Collecting, Curating, and Researching Writers' Libraries: A Handbook
Academic collection practices in recent years have extended to the private libraries of notable individual authors. As a consequence, book historians have become more interested in the study of provenance of the contents of these libraries, while literary scholars have devoted more attention to authorial annotations. At the same time, the Internet has encouraged both scholarly and hobbyist reconstructions of private libraries (see, for example, the “Legacy Libraries” on Librarything.com). Although there are many bibliographies and reconstructions of the libraries of authors, this is the first general consideration of these libraries and serves as an introduction to best practices for academic libraries in their acquisition, cataloging and issues of access.

This collection begins with principal editor Richard Oram’s historical overview of writers’ libraries and institutional collecting, focusing primarily on English-language authors. The co-editor, Joseph Nicholson, has provided a definitive review of best cataloging and arrangement practices that facilitate scholarly access. The bookseller Kevin Mac Donnell discusses the marketing of these collections and obstacles to placing intact author libraries in institutions. Also included are case studies by Amanda Golden and David Faulds relating to the personal libraries of the poets Anne Sexton and Ted Hughes, indicating how these collections have the potential to enhance archival research. Fiction writers Iain Sinclair, Russell Banks, Jim Crace, poet Ted Kooser, and biographer Ron Powers describe their (sometimes passionate) relationship with books and their own personal libraries. The concluding chapter, a location guide to over 500 individual libraries, will be invaluable to scholars and librarians who want to know where writers’ libraries are currently located, what happened to them (if they are known to have been sold or dispersed), and what has been written about them.
1118913935
Collecting, Curating, and Researching Writers' Libraries: A Handbook
Academic collection practices in recent years have extended to the private libraries of notable individual authors. As a consequence, book historians have become more interested in the study of provenance of the contents of these libraries, while literary scholars have devoted more attention to authorial annotations. At the same time, the Internet has encouraged both scholarly and hobbyist reconstructions of private libraries (see, for example, the “Legacy Libraries” on Librarything.com). Although there are many bibliographies and reconstructions of the libraries of authors, this is the first general consideration of these libraries and serves as an introduction to best practices for academic libraries in their acquisition, cataloging and issues of access.

This collection begins with principal editor Richard Oram’s historical overview of writers’ libraries and institutional collecting, focusing primarily on English-language authors. The co-editor, Joseph Nicholson, has provided a definitive review of best cataloging and arrangement practices that facilitate scholarly access. The bookseller Kevin Mac Donnell discusses the marketing of these collections and obstacles to placing intact author libraries in institutions. Also included are case studies by Amanda Golden and David Faulds relating to the personal libraries of the poets Anne Sexton and Ted Hughes, indicating how these collections have the potential to enhance archival research. Fiction writers Iain Sinclair, Russell Banks, Jim Crace, poet Ted Kooser, and biographer Ron Powers describe their (sometimes passionate) relationship with books and their own personal libraries. The concluding chapter, a location guide to over 500 individual libraries, will be invaluable to scholars and librarians who want to know where writers’ libraries are currently located, what happened to them (if they are known to have been sold or dispersed), and what has been written about them.
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Collecting, Curating, and Researching Writers' Libraries: A Handbook

Collecting, Curating, and Researching Writers' Libraries: A Handbook

Collecting, Curating, and Researching Writers' Libraries: A Handbook

Collecting, Curating, and Researching Writers' Libraries: A Handbook

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Overview

Academic collection practices in recent years have extended to the private libraries of notable individual authors. As a consequence, book historians have become more interested in the study of provenance of the contents of these libraries, while literary scholars have devoted more attention to authorial annotations. At the same time, the Internet has encouraged both scholarly and hobbyist reconstructions of private libraries (see, for example, the “Legacy Libraries” on Librarything.com). Although there are many bibliographies and reconstructions of the libraries of authors, this is the first general consideration of these libraries and serves as an introduction to best practices for academic libraries in their acquisition, cataloging and issues of access.

This collection begins with principal editor Richard Oram’s historical overview of writers’ libraries and institutional collecting, focusing primarily on English-language authors. The co-editor, Joseph Nicholson, has provided a definitive review of best cataloging and arrangement practices that facilitate scholarly access. The bookseller Kevin Mac Donnell discusses the marketing of these collections and obstacles to placing intact author libraries in institutions. Also included are case studies by Amanda Golden and David Faulds relating to the personal libraries of the poets Anne Sexton and Ted Hughes, indicating how these collections have the potential to enhance archival research. Fiction writers Iain Sinclair, Russell Banks, Jim Crace, poet Ted Kooser, and biographer Ron Powers describe their (sometimes passionate) relationship with books and their own personal libraries. The concluding chapter, a location guide to over 500 individual libraries, will be invaluable to scholars and librarians who want to know where writers’ libraries are currently located, what happened to them (if they are known to have been sold or dispersed), and what has been written about them.

Product Details

ISBN-13: 9781442234987
Publisher: Rowman & Littlefield Publishers, Inc.
Publication date: 05/21/2014
Sold by: Barnes & Noble
Format: eBook
Pages: 240
File size: 2 MB

About the Author

Richard W. Oram is Associate Director & Hobby Foundation Librarian of the Harry Ransom Center. He received his B.A. from the University of Illinois at Urbana-Champaign, a Ph.D. in English from Cornell, and the M.L.I.S. from the University of Texas.

Joseph Nicholson is Metadata Librarian at J. Murrey Atkins Library at the University of North Carolina at Charlotte. He previously worked as a cataloger at Louisiana State University Libraries. He holds an A.B. in Comparative Literature and Classics and an M.L.S. from the University of North Carolina at Chapel Hill, as well as an M.A. in English literature from the College of William and Mary.

Table of Contents

Preface
Chapter I: Writers’ Libraries: Historical Overview and Curatorial Considerations
Richard W. Oram
Chapter II: Cataloging Writers’ Libraries
Joseph Nicholson
Chapter III: The Bookseller’s Prospective
Kevin Mac Donnell
Chapter IV: Anne Sexton's Modern Library
Amanda Golden
Chapter V: A Poet’s Library Times Two: The Library of Ted Hughes at Emory University
David Faulds
Chapter VI: Writers on Their Libraries
Richard W. Oram and Kevin Mac Donnell
Chapter VII: Location and Bibliographical Guide to Writers’ Libraries
Richard W. Oram and Joseph Nicholson
Index
About the Contributors
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