Congo Love Song: African American Culture and the Crisis of the Colonial State

by Ira Dworkin

Overview

In his 1903 hit “Congo Love Song,” James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song’s title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium’s brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, “Congo Love Song” emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa.

In this book, Ira Dworkin examines black Americans’ long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, he brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Dworkin offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism.

Product Details

ISBN-13:	9781469632728
Publisher:	The University of North Carolina Press
Publication date:	04/27/2017
Series:	The John Hope Franklin Series in African American History and Culture
Sold by:	Barnes & Noble
Format:	eBook
Pages:	468
File size:	47 MB
Note:	This product may take a few minutes to download.

About the Author

Ira Dworkin is assistant professor of English at Texas A&M University.

What People are Saying About This

From the Publisher

“In this clearly argued and impressively researched book, Ira Dworkin offers an interdisciplinary look at how the colonialized Congo became a site of African American anti-imperialist protest during the nineteenth and twentieth centuries. An important and original study.” — Bill Mullen, Purdue University

“Insightful and authoritative,Congo Love Song is sure to reshape how we think about Black internationalism and African American engagement with Africa. A deeply researched and revelatory work.” — Alex Lubin, author of Geographies of Liberation

“This prodigiously researched, magisterial work surveys the depth and extent of African American engagements with the Congo through activism, literature, visual art, and material culture, all crucially framed by the era of colonialism.  Shedding new light on such figures as George Washington Williams, Pauline Hopkins, William Sheppard, and Malcolm X, Congo Love Song shows that global routes of anticolonial struggle shaped African Americans' identifications with Africa.” — Kevin K. Gaines, Cornell University

Editorial Reviews

“Congo Love Song is the product of wide-ranging remarkable scholarship and original interpretation that address the international engagements of African Americans in new and thought-provoking ways.” — Brenda Gayle Plummer, Black Scholar

“One of the most thoughtfully researched and deeply thoughtful analyses of African American interaction with the Congo.” — International Review of African American Art

“An enormously important book. . . . An important contribution to a body of work that is already changing the way we do history.”—American Historical Review

“A lively read, paced by clear writing and peppered with nearly forty photographs, illustrations, and plates of artwork. . . . A valuable contribution to the John Hope Franklin Series in African American History and Culture from UNC Press.”—Journal of African American History

“Dworkin’s meticulously researched Congo Love Song thoroughly and insightfully addresses the often decontextualized links between the Congo and US history generally and African American political, religious, literary, and visual cultures specifically from the 1880s through the 1960s.”—MELUS

“The book’s primary concern is to trace multiple routes of political engagement by African Americans . . . as being central to the making of modern black political culture. It meets this aim admirably.” — CHOICE

From the Publisher