Dante's Idea of Friendship: The Transformation of a Classical Concept

Dante's Idea of Friendship: The Transformation of a Classical Concept

by Filippa Modesto
Dante's Idea of Friendship: The Transformation of a Classical Concept

Dante's Idea of Friendship: The Transformation of a Classical Concept

by Filippa Modesto

eBook

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Overview

In the ancient world, friendship was a virtue of great philosophical importance. Aristotle wrote extensively about it, as did Cicero. Their conception of friendship as a relationship based on reason and virtue was transformed by Christianity into a connection based on the mutual love of an individual and God.

In Dante’s Idea of Friendship, Filippa Modesto offers sharp readings of the Commedia, Vita Nuova, and Convivio that demonstrate Dante’s interest in that theme. Drawing on a lucid and wide-ranging examination of the literature on friendship, she shows how he weaved together the contradictory classical and the Christian concepts of friendship into a harmonious synthesis in which friendship became a handmaiden to salvation and happiness. A fresh, perceptive interpretation of Dante’s works, Dante’s Idea of Friendship will engage medievalists, classicists, and scholars of friendship throughout the ages.


Product Details

ISBN-13: 9781442624146
Publisher: University of Toronto Press
Publication date: 10/06/2015
Series: Toronto Italian Studies
Sold by: Barnes & Noble
Format: eBook
Pages: 272
File size: 6 MB

About the Author

Filippa Modesto teaches at Brooklyn College of the City University of New York.

Table of Contents

1. Introduction

2. Classical Friendship: Aristotle and Dante’s Convivio

3. Cicero’s De Amicitia and Dante’s Convivio

4. Christian Friendship

5. The Vita Nuova: Dante’s Friendship with Guido Cavalcanti and Others

6. Amor and Amicizia in Inferno 2

7. Friendship in Purgatorio 30 and Purgatorio 31

What People are Saying About This

Giuseppe Mazzotta

“At the heart of Filippa Modesto’s book lies a passion for this rare gift known as friendship, and this passion expresses itself both as a love for the concrete quality of Dante’s poetic vision and his linguistic inventiveness and as gratitude for her own friends. What gives a persuasive unity to her critical musings is her decision to map the shift from the classical, pagan understanding of the virtue of friendship to the Christian re-interpretation of it. The importance of the topic can hardly be exaggerated, and Modesto develops it with delicacy, gracefulness, and modesty.”

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