Complicity in American Literature after 1945: Liberalism, Race, and Colonialism
Complicity in American Literature after 1945 offers a literary and intellectual history of the idea of complicity in the United States, proposing a new frame for understanding American literature in the period. The term “complicity” derives etymologically from the Latin complicãre, which means “to fold.” If one is complicit, one is folded into a larger system of social harm over which one has little or no direct control. In the period from 1945 to the early 1970s, complicity with structural racism became a central concern for American writing and thought, as it grappled with the Holocaust, colonialism, the Vietnam War, and racial domination at home in the United States. Writers and thinkers grasped complicity both as a social phenomenon to be represented and as a problem threatening to enfold writing itself. In addressing complicity, intellectuals were obliged to reconsider their social role and to innovate means of literary expression capable of articulating new experiences of guilt and responsibility. Complicity in American Literature after 1945 tells the story of that process as it took place across several genres, from highbrow short stories to crime fiction, and from experimental metafiction to the reportage essays of the New Journalism. It argues that the history of racial complicity is inseparable from the history of liberalism, and shows how we can make sense of our present preoccupations with complicity by studying its origins in the past.
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Complicity in American Literature after 1945: Liberalism, Race, and Colonialism
Complicity in American Literature after 1945 offers a literary and intellectual history of the idea of complicity in the United States, proposing a new frame for understanding American literature in the period. The term “complicity” derives etymologically from the Latin complicãre, which means “to fold.” If one is complicit, one is folded into a larger system of social harm over which one has little or no direct control. In the period from 1945 to the early 1970s, complicity with structural racism became a central concern for American writing and thought, as it grappled with the Holocaust, colonialism, the Vietnam War, and racial domination at home in the United States. Writers and thinkers grasped complicity both as a social phenomenon to be represented and as a problem threatening to enfold writing itself. In addressing complicity, intellectuals were obliged to reconsider their social role and to innovate means of literary expression capable of articulating new experiences of guilt and responsibility. Complicity in American Literature after 1945 tells the story of that process as it took place across several genres, from highbrow short stories to crime fiction, and from experimental metafiction to the reportage essays of the New Journalism. It argues that the history of racial complicity is inseparable from the history of liberalism, and shows how we can make sense of our present preoccupations with complicity by studying its origins in the past.
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Complicity in American Literature after 1945: Liberalism, Race, and Colonialism

Complicity in American Literature after 1945: Liberalism, Race, and Colonialism

by Will Norman
Complicity in American Literature after 1945: Liberalism, Race, and Colonialism

Complicity in American Literature after 1945: Liberalism, Race, and Colonialism

by Will Norman

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Overview

Complicity in American Literature after 1945 offers a literary and intellectual history of the idea of complicity in the United States, proposing a new frame for understanding American literature in the period. The term “complicity” derives etymologically from the Latin complicãre, which means “to fold.” If one is complicit, one is folded into a larger system of social harm over which one has little or no direct control. In the period from 1945 to the early 1970s, complicity with structural racism became a central concern for American writing and thought, as it grappled with the Holocaust, colonialism, the Vietnam War, and racial domination at home in the United States. Writers and thinkers grasped complicity both as a social phenomenon to be represented and as a problem threatening to enfold writing itself. In addressing complicity, intellectuals were obliged to reconsider their social role and to innovate means of literary expression capable of articulating new experiences of guilt and responsibility. Complicity in American Literature after 1945 tells the story of that process as it took place across several genres, from highbrow short stories to crime fiction, and from experimental metafiction to the reportage essays of the New Journalism. It argues that the history of racial complicity is inseparable from the history of liberalism, and shows how we can make sense of our present preoccupations with complicity by studying its origins in the past.

Product Details

ISBN-13: 9780198954750
Publisher: OUP Oxford
Publication date: 03/10/2025
Series: Oxford Studies in American Literary History
Sold by: Barnes & Noble
Format: eBook
Pages: 240
File size: 3 MB

About the Author

Will Norman is a Reader in American literature and culture at the University of Kent. He has been a Fulbright Scholar and Leverhulme Research Fellow. He is the author of Transatlantic Aliens: Modernism, Exile, and Culture in Midcentury America (2016) and Nabokov, History, and the Texture of Time (2012). His articles have appeared in American Literature, Post*45, Modernism/modernity, Comparative Literature Studies, and various other venues. He is co-editor at the Journal of American Studies.

Table of Contents

Introduction: Writing ComplicityPart I. Complicity after World War Two1. Unbearable Situations: Sartre and Arendt2. Complicit Atmospheres: Anti-Semitism and Midcentury Fiction3. The Fact of Representation: Metafiction, Coordination, and DenazificationPart II. The Sixties and After4. New Journalism and the Implicated Subject5. James Baldwin, Liberalism, and Survivor Guilt6. The Complicities of Black Crime FictionConclusion: Complicity Now
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