The Burning Land
In a hidden desert sanctuary, the sorcerer-priest of a reborn faith uncovers dark truths about his world and its masters in the first book of Victoria Strauss’s fantasy masterwork, the Way of Ârata

A realm long held in the iron grasp of godless tyrants, Arsace is finally free to worship its beloved, once-outlawed deity, Ârata. But decades of cruelty and oppression have left their mark—evidenced not only by the desecrated Âratist temples throughout the holy city of Baushpar but by the widespread mistrust and suspicion that has lately fallen on the Shapers, the powerful mages whose magic is beholden to no religious or government institution.

Both a Shaper and a deeply devout priest, Gyalo Amdo Samchen has embarked on a great mission into the sacred Burning Land to rescue the renegades who, years before, fled into the desert to escape the city’s madness—among them the Dreamer Axane, who dares not reveal her forbidden visions of a world beyond. But shocking truths await Gyalo in the hidden sanctuary of Refuge—and what he learns there of his quest, his land, its leaders, and its faith will cause him to question everything he fervently believes while providing the terrible spark that could ignite the war to end all wars.

In a magnificent feat of world building, Victoria Strauss has created a unique, vividly imagined land, society, and religious culture while spinning a riveting tale of duty, revelation, destiny, and magic that places her in the top ranks of contemporary fantasists.
1005971403
The Burning Land
In a hidden desert sanctuary, the sorcerer-priest of a reborn faith uncovers dark truths about his world and its masters in the first book of Victoria Strauss’s fantasy masterwork, the Way of Ârata

A realm long held in the iron grasp of godless tyrants, Arsace is finally free to worship its beloved, once-outlawed deity, Ârata. But decades of cruelty and oppression have left their mark—evidenced not only by the desecrated Âratist temples throughout the holy city of Baushpar but by the widespread mistrust and suspicion that has lately fallen on the Shapers, the powerful mages whose magic is beholden to no religious or government institution.

Both a Shaper and a deeply devout priest, Gyalo Amdo Samchen has embarked on a great mission into the sacred Burning Land to rescue the renegades who, years before, fled into the desert to escape the city’s madness—among them the Dreamer Axane, who dares not reveal her forbidden visions of a world beyond. But shocking truths await Gyalo in the hidden sanctuary of Refuge—and what he learns there of his quest, his land, its leaders, and its faith will cause him to question everything he fervently believes while providing the terrible spark that could ignite the war to end all wars.

In a magnificent feat of world building, Victoria Strauss has created a unique, vividly imagined land, society, and religious culture while spinning a riveting tale of duty, revelation, destiny, and magic that places her in the top ranks of contemporary fantasists.
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The Burning Land

The Burning Land

by Victoria Strauss
The Burning Land

The Burning Land

by Victoria Strauss

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Overview

In a hidden desert sanctuary, the sorcerer-priest of a reborn faith uncovers dark truths about his world and its masters in the first book of Victoria Strauss’s fantasy masterwork, the Way of Ârata

A realm long held in the iron grasp of godless tyrants, Arsace is finally free to worship its beloved, once-outlawed deity, Ârata. But decades of cruelty and oppression have left their mark—evidenced not only by the desecrated Âratist temples throughout the holy city of Baushpar but by the widespread mistrust and suspicion that has lately fallen on the Shapers, the powerful mages whose magic is beholden to no religious or government institution.

Both a Shaper and a deeply devout priest, Gyalo Amdo Samchen has embarked on a great mission into the sacred Burning Land to rescue the renegades who, years before, fled into the desert to escape the city’s madness—among them the Dreamer Axane, who dares not reveal her forbidden visions of a world beyond. But shocking truths await Gyalo in the hidden sanctuary of Refuge—and what he learns there of his quest, his land, its leaders, and its faith will cause him to question everything he fervently believes while providing the terrible spark that could ignite the war to end all wars.

In a magnificent feat of world building, Victoria Strauss has created a unique, vividly imagined land, society, and religious culture while spinning a riveting tale of duty, revelation, destiny, and magic that places her in the top ranks of contemporary fantasists.

Product Details

ISBN-13: 9781497697560
Publisher: Open Road Media
Publication date: 02/24/2015
Series: Way of Ârata , #1
Sold by: Barnes & Noble
Format: eBook
Pages: 556
File size: 4 MB

About the Author

Victoria Strauss is the author of nine novels for adults and young adults, including Color Song, the Stone fantasy duology, and the Way of Ârata series. She has also written short stories and book reviews, and her work has appeared in Writer’s Digest, among other magazines. In 2006 Strauss served as a judge for the World Fantasy Awards, and in 2009 she received the Service to SFWA Award for cofounding Writer Beware, a publishing-industry watchdog group. Strauss lives in Amherst, Massachusetts.

Read an Excerpt

The Burning Land

Way of Ârata


By Victoria Strauss

OPEN ROAD INTEGRATED MEDIA

Copyright © 2004 Victoria Strauss
All rights reserved.
ISBN: 978-1-4976-9756-0



CHAPTER 1

THE RUSH OF water caught Gyalo full in the chest. It felt completely real; he gasped and leaped aside before he could stop himself, brushing at his face and clothes. Even as he did, he understood the trick, and straightened up again, angry at himself for being taken in.

He thought he could see the one who had done it: a skinny postulant with the yellow headband of a trainee Shaper, leaning over the back of a passing parade cart and grinning in Gyalo's direction. Packed in around him, other trainees tossed blessings to the crowd: a shower of spangles, streamers of transparent gauze, a burst of rainbow brilliance. These were not true shapings, which changed and shifted matter and properly could be performed only in the context of Âratist ceremony, but illusions, substanceless manipulations of light and air: a symbolic reminder of the sacred power bestowed by the god on humankind before time began. They vanished even as the spectators laughed and snatched at them.

The water had not been entirely illusory, though. Gyalo could feel dampness on his cheeks, and the fine golden silk of his Shaper stole was spotted with wet. Under other circumstances he might have seen the humor in it—the people nearby clearly did, though in deference to his Shaperhood they hid their smiles behind their hands—but he had spent time and care dressing himself, and so he was not amused.

"Here, Brother." One of the bystanders, a young Arsacian woman, offered him her stole. "For your face."

She spoke shyly, but laughter twitched the corners of her mouth. Well, Gyalo thought, it was funny. Ruefully, he smiled at her and took the stole.

"Thanks for your charity, lady," he said, giving it back into her hands. "Hopefully I can manage to keep dry the rest of the way."

She giggled. "Great is Ârata," she said, making the god's sign. "Great is his Way."

"Go in light."

Gyalo moved on. To his left the spectators were a mass of packed bodies and laughing faces; to his right the procession trundled along, an exuberant juggernaut of color, noise, and smell: ox-drawn parade carts festooned with ribbons dyed in the god's colors; groups of Forceless monks on foot, beating drums and blowing kanshas, great trumpets that curved over the shoulder and made a sound like a mythic beast dying in agony; drays bearing huge wood-and-gilt statues of Ârata in his four guises of World Creator, Primal Warrior, Eon Sleeper, and Risen Judge; litters with smaller images of some of Ârata's more powerful Aspects—Dâdarshi, Patron of luck, Skambys, Patron of war and weather, Hatâspa, Patron of fire and weaponry, Tane, Patron of crops and the moon—carried by hymn-singing devotee-priests. Between these groups walked postulants with rods of burning incense, and more monks shouting out rhythmically: "Wake, O Ârata, wake. Wake and deliver your children from exile."

Like the blessings, the cacophony was symbolic: No one imagined that all this noise could actually rouse the god. It was meant for the human spectators, to remind them of the waiting that was their lot, that had been the lot of every living creature since Ârata first lay down to sleep. It echoed deafeningly back from the high blood granite walls that enclosed the avenue; Gyalo's ears rang from it, and his eyes burned from incense smoke. Another day he might have ducked through one of the archways that gave access to the tangled side streets, in search of a less crowded way to go. But though he had long known Baushpar's plan by heart, he had never actually set foot in the holy city until six months earlier, and the map in his head did not always guide him properly. He could not risk, today of all days, getting lost.

Which reminded him, with unwelcome sharpness, that he was nervous.

The avenue terminated upon a vast walled square paved in russet ironstone, at whose center rose the monumental bulk of the First Temple of Ârata. The Temple's original core had been erected more than eleven centuries before, but it had been expanded many times since then, in a score or more of different styles and motifs lent harmony by the yellow honey granite of which the whole was made. Images and carvings covered every inch of the huge façade, worn to varying degrees of featurelessness by time and weather, but here and there, where the construction was newer or there was protection from the elements, showing sharper and more perfect. Above it all a dozen domes reached toward the sky, like fat lotus buds about to open. Recently regilded, they reflected light even on this overcast day; when the sun shone, they were blinding.

Gyalo had been raised on tales of the First Temple's magnificence, and it justified the stories in every respect, even marred by decades of neglect and the more substantial depredations of the Caryaxists, who had helped themselves to floor tiles and wall inlays and anything made of metal, and scraped all the gold leaf off the image of Ârata Eon Sleeper that reclined at the Temple's circular core. Still, the Temple was too huge, and—even for the Caryaxists—too sacred to be razed or ruined, as other temples and shrines and monasteries all over Arsace had been. It rested on the ironstone paving, a golden island atop a russet sea, as colossal and serene as the dreaming god himself.

Gyalo and the procession parted company—the procession moving left, preparing to round the Temple, Gyalo turning right, toward the square's western side. The spectators made way for him, dipping their heads respectfully and making the sign of Ârata as he passed. Elsewhere the square was thickly populated by food vendors and offerings-sellers, but there were none here. The western wall marked the boundary of the Evening City, a labyrinth of courts and offices and suites that, from the first days of the church, had been the seat of the Âratist leadership. For the past eighty years it had stood empty, for the Caryaxist rebellion had sent the Brethren into exile. But the Caryaxists were gone now, and the Sons and Daughters had taken back their home.

The red gate at the wall's midpoint was unlocked—meant not to bar entry but to remind those who passed through it of the separateness of the men and women who lived on its other side. It gave onto a long courtyard paved in the same ironstone as the square. At the court's far end, a pavilion with a yellow-tiled roof marked the entrance to the Evening City.

Four guards stood duty inside, clad in the white stoles of the Forceless and displaying on their arms and cheeks the sinuous tattoos of ordinates from the kingdom of Kanu- Tapa, where Skambys, Patron of war, was the most important of the Aspects, and martial arts were part of Âratist training. Behind them rose two great sets of vermilion- painted doors. Those on the left, which gave access to the offices where administrative work was done, were open. Those on the right were closed. Beyond them lay the living quarters of the Brethren, where no one went without permission.

Gyalo approached the guards' leader. He came here daily, in his capacity as aide to the Son Utamnos; the guards all knew him, a fact they acknowledged now by ignoring him completely. This time, though, his purpose was different.

"I have a summons." By custom, he spoke Arsacian, the common language of the church. "From the Bearer."

The leader's bored, superior expression did not change. He took the message cylinder Gyalo offered and scanned the paper inside. Turning, he nodded to one of his subordinates, who disappeared through the right-hand doors. The leader handed the summons back to Gyalo and withdrew his attention again, as thoroughly as if Gyalo had ceased to exist.

Under other circumstances Gyalo might have been annoyed at this display of Tapati arrogance, but today he was too distracted. His apprehension flowed through him like water. It was unexpected, this anxiety—not the feeling itself, for given the identity of his summoner some degree of nervousness was to be expected, but its acuteness. Had not Utamnos, warning him to expect the summons, told him that its purpose would honor him? Yet Utamnos either could not or would not reveal what the purpose was, giving him instead a list of documents to read in preparation: accounts of the Caryaxist occupation, descriptions of Thuxra City, the small body of writings on the Burning Land. Over the past four days the mystery had become more and more oppressive. Now, waiting in the pavilion with only the disdainful guards for company, Gyalo felt nearly ill with accumulated stress.

The guard returned, another Forceless monk behind him. The monk scrutinized Gyalo's summons and tucked it into a pocket of his gown.

"Come," he said.

He led the way through the doors on the right, into rooms and corridors familiar to Gyalo from his visits to Utamnos's private suite, and then into regions Gyalo did not know. Everywhere was magnificence, both intact—astonishing floor mosaics, intricately carved columns and door frames, gorgeously stenciled ceilings, majestic galleries flanked by graveled courts—and marred—defaced murals, derelict gardens, ruined atriums, shattered carvings. The Caryaxists had been great graffitists, and the returning Âratist leadership had found much of the Evening City decorated with revolutionary slogans and lewd cartoons. Despite the priority given to the removal of these, a few still remained, ugly scrawlings in red paint like blood, yellow paint like bile: Ârata's colors, used to mock him.

Gyalo's guide delivered him at last into a large chamber with a coffered ceiling and a floor of red tile. "Wait here," he directed, and departed.

Gyalo paced the length of the room, halting before the windows. They faced onto a small garden—not overgrown, like many of those he had just passed, but exquisitely restored, with clipped shrubs and carefully raked gravel paths. The warm air smelled of roses. He closed his eyes and breathed deeply, seeking calm. He was aware of the beating of his heart, the ebb and flow of his apprehension.

There were footsteps behind him. He turned. A man in white-and-crimson clothes was passing through the doorway, followed by two Tapati guards and a teenage boy. The man towered above all three of his companions; he moved with the swift forceful stride of someone who assumed without considering it that he would be made way for. Gyalo had seen this man many times—had heard him speak many times, too, in rich tones that made all words beautiful—but always from a distance, always surrounded by scores, even hundreds, of others. He had never, at this point in his career, thought to stand solitary before the Blood Bearer, incarnate Son of Ârata's First Messenger and elected leader of the Âratist church.

He came forward and sank to his knees on the cool tiles. He bowed his head, crossing his hands before his face, and said, in a voice that shook only a little:

"Great is Ârata. Great is his Way."

"Go in light," the Bearer replied. "Get up."

Gyalo obeyed. The Bearer was about forty years of age, with broad handsome features and heavy-lidded eyes. An intricate image of the sun, Ârata's symbol, was tattooed in red upon his forehead. He had the tawny skin and heavy bone structure common in the kingdom of Haruko, where he had been born in this incarnation; the great weight of muscle he carried was apparent in his corded neck and wide shoulders and the round hard sinews of his right arm, left bare by the traditional draping of his white stole. Like all vowed Âratists he kept his chin and skull clean-shaven, and wore the monk's uniform of loose trousers and knee-length sleeveless gown—though his were made of lustrous red silk, rather than Gyalo's plain linen or the coarse cotton worn by the Forceless.

On the Bearer's chest rested the badge of his office, a thick gold chain with a pendant cage of gold wire, inside which gleamed a honey-colored jewel as large as a man's clenched fist: the Blood of Ârata. The Blood was round in shape and naturally faceted; a core of living flame seemed to dance at its heart. All vowed Âratists wore a smaller simulacrum of this necklace, hidden beneath their clothing, but the most cleverly crafted of these could only suggest the splendor of the original. If Gyalo had not known what the jewel was, he would still have sensed its sacredness, in that shuddering brilliance that was unlike anything else in the world—so much more beautiful, and so much stranger, than was apparent from a distance.

"Your master told you to expect this summons, yes?"

With difficulty, Gyalo wrenched his attention away from the jewel. "Yes, Old One."

"Your master holds you in high esteem." The Bearer's eyes moved across Gyalo's face, as if measuring him against that assessment. "He tells me that he relies on you beyond any of his other aides."

Gyalo bowed his head. "His confidence honors me, Old One."

"Come." The Bearer turned and strode toward the chair his guards had brought forward and placed at the center of the room. Gyalo followed, halting a little distance away and arranging himself in a posture of respect, his eyes cast down and his hands clasped before him. He was conscious of the guards at the Bearer's back, and of the boy, kneeling quietly on the floor at the Bearer's feet. The boy was also Haruko-born, paler of skin than the Bearer, but with the same strong bones and heavy-lidded almond eyes. His black hair hung loose, and he wore the plain white tunic and trousers of a postulant. But the sun tattoo on his forehead, and of course his presence, marked him for what he truly was: another incarnate Son, too young yet to take up the burdens of leadership but old enough to observe his elders in the performance of their duties. Infant Sons and Daughters were given to the adult Brethren to raise as their own: This boy, Vimâta, was both the Bearer's spirit-brother and his foster child.

"Tell me about yourself," the Bearer said. "Where were you born?"

"In Rimpang, Old One." Rimpang, capital of the kingdom of Chonggye, was home to the largest Âratist center in Galea after Baushpar; the Brethren had taken refuge there upon their flight from the Caryaxist rebellion. "My mother was a cook in one of the convents. She died when I was seven. The nuns gave me to the monks to raise."

"Had you no other family?"

"My father. But he was a soldier, and stationed elsewhere. There were only the monks to take me in."

The Bearer shifted in his chair, crossing one leg over the other. His broad face was attentive, as if he were hearing these things for the first time. Gyalo had no doubt, however, that the Bearer already knew everything that was to be known about him. This recital was, in some way, a test.

"Did your father ever return?"

"Yes, Old One, about a year after my mother died. He wanted me to have a military career, not a religious one. He demanded that I be taken from the monastery and given to him. The monks told me I could choose, and that if I wanted to stay, they would honor my wishes. I decided to stay. My father was angry—he tried to get the courts to intervene, he even petitioned the overlord of Rimpang province. But then he was called away. He never came back. I heard later that he died in the Jingya epidemics."

"Why did you decide to stay? You didn't yet know you were a Shaper. And you were very young—too young, surely, to know what you desired for the rest of your life."

"From the time I can remember, Old One, Ârata has called me. One of the earliest memories I have is of the Rimpang temple core—the image of Ârata Creator, the incense and the candles, the offerings and the silence. I loved the silence—I thought I could feel the god within it. I think I always wanted to vow the Way, though I never truly understood that until my father tried to make me a soldier."

"You would have come to the Way in any case, being what you are, whether your father wished it or not."

"Yes, Old One. But most Shapers never choose their service—they are chosen, by their ability. But I did choose, before ever I knew what I was. I feel blessed to have been granted that chance."

The Bearer studied Gyalo; at his feet, Vimâta gravely echoed his spirit-brother's attention. The Bearer's heavy-lidded gaze was extraordinarily direct, and also extraordinarily opaque. Gyalo could feel the force of the powerful personality behind it; he could see the ancient intelligence that lived in those eyes. But he could not begin to guess what the Bearer might be thinking.


(Continues...)

Excerpted from The Burning Land by Victoria Strauss. Copyright © 2004 Victoria Strauss. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Contents

Arsacian Pronunciation,
The Doctrine of Baushpar,
Prologue: The Messengers' Tale,
Part I: INTO THE WILDERNESS,
Part II: THE DREAMER'S PROMISE,
Part III: THE APOSTATE'S JOURNEY,
Part IV: OUT OF EXILE,
Preview: The Awakened City,
Glossary,
Acknowledgments,
About the Author,

Interviews

An Interview with Victoria Strauss

In an exclusive interview with Barnes & Noble.com in January 2004, Strauss talked about her fascination with religion, and the motivation behind writing The Burning Land.

Paul Goat Allen: Victoria, as a graduate of Vassar College with a degree in comparative religion, you're obviously interested in belief systems. What was your motivation for creating the very intricate religion of Âratism? I was fascinated by the mix of Old Testament ambiance and poetic Taoist philosophy.

Victoria Strauss: It's interesting that you should mention the Old Testament, because that was something I initially set out to avoid. I wanted to come up with a religion that wouldn't specifically resemble the Judeo-Christian tradition -- I really wanted to do a fantasy that would have an Eastern rather than a Western feel. Most of my initial research was concentrated on Eastern religious traditions: Taoism, the various forms of Buddhism, Shinto. But I also wanted Âratism to be monotheistic, and as a result a lot of elements crept in that are more Western than Eastern, such as the idea of a human prophet taking direct dictation from the god. The Way of Ârata wound up being about an equal mix of East and West. I also wanted to create a religion that would feel real. Many fantasy religions are little more than window dressing or scene setting, or else they're highly conventionalized versions of pantheism, with gods that serve whatever purpose is needed by the plot and maybe some priests and nifty rituals -- but not a lot of thought-out legend or theology. I wanted the Way of Ârata to seem like a living faith, a faith that some group of people somewhere in the real world might actually follow.

PGA: I loved the striking color imagery throughout this novel. It was as if the blood of the sleeping god was manifesting itself in all of its creations -- "the scarlet sand," "crimson silk," "redback ram," "the blood orange light of sunset," etc. Was this imagery a conscious decision?

VS: Color imagery is important to Âratists: According to scripture, the god's skin is red and his eyes and hair are gold, and Âratist clerics wear these colors as an expression of reverence. So color was a theme from the start, especially as Gyalo and the others travel through the Burning Land, where they believe the sleeping god lies. I'm also a very visual writer; I see what I write about like a movie in my head, and things like color, texture, light, and shadow always play an important part. In fact, I often use visual aids -- for instance, when I was working on the segment of the book set in the Burning Land, I had pictures of Petra, the ancient Jordanian city that's the inspiration for the lost community of Refuge, and the Australian Outback, on which I based most of the geography of the Burning Land, pasted up around my office. But I also think that a lot of this sort of imagery creeps in unconsciously, especially when you're working from a concept that you feel very strongly. I didn't realize until your question how much red there actually is in the book. It's nice to know my conscious and unconscious writing minds were on the same track!

PGA: Was the character of Gyalo, the reluctant prophet, based loosely on any historical figures?

VS: No. I wanted Gyalo to be his own person. I also wanted him to be an archetypal figure, if that doesn't sound too pretentious, in that he experiences dilemmas of faith and loyalty that readers will recognize as universal. That's somewhat harder to achieve if you also bring in the expectations and associations that result from an identification with a specific historical figure.

PGA: I heard that The Burning Land is the first book in a duology. What is the tentative title and publication date of Book Two, and can you give your readers a little hint as to what transpires in it?

VS: I'm still at work on the second book. The publication date isn't set, but I'm hoping it will be out in 2005. It doesn't have a title yet. I'm superstitious about titles, since the only novel for which I had a title right from the start is also the only novel I never finished. I'm afraid that if I come up with a title too soon I'll jinx myself. I don't want to say too much about Book Two, for fear of spoilers for The Burning Land, but I can tell you that Gyalo makes the choice he tried to avoid in Book One (though I'll leave you to guess which way he chooses), Axane continues to question, the Brethren get their comeuppance, and Râvar discovers that vengeance isn't all it's cracked up to be. I'm hoping to answer all the questions raised at the end of The Burning Land, but in ways the reader doesn't expect.

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