The Bridal Canopy
The Bridal Canopy, Nobel laureate S.Y. Agnon’s mock epic novel, is an elaborate frame story encompassing dozens of Hassidic tales. Set in early nineteenth-century Galicia, the plot is part quest, part comedy of errors, progressively departing from its opening tone of realism. It is the tale of poor Reb Yudel of Brody (in today’s western Ukraine, about 100 miles north of Agnon’s native Buczacz), his long-suffering wife, Frummet, and their three modest and righteous daughters, each in need of a bridegroom. The narrative is decisively double-edged: naïve, in the manner of classic folk tales, as well as sophisticated and artful, as a modern work. The Bridal Canopy parodies the Hassidic folk tale, but does so very delicately; it censures without acrimony, always maintaining an air of reverence for the Old World. Unlike other depictions of Eastern European Jewry’s shtetl life, the story is sufficiently subtle to support divergent readings – and that is clearly part of Agnon’s accomplishment. Other Hebrew- or Yiddish-language authors who portray this period level their criticism much closer to the surface. Agnon is responding to that kind of corrosive construction when he creates Reb Yudel, and is in dialogue with those authors of the generation preceding his own. Our author’s portrayal is not without bite, but it is drawn with a far gentler hand. Agnon always sees with a kind of double vision: simultaneously nostalgic for and critical of the Old World, neither a shill for tradition, nor attempting to undermine it. Adoration, or, alternatively, satirization of a worldview does not indicate, in and of itself, an author’s stance vis-à-vis that worldview. For Agnon, the situation is not one of either/or: he desires to simultaneously skewer and sacralize. In so doing, he asks what the past can offer the present and the future. And by posing such a question, Agnon invites his readers to consider their own destinations, despite the fact that his characters are not always able to make that journey forward.
1100455019
The Bridal Canopy
The Bridal Canopy, Nobel laureate S.Y. Agnon’s mock epic novel, is an elaborate frame story encompassing dozens of Hassidic tales. Set in early nineteenth-century Galicia, the plot is part quest, part comedy of errors, progressively departing from its opening tone of realism. It is the tale of poor Reb Yudel of Brody (in today’s western Ukraine, about 100 miles north of Agnon’s native Buczacz), his long-suffering wife, Frummet, and their three modest and righteous daughters, each in need of a bridegroom. The narrative is decisively double-edged: naïve, in the manner of classic folk tales, as well as sophisticated and artful, as a modern work. The Bridal Canopy parodies the Hassidic folk tale, but does so very delicately; it censures without acrimony, always maintaining an air of reverence for the Old World. Unlike other depictions of Eastern European Jewry’s shtetl life, the story is sufficiently subtle to support divergent readings – and that is clearly part of Agnon’s accomplishment. Other Hebrew- or Yiddish-language authors who portray this period level their criticism much closer to the surface. Agnon is responding to that kind of corrosive construction when he creates Reb Yudel, and is in dialogue with those authors of the generation preceding his own. Our author’s portrayal is not without bite, but it is drawn with a far gentler hand. Agnon always sees with a kind of double vision: simultaneously nostalgic for and critical of the Old World, neither a shill for tradition, nor attempting to undermine it. Adoration, or, alternatively, satirization of a worldview does not indicate, in and of itself, an author’s stance vis-à-vis that worldview. For Agnon, the situation is not one of either/or: he desires to simultaneously skewer and sacralize. In so doing, he asks what the past can offer the present and the future. And by posing such a question, Agnon invites his readers to consider their own destinations, despite the fact that his characters are not always able to make that journey forward.
7.49 In Stock
The Bridal Canopy

The Bridal Canopy

by S. Y. Agnon
The Bridal Canopy

The Bridal Canopy

by S. Y. Agnon

eBook

$7.49  $7.99 Save 6% Current price is $7.49, Original price is $7.99. You Save 6%.

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers

LEND ME® See Details

Overview

The Bridal Canopy, Nobel laureate S.Y. Agnon’s mock epic novel, is an elaborate frame story encompassing dozens of Hassidic tales. Set in early nineteenth-century Galicia, the plot is part quest, part comedy of errors, progressively departing from its opening tone of realism. It is the tale of poor Reb Yudel of Brody (in today’s western Ukraine, about 100 miles north of Agnon’s native Buczacz), his long-suffering wife, Frummet, and their three modest and righteous daughters, each in need of a bridegroom. The narrative is decisively double-edged: naïve, in the manner of classic folk tales, as well as sophisticated and artful, as a modern work. The Bridal Canopy parodies the Hassidic folk tale, but does so very delicately; it censures without acrimony, always maintaining an air of reverence for the Old World. Unlike other depictions of Eastern European Jewry’s shtetl life, the story is sufficiently subtle to support divergent readings – and that is clearly part of Agnon’s accomplishment. Other Hebrew- or Yiddish-language authors who portray this period level their criticism much closer to the surface. Agnon is responding to that kind of corrosive construction when he creates Reb Yudel, and is in dialogue with those authors of the generation preceding his own. Our author’s portrayal is not without bite, but it is drawn with a far gentler hand. Agnon always sees with a kind of double vision: simultaneously nostalgic for and critical of the Old World, neither a shill for tradition, nor attempting to undermine it. Adoration, or, alternatively, satirization of a worldview does not indicate, in and of itself, an author’s stance vis-à-vis that worldview. For Agnon, the situation is not one of either/or: he desires to simultaneously skewer and sacralize. In so doing, he asks what the past can offer the present and the future. And by posing such a question, Agnon invites his readers to consider their own destinations, despite the fact that his characters are not always able to make that journey forward.

Product Details

ISBN-13: 9781613290989
Publisher: The Toby Press, LLC
Publication date: 05/01/2015
Sold by: Barnes & Noble
Format: eBook
File size: 2 MB

About the Author

S.Y. Agnon (1888–1970) was the central figure of modern Hebrew literature, and the 1966 Nobel Prize laureate for his body of writing. Born in the Galician town of Buczacz (in today’s western Ukraine), as Shmuel Yosef Czaczkes, he arrived in 1908 in Jaffa, Ottoman Palestine, where he adopted the penname Agnon and began a meteoric rise as a young writer. Between the years 1912 and 1924 he spent an extended sojourn in Germany, where he married and had two children, and came under the patronage of Shlomo Zalman Schocken and his publishing house, allowing Agnon to dedicate himself completely to his craft. After a house fire in 1924 destroyed his library and the manuscripts of unpublished writings, he returned to Jerusalem where he lived for the remainder of his life. His works deal with the conflict between traditional Jewish life and language and the modern world, and constitute a distillation of millennia of Jewish writing – from the Bible through the Rabbinic codes to Hasidic storytelling – recast into the mold of modern literature.
From the B&N Reads Blog

Customer Reviews