Cities of the Dead: Circum-Atlantic Performance

In the early eighteenth century, a delegation of Iroquois visited Britain, exciting the imagination of the London crowds with images of the “feathered people” and warlike “Mohocks.” Today, performing in a popular Afrodiasporic tradition, “Mardi Gras Indians” or “Black Masking Indians” take to the streets of New Orleans at carnival time and for weeks thereafter, parading in handmade “suits” resplendent with beadwork and feathers. What do these seemingly disparate strands of culture share over three centuries and several thousand miles of ocean?

Interweaving theatrical, musical, and ritual performance along the Atlantic rim from the eighteenth century to the present, Cities of the Dead explores a rich continuum of cultural exchange that imaginatively reinvents, recreates, and restores history. Joseph Roach reveals how performance can revise the unwritten past, comparing patterns of remembrance and forgetting in how communities forge their identities and imagine their futures. He examines the syncretic performance traditions of Europe, Africa, and the Americas in the urban sites of London and New Orleans, through social events ranging from burials to sacrifices, auctions to parades, encompassing traditions as diverse as Haitian Voudon and British funerals. Considering processes of substitution, or surrogation, as enacted in performance, Roach demonstrates the ways in which people and cultures fill the voids left by death and departure.

The twenty-fifth anniversary edition of this classic work features a new preface reflecting on the relevance of its arguments to the politics of performance and performance in contemporary politics.

1139296515
Cities of the Dead: Circum-Atlantic Performance

In the early eighteenth century, a delegation of Iroquois visited Britain, exciting the imagination of the London crowds with images of the “feathered people” and warlike “Mohocks.” Today, performing in a popular Afrodiasporic tradition, “Mardi Gras Indians” or “Black Masking Indians” take to the streets of New Orleans at carnival time and for weeks thereafter, parading in handmade “suits” resplendent with beadwork and feathers. What do these seemingly disparate strands of culture share over three centuries and several thousand miles of ocean?

Interweaving theatrical, musical, and ritual performance along the Atlantic rim from the eighteenth century to the present, Cities of the Dead explores a rich continuum of cultural exchange that imaginatively reinvents, recreates, and restores history. Joseph Roach reveals how performance can revise the unwritten past, comparing patterns of remembrance and forgetting in how communities forge their identities and imagine their futures. He examines the syncretic performance traditions of Europe, Africa, and the Americas in the urban sites of London and New Orleans, through social events ranging from burials to sacrifices, auctions to parades, encompassing traditions as diverse as Haitian Voudon and British funerals. Considering processes of substitution, or surrogation, as enacted in performance, Roach demonstrates the ways in which people and cultures fill the voids left by death and departure.

The twenty-fifth anniversary edition of this classic work features a new preface reflecting on the relevance of its arguments to the politics of performance and performance in contemporary politics.

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Cities of the Dead: Circum-Atlantic Performance

Cities of the Dead: Circum-Atlantic Performance

by Joseph Roach
Cities of the Dead: Circum-Atlantic Performance

Cities of the Dead: Circum-Atlantic Performance

by Joseph Roach

eBook

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Overview

In the early eighteenth century, a delegation of Iroquois visited Britain, exciting the imagination of the London crowds with images of the “feathered people” and warlike “Mohocks.” Today, performing in a popular Afrodiasporic tradition, “Mardi Gras Indians” or “Black Masking Indians” take to the streets of New Orleans at carnival time and for weeks thereafter, parading in handmade “suits” resplendent with beadwork and feathers. What do these seemingly disparate strands of culture share over three centuries and several thousand miles of ocean?

Interweaving theatrical, musical, and ritual performance along the Atlantic rim from the eighteenth century to the present, Cities of the Dead explores a rich continuum of cultural exchange that imaginatively reinvents, recreates, and restores history. Joseph Roach reveals how performance can revise the unwritten past, comparing patterns of remembrance and forgetting in how communities forge their identities and imagine their futures. He examines the syncretic performance traditions of Europe, Africa, and the Americas in the urban sites of London and New Orleans, through social events ranging from burials to sacrifices, auctions to parades, encompassing traditions as diverse as Haitian Voudon and British funerals. Considering processes of substitution, or surrogation, as enacted in performance, Roach demonstrates the ways in which people and cultures fill the voids left by death and departure.

The twenty-fifth anniversary edition of this classic work features a new preface reflecting on the relevance of its arguments to the politics of performance and performance in contemporary politics.


Product Details

ISBN-13: 9780231555265
Publisher: Columbia University Press
Publication date: 11/30/2021
Sold by: Barnes & Noble
Format: eBook
Pages: 352
File size: 82 MB
Note: This product may take a few minutes to download.

About the Author

Joseph Roach is Sterling Professor Emeritus of Theater and professor emeritus of English at Yale University. His books include It (2007) and The Player’s Passion: Studies in the Science of Acting (1985).

Table of Contents

Preface to the Twenty-Fifth Anniversary Edition
Preface
Acknowledgments
1. Introduction: History, Memory, and Performance
2. Echoes in the Bone
3. Betterton’s Funeral
4. Feathered Peoples
5. One Blood
6. Carnival and the Law
Epilogue: New Frontiers
References
Index

What People are Saying About This

Emory Elliott

Cities of the Dead is going to be one of the most important books of the decade. It will have a profound and significant impact on the areas of cultural studies, performance studies, and literary criticism and theory. It will be on the list of the dozen significant studies of race and culture in the West of the last fifity years.

Emory Elliott, University of California, Riverside

Eric Lott

This... exploration of Atlantic rim performance cultures restores the centrality of memory and gesture, profession and surrogation-the invention of a modern world out of the forcible destruction of the old-to the diasporic and genocidal histories of Africa, the Americas, and Europe....Roach pursues a pathbreaking version of cultural history.

Eric Lott, author of Love and Theft: The Blackface Minstrelsy and the American Working Class

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