she said her mistress was perfectly well. As far as I'm concerned,' she added with an air of finality as she brushed crumbs from her dress, 'that settles it. I'm surprised you haven't heard Terence Napier spoken of.'
'I never listen to gossip,' grunted her husband, reaching for his coffee.
'No, dear,' said Mrs Mountford, looking at her husband affectionately. 'I hope Mrs Paxton's not going to keep you long. It's liver for lunch and it doesn't like being kept waiting. You'd think, wouldn't you, that an old lady like that would go to the vicar if she wanted to talk things over.'
'Douglas Billington's too young,' said Dr Mountford absently. 'Tell me about this nephew.'
Mrs Mountford pulled a face. 'He hasn't made a very good impression. He's tall, with fair hair, a pointed beard and spectacles with those very thick rims which always make me think of motoring goggles. He's just arrived from Paris, would you believe. He's about thirty-five or so, isn't married, seems a bit down at heel and is very off-hand and superior in his manner. Heaven knows why, because he doesn't sound anything special. His clothes are very well worn – scruffy, even – and not the best quality. He sleeps with the window open, had hardly any luggage and doesn't like haddock.'
James Mountford blinked. Mrs Mountford laughed at her husband's expression. 'Cook heard as much from Redditch, the fishmonger, and young Wilf, the butcher's boy. She wanted to know more, but that's all Mrs Welbeck, Mrs Paxton's housekeeper, would say. She isn't very forthcoming.'
'Heaven forbid what she'd let slip if she was chatty,' said the doctor with a grin. He put the list of calls in the pocket of his tweed jacket and picked up his bag. 'Keep my lunch hot for me if I'm late.'
Although Dr Mountford had laughed at his wife's interest in Mrs Paxton's nephew, he was curious enough to feel a twinge of expectation as he rang the bell of The Larches later that morning.
The Larches was a monument of Victorian gothic, and was, in Dr Mountford's opinion, far too big for one old lady and a couple of servants to run. However, he could hardly criticise Mrs Paxton for living in the house. Mr Paxton had been dead a long time and, as far as he could gather, Mrs Paxton had eked out her subsequent life of genteel poverty in boarding houses in London and on the South coast before the Burwells, distant relatives of the deceased Mr Paxton had died, leaving her The Larches together with, so it was rumoured, a fair amount of money, some eight years ago.
The door was opened not, as he had expected, by Mrs Welbeck, the housekeeper, or Florence, the maid, but by a tall, languid man with lank, grubby-looking fair hair curling over his collar, a pointed beard, heavy- rimmed glasses and an ill-fitting jacket. The nephew. He looked Dr Mountford up and down and seemed uninspired by what he saw.
'Hello. You must be the doctor, I presume.' He spoke in an affected, tired voice. 'My name's Napier, don't cher know. My aunt said you'd be calling. Come in, won't you?' Dr Mountford felt he'd been judged and found wanting. He couldn't help taking a dislike to Terence Napier on the spot.
'God knows what she wants to see you for,' continued Napier. 'She's not ill or anything.'
Dr Mountford handed Napier his hat. Napier gazed at it vaguely before shrugging and putting it on the hall sideboard.
(Continues...)
Excerpted from Blood from a Stone by Dolores Gordon-Smith. Copyright © 2013 Dolores Gordon-Smith. Excerpted by permission of Severn House Publishers Limited.
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