The Concept of Non-Photography

by Francois Laruelle, Robin Mackay (Translator)

Overview

A rigorous new thinking of the photograph in its relation to science, philosophy, and art, so as to discover an essence of photography that precedes its historical, technological, and aesthetic conditions.

If philosophy has always understood its relation to the world according to the model of the instantaneous flash of a photographic shot, how can there be a “philosophy of photography” that is not viciously self-reflexive?

Challenging the assumptions made by any theory of photography that leaves its own “onto-photo-logical” conditions uninterrogated, Laruelle thinks the photograph non-philosophically, so as to discover an essence of photography that precedes its historical, technological and aesthetic conditions.

The Concept of Non-Photography develops a rigorous new thinking of the photograph in its relation to science, philosophy, and art, and introduces the reader to all of the key concepts of Laruelle's “non-philosophy.”

Product Details

ISBN-13:	9780983216957
Publisher:	MIT Press
Publication date:	01/15/2019
Sold by:	Penguin Random House Publisher Services
Format:	eBook
Pages:	304
File size:	2 MB
Age Range:	18 Years

About the Author

François Laruelle, Professor Emeritus at the University of Paris X (Nanterre), is the author of more than twenty books, including including Biography of the Ordinary Man, Theory of Strangers, Principles of Non-Philosophy, Future Christ, Struggle and Utopia at the End Times of Philosophy, Anti-Badiou, and Non-Standard Philosophy.

Robin Mackay is a philosopher, Director of the UK arts organization Urbanomic, and Associate Researcher at Goldsmiths University of London.

Editorial Reviews

What excites Laruelle is that photography incarnates a decisionless move from original to copy. Hence, contrary to the whole modern history of photography theory that assumes a wholly specular relationship between photography and its referents, photography is, in itself, a fundamentally anti-specular mechanism.—John Roberts, Philosophy of Photography—

From the Publisher

What excites Laruelle is that photography incarnates a decisionless move from original to copy. Hence, contrary to the whole modern history of photography theory that assumes a wholly specular relationship between photography and its referents, photography is, in itself, a fundamentally anti-specular mechanism.

—John Roberts, Philosophy of Photography

Reviews