Caspar David Friedrich and the Subject of Landscape: Second Edition

Caspar David Friedrich (1774–1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe’s first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective—one in which, as Freidrich wrote, the painter depicts not “what he sees before him, but what he sees within him.” This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic.

            Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters.

            “This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject.”—Independent

1101644888
Caspar David Friedrich and the Subject of Landscape: Second Edition

Caspar David Friedrich (1774–1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe’s first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective—one in which, as Freidrich wrote, the painter depicts not “what he sees before him, but what he sees within him.” This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic.

            Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters.

            “This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject.”—Independent

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Caspar David Friedrich and the Subject of Landscape: Second Edition

Caspar David Friedrich and the Subject of Landscape: Second Edition

by Joseph Leo Koerner
Caspar David Friedrich and the Subject of Landscape: Second Edition

Caspar David Friedrich and the Subject of Landscape: Second Edition

by Joseph Leo Koerner

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Overview

Caspar David Friedrich (1774–1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe’s first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective—one in which, as Freidrich wrote, the painter depicts not “what he sees before him, but what he sees within him.” This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic.

            Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters.

            “This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject.”—Independent


Product Details

ISBN-13: 9781861897503
Publisher: Reaktion Books, Limited
Publication date: 11/15/2009
Series: non-series
Sold by: Barnes & Noble
Format: eBook
Pages: 328
File size: 23 MB
Note: This product may take a few minutes to download.

About the Author

Joseph Leo Koerneris the Victor S. Thomas Professor of History of Art and Architecture at Harvard University. His books include The Moment of Self-Portraiture in German Renaissance Art and TheReformation of the Image, copublished by Reaktion Books and the University of Chicago Press. In 1995 he was elected a Fellow of the American Academy of Arts and Sciences.

Table of Contents

PART I

Romanticizing the World

1 From the Dresden Heath

2 The Subject of Landscape

3 Romanticism

PART II

Art as Religion

4 The Non-Contemporaneity of the Contemporary

5 Sentimentalism

6 Friedrich’s System

7 Symbol and Allegory

8 The End of Iconography

PART III

The Halted Traveller

9 Entering the Wood

10 Theomimesis

11 Reflection

12 Déjà vu

 

Afterword

Sources and Bibliography

List of Illustrations

Index

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