OCTOBER 2016 - AudioFile
Hope Davis is an outstanding narrator, and many will enjoy her interpretation of Ann Patchett’s expansive new novel, based on her own life. An affair followed by divorce divides two families, and the repercussions stretch over several decades, linking the two sets of children in a common tragedy. The novel rests heavily on narration, and on different character perspectives—a strategy wonderfully conceived and executed by Patchett, who depicts key events in retrospect and at a distance, in chapters assigned to different decades, different sets of characters, and different sides of the country. Dialogue scenes are essential, as well, and here Davis might have done better to maintain a consistent narrative voice, rather than trying to represent individual character voices, which prove of uneven quality. Regardless, Patchett is, as always, a surprising and resourceful storyteller. D.A.W. © AudioFile 2016, Portland, Maine
The Barnes & Noble Review
Ann Patchett is drawn to the often unexpected bonds people form in unusual circumstances. Many of her novels are predicated on what might be called the Magic Mountain syndrome, which she described succinctly in an essay in her 2013 collection, This Is the Story of a Happy Marriage: "a group of strangers are thrown together by circumstance and form a society in confinement." In Bel Canto, high-profile guests attending a lavish birthday party for a powerful, opera-loving Japanese businessman in South America pair off in unanticipated combinations when they are held hostage. In State of Wonder, a team of research scientists in pursuit of a missing colleague and a miracle fertility drug in the Amazon rain forest find themselves relying on each other in new ways in the heart of darkness. And in Commonwealth, her most autobiographical novel to date, six stepsiblings from two broken marriages are thrown together during court-mandated summer vacations in Virginia, forming a surprisingly tight-knit "fierce little tribe." The children, four girls and two boys, are united in part by their shared disillusionment with the two parents whose affair instigated the implosion of their original families. But after the oldest boy dies during one of their unsupervised escapades, they drift apart — yet remain forever linked by their uneasy sense of guilty complicity.
Commonwealth opens with another classic narrative catalyst: the uninvited guest. On a hot June Sunday in the 1960s, Beverly and Francis Xavier (Fix) Keating throw a christening party for the younger of their two daughters, Franny. Because many of the attendees are Fix's fellow cops from the Los Angeles Police Department, "half the party was armed." The afternoon takes a turn when an uninvited guest shows up bearing a bottle of gin. The interloper is Bert Cousins, a deputy DA, who is on the lam from weekend daddy duty with his three kids. From the moment he spots beautiful Beverly Keating he's smitten. Unlike his pregnant wife, Teresa, Beverly has kept herself up and is dazzling in her yellow dress. Bert notes enviously that "Fix Keating had fewer children and a nicer watch and a foreign car and a much-better- looking wife" — all this despite the fact that "The guy hadn't even made detective." Before the party is over, he will have kissed the hostess and set in motion a chain of events that will reverberate over the next five decades.
There have been early glimpses of the personal story behind Commonwealth in Patchett's work. The title essay in This Is the Story of a Happy Marriage addresses the author's long family history of failed marriages and the generational "flotsam" from divorce — which led to Patchett's early decision not to have children. It also contributed to two prominent themes in much of her work, including Commonwealth: commitment, and the importance of compassion to get through life. Both were factors in Patchett's late, happy second marriage, which took her by surprise.
There is no shortage of great literature about the fallout from divorce and the reconfigured families that children are left to cope with. (Martha McPhee's Bright Angel Time, featuring a motley gang of stepsiblings under the sway of a charismatic guru- like stepfather, springs to mind as another example of what in today's world of intensely focused parenting seems like carelessness if not outright neglect.) Commonwealth stands out on many levels, from its assured handling of complex time shifts to Patchett's extraordinary compassion even for seriously flawed characters like Bert. Her deeper sympathies clearly lie with Bert and Beverly's two betrayed spouses, saintly Teresa Cousins and warm Fix Keating, who eventually find happiness with kinder partners. They also benefit from the tag-teaming care of their grown children in their final years. "What do the only children do?" Franny Keating asks her sister after a difficult eighty-third birthday outing with their dying father. "We'll never have to know," Caroline answers. In fact, Commonwealth — like Patchett's essay "The Wall" — can be read in part as a love song to her father, who, like Fix, was a detective with the LAPD.
Patchett's gift for characterization and empathy extends to each of the six children, from smart, bossy Caroline, who pleases both her father and stepfather by becoming a lawyer, to wayward Albie, Bert's youngest, who is most affected by his older brother's death, for reasons I'll leave for readers to discover. If there's a hole in her narrative, it's Beverly, who remains a void beneath the surface of her multi-husband-catching glamorous looks.
Franny Keating is the linchpin of the novel. While her christening party is ground zero for Beverly and Bert's ultimately doomed relationship, it's Franny's childhood memories — confided to a famous washed-up writer she meets while working as a barmaid in Chicago after dropping out of law school — that change the thrust of Patchett's book. This narrative line, while initially jarring, ultimately elevates Commonwealth above your usual broken-home saga. When Leon Posen channels Franny's stories into a wildly successful novel (also called Commonwealth), she is torn between her happiness about her role in his comeback and her serious misgivings about the propriety of having divulged family secrets.
Although Posen's behavior is somewhat monstrous — he's a married drunk thirty-two years older than Franny who milks her devotion and lack of direction — Patchett resists demonizing him. Franny and Leon's relationship was "built on admiration and mutual disbelief," she writes, and Franny "was the cable on which he had pulled himself hand over hand back into his work: she was the electricity, the spark . . . And more than that, he had found her life meaningful when she could make no sense of it at all." Yes, "She had made a terrible error in judgment," Patchett writes with typical judiciousness, but "he had turned it into something permanent and beautiful."
Yet among all the troubling aspects of their relationship, the "nail in the tire" turns out to be Franny's anguish over having betrayed her primary bond with her extended family. She realizes the gravity of her transgression when her estranged stepbrother turns up, horrified after coming across a copy of Posen's novel and recognizing himself in its pages.
It's worth stepping away from Patchett's absorbing narrative to realize that she is after something extraordinary here: In a novel based loosely on her own disjointed childhood — the closest to home she's ever come in her fiction — she is raising questions about the propriety of going public about such shared, private experiences. Who owns the story? Who has the right to turn it into a book that will sell thousands of copies and be read by strangers?
Although in Patchett's scenario Franny doesn't actually write Commonwealth, she feels guilty for having shared what wasn't hers alone, enabling Leon Posen to capitalize on it. Patchett, however, has written a version (presumably heavily fictionalized) of her family's story in this novel. And as she did in Truth & Beauty, a searing memoir of her friendship with Lucy Grealy, she has incorporated into her art her compunctions about telling a story that isn't entirely hers to tell. In an age where so little is sacrosanct, this is remarkable.
Heller McAlpin is a New York–based critic who reviews books for NPR.org, The Los Angeles Times, Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications.
Reviewer: Heller McAlpin
The New York Times Book Review - Curtis Sittenfeld
…rich and engrossing…In delineating the casual blend of irritation and unsentimental affection among family members of all ages, Patchett excels…[Her] language is generally plain but occasionally soars satisfyingly; her observations about people and life are insightful; and her underlying tone is one of compassion and amusement. If Commonwealth lacks the foreign intrigue of Bel Canto or State of Wonder, both of which took place in South America and contained more suspense, this novel…recognizes that the passage of time is actually the ultimate plot. As anyone who has attended a high school reunion knows, people themselves don't need to have been doing anything particularly interesting in order for their lives to generate interest, so long as you run into them at infrequent enough intervals. Patchett also skillfully illustrates the way that seemingly minor, even arbitrary decisions can have long-lasting consequences and the way that we often fear the wrong things…Ann Patchett is a novelist who knows what she's doing, and to read her is to feel that you're in good hands.
The New York Times - Jennifer Senior
…Ann Patchett's exquisite new novel…spans over 50 years, and the stories of how these children move uncertainly into adulthood—and how their parents adjust to the misfortunes that accrue—are painfully beautiful. (I went from bristling to weeping at 3 a.m.) Escaping the cage of your childhood can be one of the sublime miracles of growing up, though it sometimes requires more tools than the average jailbreak…The questions Commonwealth raises are ultimately counterfactual, philosophical: Who might we be if our parents hadn't made catastrophic choices, and we hadn't responded catastrophically to them? Maybe better-adjusted people with easier days and nights. But maybe the poorer for it.
Publishers Weekly - Audio
12/05/2016
In Patchett’s domestic tale, a stolen kiss at a christening party in the 1960s leads to a new blended family of six stepsiblings whom the novel follows over 50 years. Reader Davis, a well-known actress and frequent contributor to the radio program Selected Shorts, boasts a robust resume, but her vocal performance for this title is uneven. On the plus side, Davis’s gentle and unpretentious voice is pleasant, and fits well with the muted emotional climate of the family. But in Davis’s reading, it’s hard to distinguish between the six siblings, and as a result the story as a whole falls flat. Only Caroline, the oldest and most combative of the children, comes across as uniquely individual. In a novel that depends so heavily on dialogue and characterization, Davis’s monochromatic performance fails to realize the richness of Patchett’s careful observations. A Harper hardcover. (Sept.)
Publishers Weekly
★ 05/09/2016
Patchett (State of Wonder) draws from personal experience for a funny, sad, and ultimately heart-wrenching family portrait: a collage of parents, children, stepchildren, siblings, and stepsiblings. In 1960s California, lawyer Bert Cousins divorces Teresa, leaving her to raise their four children alone; Beverly Keating divorces Fix, an L.A. cop; and Bert and Beverly marry and relocate to Virginia with Beverly and Fix’s two children. Visiting arrangements result in an angry, resentful younger generation—rebellious Cal, frustrated Holly, practical Jeannette, littlest Albie, bossy Caroline, kind-hearted Franny—spending part of summer vacations together. Left unsupervised, Cal takes charge, imitating grown-ups by drinking and carrying a gun, until a fatal accident puts an end to shared vacations. Patchett follows the surviving children into adulthood, focusing on Franny, who confides to novelist Leo Posen stories of her childhood, including the secret behind the accident. Twenty years after that conversation, middle-aged with children and stepchildren of their own, Franny and Caroline take 83-year-old Fix to see the movie version of Leo’s novel about their family. Patchett elegantly manages a varied cast of characters as alliances and animosities ebb and flow, cross-country and over time. Scenes of Franny and Leo in the Hamptons and Holly and Teresa at a Zen meditation center show her at her peak in humor, humanity, and understanding people in challenging situations. What’s more challenging, after all, than a family like the Commonwealth of Virginia, made up of separate entities bound together by chance and history? (Sept.)
From the Publisher
Praise for Commonwealth:
“Patchett brings humanity, humor, and a disarming affection to lovable, struggling characters... Irresistible.” — Library Journal
“Exquisite... Commonwealth is impossible to put down.” — New York Times
“(A) rich and engrossing new novel …” — New York Times Book Review
“Indeed, this is Patchett’s most autobiographical novel, a sharply funny, chilling, entrancing, and profoundly affecting look into one family’s “commonwealth,” its shared affinities, conflicts, loss, and love.” — Booklist
“…a funny, sad, and ultimately heart-wrenching family portrait…Patchett elegantly manages a varied cast of characters…[Patchett is] at her peak in humor, humanity, and understanding people in challenging situations.” — Publishers Weekly (starred review)
“The prose is lean and inviting…A satisfying meat-and-potatoes domestic novel from one of our finest writers.” — Kirkus Reviews (starred review)
“Wonderfully executed…” — Marie Claire
“Commonwealth is a smart, thoughtful novel about the ties that bind us.” — Pop Sugar
“Commonwealth is an all-American family saga, but her touching and even-handed approach to themes such as family politics, love, the role of literature and the acidic nature of lies is buoyed by a generous sprinkling of matter-of-fact humor” — BookPage
“Commonwealth bursts with keen insights into faithfulness, memory and mortality… [An] ambitious American epic…” — Atlanta Journal-Constitution
“Patchett’s storytelling has never seemed more effortlessly graceful. This is minimalism that magically speaks volumes…” — Washington Post
“The genius of the way Patchett approached Commonwealth is that it’s constructed like a puzzle… Maybe it’s another case of the tried-and-true adage: “Write what you know.” Because this book? It’s pure gangbusters.” — San Francisco Chronicle
“moving, beautifully crafted novel…” — Milwaukee Journal Sentinel
“Commonwealth is a sly book about storytelling, a story about a single incident - really two pivotal incidents - spun out over the length of a narrative constructed like a conversation but encompassing decades.” — Kansas City Star
“splendid new novel… Just try to stop reading. And you won’t want to. Patchett is in stellar form.” — USA Today
“… the emotional intelligence of Patchett’s storytelling here feels warmer and richer and more resonant than anything she’s done before.” Rating: A — Entertainment Weekly
“close obervation, deadpan humor… Chekhov regularly invoked” — Wall Street Journal
“Patchett gives us funny, flawed characters, and the rich reward of Commonwealth is seeing their lives unfold…” — Houston Chronicle
“a wry, compassionate tale” — Christian Science Monitor
“…to create a story with 10 protagonists that spans 50 years - and at least five settings spread across the globe - is a balancing act that requires immense narrative skill, and Patchett never falters.” — Knoxville News-Sentinel
“Reading Commonwealth is a transporting experience… It feels like Patchett’s most intimate novel and is without doubt one of her best.” — Los Angeles Times
“Wonderful… Patchett is a master storyteller” — O, the Oprah Magazine
“Spinning ordinary lives into literary gold” — Seattle Times
“[A] memorable, modern novel” — Flavorwire
“Ann Patchett’s gifts are more clear than ever in Commonwealth” — Dallas Morning News
“Patchett’s storytelling here feels warmer and richer and more resonant than anything she’s done before.” — Entertainment Weekly
New York Times
Exquisite... Commonwealth is impossible to put down.
Atlanta Journal-Constitution
Commonwealth bursts with keen insights into faithfulness, memory and mortality… [An] ambitious American epic…
New York Times Book Review
(A) rich and engrossing new novel …
Marie Claire
Wonderfully executed…
BookPage
Commonwealth is an all-American family saga, but her touching and even-handed approach to themes such as family politics, love, the role of literature and the acidic nature of lies is buoyed by a generous sprinkling of matter-of-fact humor
Booklist
Indeed, this is Patchett’s most autobiographical novel, a sharply funny, chilling, entrancing, and profoundly affecting look into one family’s “commonwealth,” its shared affinities, conflicts, loss, and love.
Pop Sugar
Commonwealth is a smart, thoughtful novel about the ties that bind us.
Flavorwire
[A] memorable, modern novel
Houston Chronicle
Patchett gives us funny, flawed characters, and the rich reward of Commonwealth is seeing their lives unfold…
Milwaukee Journal Sentinel
moving, beautifully crafted novel…
USA Today
splendid new novel… Just try to stop reading. And you won’t want to. Patchett is in stellar form.
Christian Science Monitor
a wry, compassionate tale
Kansas City Star
Commonwealth is a sly book about storytelling, a story about a single incident - really two pivotal incidents - spun out over the length of a narrative constructed like a conversation but encompassing decades.
the Oprah Magazine O
Wonderful… Patchett is a master storyteller
Entertainment Weekly
… the emotional intelligence of Patchett’s storytelling here feels warmer and richer and more resonant than anything she’s done before.” Rating: A
San Francisco Chronicle
The genius of the way Patchett approached Commonwealth is that it’s constructed like a puzzle… Maybe it’s another case of the tried-and-true adage: “Write what you know.” Because this book? It’s pure gangbusters.
Dallas Morning News
Ann Patchett’s gifts are more clear than ever in Commonwealth
|Los Angeles Times
Reading Commonwealth is a transporting experience… It feels like Patchett’s most intimate novel and is without doubt one of her best.
Knoxville News-Sentinel
…to create a story with 10 protagonists that spans 50 years - and at least five settings spread across the globe - is a balancing act that requires immense narrative skill, and Patchett never falters.
Seattle Times
Spinning ordinary lives into literary gold
Washington Post
Patchett’s storytelling has never seemed more effortlessly graceful. This is minimalism that magically speaks volumes…
Wall Street Journal
close obervation, deadpan humor… Chekhov regularly invoked
Kansas City Star
Commonwealth is a sly book about storytelling, a story about a single incident - really two pivotal incidents - spun out over the length of a narrative constructed like a conversation but encompassing decades.
Atlanta Journal-Constitution
Commonwealth bursts with keen insights into faithfulness, memory and mortality… [An] ambitious American epic…
Booklist
Indeed, this is Patchett’s most autobiographical novel, a sharply funny, chilling, entrancing, and profoundly affecting look into one family’s “commonwealth,” its shared affinities, conflicts, loss, and love.
USA Today
splendid new novel… Just try to stop reading. And you won’t want to. Patchett is in stellar form.
Wall Street Journal
close obervation, deadpan humor… Chekhov regularly invoked
Los Angeles Times
Reading Commonwealth is a transporting experience… It feels like Patchett’s most intimate novel and is without doubt one of her best.
Washington Post
Patchett’s storytelling has never seemed more effortlessly graceful. This is minimalism that magically speaks volumes…
San Francisco Chronicle
The genius of the way Patchett approached Commonwealth is that it’s constructed like a puzzle… Maybe it’s another case of the tried-and-true adage: “Write what you know.” Because this book? It’s pure gangbusters.
Newsday
Patchett’s slyly knowing voice - full of wit and warmth - elevates every page of this novel - one that, through the alchemy of her writing, somehow feels more than the sum of its parts.
Coastal Illustrated
Wryly humorous, intensely moving... this domestic novel is a book to savor from one of our finest writers
Curled Up - Michael Leonard's Review
[An] achingly real tale
The Entertainment Report
Patchett brings every character in Commonwealth to luminous life.
The New Yorker
Emotionally lucid. . . . Patchett is at her lyrical best when she catalogues the jungle.
Hampton Sheet
Commonwealth represents yet another victory for Patchett. Readers will fly through it... the tale is so rich and the plot is so wildly addicting, readers won’t be able to put it down until they’ve turned the final page.
Chicago Now.com
a captivating family drama
Woman's Day
I couldn’t put down Ann Patchett’s terrific new novel…
Read It Forward
a family drama with a hint of metafiction at its heart.
Roanoke Times
Patchett’s insight into the practical and emotional impacts of uprooting families is impressive... candid, poignant, humorous...
Spokesman Review
Ann Patchett’s moving, beautifully crafted novel
Asheville Citizen-Times
Surprising, nuanced, complex and, above all, genuine.
Boston Globe
Extraordinary. . . . Is there nothing the prodigiously talented Ann Patchett can’t do?
NPR
The book is serious, but also so pleasurable that you hope it won’t end.
Curled Up - Luan Gain's Review
Patchett cuts to the heart of existence in the age of divorce
Woman's Day
I couldn’t put down Ann Patchett’s terrific new novel…
The New Yorker
Emotionally lucid. . . . Patchett is at her lyrical best when she catalogues the jungle.
O: the Oprah Magazine
Wonderful… Patchett is a master storyteller
Spokesman Review
Ann Patchett’s moving, beautifully crafted novel
Newsday
Patchett’s slyly knowing voice - full of wit and warmth - elevates every page of this novel - one that, through the alchemy of her writing, somehow feels more than the sum of its parts.
San Francisco Chronicle
The genius of the way Patchett approached Commonwealth is that it’s constructed like a puzzle… Maybe it’s another case of the tried-and-true adage: “Write what you know.” Because this book? It’s pure gangbusters.
Dallas Morning News
Ann Patchett’s gifts are more clear than ever in Commonwealth
The New Yorker
Emotionally lucid. . . . Patchett is at her lyrical best when she catalogues the jungle.
Atlanta Journal-Constitution
Commonwealth bursts with keen insights into faithfulness, memory and mortality… [An] ambitious American epic…
Milwaukee Journal Sentinel
moving, beautifully crafted novel…
Christian Science Monitor
a wry, compassionate tale
Washington Post
Patchett’s storytelling has never seemed more effortlessly graceful. This is minimalism that magically speaks volumes…
Los Angeles Times
Reading Commonwealth is a transporting experience… It feels like Patchett’s most intimate novel and is without doubt one of her best.
Wall Street Journal
close obervation, deadpan humor… Chekhov regularly invoked
Seattle Times
Spinning ordinary lives into literary gold
Woman's Day
I couldn’t put down Ann Patchett’s terrific new novel…
Marie Claire
Wonderfully executed…
Asheville Citizen-Times
Surprising, nuanced, complex and, above all, genuine.
Entertainment Weekly
… the emotional intelligence of Patchett’s storytelling here feels warmer and richer and more resonant than anything she’s done before.” Rating: A
Booklist
Indeed, this is Patchett’s most autobiographical novel, a sharply funny, chilling, entrancing, and profoundly affecting look into one family’s “commonwealth,” its shared affinities, conflicts, loss, and love.
New York Times
Exquisite... Commonwealth is impossible to put down.
New York Times Book Review
(A) rich and engrossing new novel …
Boston Globe
Extraordinary. . . . Is there nothing the prodigiously talented Ann Patchett can’t do?
USA Today
splendid new novel… Just try to stop reading. And you won’t want to. Patchett is in stellar form.
Hampton Sheet
Commonwealth represents yet another victory for Patchett. Readers will fly through it... the tale is so rich and the plot is so wildly addicting, readers won’t be able to put it down until they’ve turned the final page.
Kansas City Star
Commonwealth is a sly book about storytelling, a story about a single incident - really two pivotal incidents - spun out over the length of a narrative constructed like a conversation but encompassing decades.
Houston Chronicle
Patchett gives us funny, flawed characters, and the rich reward of Commonwealth is seeing their lives unfold…
Flavorwire
[A] memorable, modern novel
Roanoke Times
Patchett’s insight into the practical and emotional impacts of uprooting families is impressive... candid, poignant, humorous...
Knoxville News-Sentinel
…to create a story with 10 protagonists that spans 50 years - and at least five settings spread across the globe - is a balancing act that requires immense narrative skill, and Patchett never falters.
BookPage
Commonwealth is an all-American family saga, but her touching and even-handed approach to themes such as family politics, love, the role of literature and the acidic nature of lies is buoyed by a generous sprinkling of matter-of-fact humor
O: the Oprah Magazine
Wonderful… Patchett is a master storyteller
Pop Sugar
Commonwealth is a smart, thoughtful novel about the ties that bind us.
Library Journal
09/01/2016
Bert Cousins, a deputy DA in Southern California, takes a break from the claustrophobia of his home (three kids, including a baby, and a pregnant wife) and crashes the christening party for Franny, the baby of Fix Keating, a cop he barely knows. By the end of the day, drunken Bert has kissed Keating's beautiful wife, Beverly, thus setting in motion five decades of the two families reconstituting a time or two. The six children form uneasy bonds with one another and their various imperfect parental figures. Franny unwittingly blows open the heart of these messy alliances when a chance meeting with Leo, a famous, much older author, leads to a long love affair and a betrayal when Leo writes a blockbuster version of Franny's life story, made more raw by the death of one of her stepbrothers. VERDICT Award-winning author Patchett brings humanity, humor, and a disarming affection to lovable, struggling characters who soldier on with decency despite the handicaps of their disrupted childhoods. Irresistible. [See Prepub Alert, 3/7/16.]—Beth Andersen, formerly with Ann Arbor Dist. Lib., MI
OCTOBER 2016 - AudioFile
Hope Davis is an outstanding narrator, and many will enjoy her interpretation of Ann Patchett’s expansive new novel, based on her own life. An affair followed by divorce divides two families, and the repercussions stretch over several decades, linking the two sets of children in a common tragedy. The novel rests heavily on narration, and on different character perspectives—a strategy wonderfully conceived and executed by Patchett, who depicts key events in retrospect and at a distance, in chapters assigned to different decades, different sets of characters, and different sides of the country. Dialogue scenes are essential, as well, and here Davis might have done better to maintain a consistent narrative voice, rather than trying to represent individual character voices, which prove of uneven quality. Regardless, Patchett is, as always, a surprising and resourceful storyteller. D.A.W. © AudioFile 2016, Portland, Maine
Kirkus Reviews
★ 2016-06-01
Two families are fused, atomized, and reconfigured by a stolen kiss, a child's death, and a bestselling novel.In her seventh work of fiction, Patchett (This Is the Story of a Happy Marriage, 2013, etc.) turns from the exotic locales and premises of Bel Canto (2001) and State of Wonder (2011) to a subject closer to home: the evolution of an American family over five decades. The story begins on a very hot day in Southern California at a christening party for Beverly and Fix Keating's second daughter, Franny. A lawyer named Bert Cousins shows up uninvited, carrying a bottle of gin. With its help, the instant infatuation he conceives for his stunning hostess becomes "the start of his life." After Bert and Beverly marry and move to Virginia, the six newly minted stepsiblings are dragged unhappily into new relationships and settings. On another hot afternoon, one of the children dies from a bee sting—a tragedy compounded by long-kept secrets and lies. Jumping ahead, we find Franny in her late 20s, having an affair with a Saul Bellow-type novelist 32 years her senior. "Other than the difference in their ages, and the fact that he had an estranged wife, and had written a novel about her family which in its final form made her want to retch even though she had found it nothing less than thrilling when he was working on it, Franny and Leo were great." Since Patchett comes from a blended family with the same outlines as the one in this book, the problems created by Leo's fictionalized family history, also called Commonwealth, are particularly intriguing. The prose is lean and inviting, but the constant shifts in point of view, the peripatetic chronology, and the ever growing cast of characters will keep you on your toes.A satisfying meat-and-potatoes domestic novel from one of our finest writers.
