Comedy and the Politics of Representation: Mocking the Weak

by Helen Davies (Editor), Sarah Ilott (Editor)

Overview

This edited collection explores the representations of identity in comedy and interrogates the ways in which “humorous” constructions of gender, sexuality, ethnicity, religion, class and disability raise serious issues about privilege, agency and oppression in popular culture. Should there be limits to free speech when humour is aimed at marginalised social groups? What are the limits of free speech when comedy pokes fun at those who hold social power? Can taboo joking be used towards politically progressive ends? Can stereotypes be mocked through their re-invocation? Comedy and the Politics of Representation: Mocking the Weak breaks new theoretical ground by demonstrating how the way people are represented mediates the triadic relationship set up in comedy between teller, audience and butt of the joke. By bringing together a selection of essays from international scholars, this study unpacks and examines the dynamic role that humour plays in making and remaking identity and power relations in culture and society.

Product Details

ISBN-13:	9783319905068
Publisher:	Palgrave Macmillan
Publication date:	07/27/2018
Series:	Palgrave Studies in Comedy
Sold by:	Barnes & Noble
Format:	eBook
File size:	608 KB

About the Author

Helen Davies is Head of English and Creative Writing at Newman University, UK. She is the author of Gender and Ventriloquism in Victorian and Neo-Victorian Fiction: Passionate Puppets (Palgrave, 2012) and Neo-Victorian Freakery: The Cultural Afterlife of the Victorian Freak Show (Palgrave, 2015).
Sarah Ilott is Lecturer in Literature and Film at Manchester Metropolitan University, UK. She is the author of New Postcolonial British Genres: Shifting the Boundaries (Palgrave, 2015).

Table of Contents

1. Introduction: Mocking the Weak? Contexts, Theories, Politcs, Helen Davies and Sarah Ilott.- 2. Taking Liberties? Free Speech, Multiculturalism and the Ethics of Satire, Anshuman A. Mondal.- 3. Openness, Otherness, and Expertise: Uncertainty and Trust in Stewart Lee’s Comedy Vehicle, Rob Hawkes.- 4. British Multiculturalism, Romantic Comedy, and the Lie of Social Unification, Sarah Ilott.- 5. Parodying Racial Passing in Chappelle’s Show and Key&Peele, Janine Bradbury.- 6. Blackness and Banal Whiteness: Abjection and Identity in the Italian Christmas Comedy, Alan O’Leary.- 7. Sexual and National Difference in the high-speed, popular surrealism of Tommy Handley and Ronald Frankau’s double acts, 1929-1936, Neil Washbourne.- 8. From Terry and June to Terry and Julian: June Whitfield and the British Suburban Sitcom, Rosie White.- 9. Saintly Cretins and Ugly Buglys: Laughing at Victorian Disability in Hunderby, Helen Davies.- 10. Standing Up to False Binaries in Humour and Autism: A Dialogue, Kate Fox.- 11. Comedy and the Representation of the British Working Class from On the Buses to This is England ’90, Tracy Casling.- 12. Theorising Post-Socialist Sitcom: Imported Form, Vernacular Humour and Taste Boundaries on the Global Periphery, Dejan Jontes and Andreja Trdina.- 13. Smile, Hitler? Nazism and Comedy in Popular Culture, Jason Lee.- 14. POTUS Stand-up: The White House Correspondents’ Dinner, Sheryl Tuttle Ross.

What People are Saying About This

From the Publisher

“What can comedy really tell us about the politics of representation? In this brilliant collection of essays which oscillates between On the Buses and This is England ’90 to Obama and Trump, Comedy and the Politics of Representation: Mocking the Weak panoramically explores representations of identity in comedy and shines new light on the ways in which questions of representation often uncover serious issues of both agency and oppression. An incisive and necessary book.” (Kirsty Fairclough, University of Salford, UK)

“This collection of essays covers a broad range of topics while also turning around a key critical concern with the politics of identity and representation. It is a valuable contribution to the growing scholarship on humour and comedy, raising vital questions about the power dynamics and ethical issues involved in various comedic forms and genres. I heartily recommend it to anyone interested in the role of humour in social relations and its use either to reinforce or resist existing divisions and inequalities.” (Michael Pickering, Loughborough University, UK)

“In a century of the Danish cartoons, #JeSuisCharlie, and #MeToo revelations about comedians’ sexual misconduct, it is clear that comedy is a serious business. Helen Davies, Sarah Ilott, and their contributors conduct fine-grained analysis of the ethics of comedy. Do satirists really speak truth to power, or could some be accused of punching down? Should comedy entail escapism and wordplay, or subversion and changing audiences’ mindsets? This book ranges widely through geographies and history to find answers.” (Claire Chambers, University of York, UK)