Deciphering Ancient Minds: The Mystery of San Bushmen Rock Art

Goes to the heart of contemporary arguments about the "primitive" and the "modern" minds, and draws new social, anthropological, and ethnographic conclusions about the nature of ancient societies.

How did ancient peoples—those living before written records—think? Were their thinking patterns fundamentally different from ours today? Researchers over the years have certainly believed so. Along with the Aborigines of Australia, the indigenous San people of southern Africa—among the last hunter-gatherer societies on Earth—became iconic representatives of all our distant ancestors and were viewed as either irrational fantasists or childlike, highly spiritual conservationists.

Since the 1960s a new wave of research among the San and their world-famous rock art has overturned these misconceived ideas. Here, the great authority David Lewis-Williams and his colleague Sam Challis reveal how analysis of the rock paintings and engravings can be made to yield vital insights into San beliefs and ways of thought. This is possible because we possess comprehensive transcriptions, made in the nineteenth century, of interviews with San informants who were shown copies of the art and gave their interpretations of it. Using the analogy of the Rosetta Stone, the authors move back and forth between these San texts and the rock art, teasing out the subtle meanings behind both.

The picture that emerges is very different from past analysis: this art is not a naïve narrative of daily life but rather is imbued with power and religious depth.
1100936553
Deciphering Ancient Minds: The Mystery of San Bushmen Rock Art

Goes to the heart of contemporary arguments about the "primitive" and the "modern" minds, and draws new social, anthropological, and ethnographic conclusions about the nature of ancient societies.

How did ancient peoples—those living before written records—think? Were their thinking patterns fundamentally different from ours today? Researchers over the years have certainly believed so. Along with the Aborigines of Australia, the indigenous San people of southern Africa—among the last hunter-gatherer societies on Earth—became iconic representatives of all our distant ancestors and were viewed as either irrational fantasists or childlike, highly spiritual conservationists.

Since the 1960s a new wave of research among the San and their world-famous rock art has overturned these misconceived ideas. Here, the great authority David Lewis-Williams and his colleague Sam Challis reveal how analysis of the rock paintings and engravings can be made to yield vital insights into San beliefs and ways of thought. This is possible because we possess comprehensive transcriptions, made in the nineteenth century, of interviews with San informants who were shown copies of the art and gave their interpretations of it. Using the analogy of the Rosetta Stone, the authors move back and forth between these San texts and the rock art, teasing out the subtle meanings behind both.

The picture that emerges is very different from past analysis: this art is not a naïve narrative of daily life but rather is imbued with power and religious depth.
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Deciphering Ancient Minds: The Mystery of San Bushmen Rock Art

Deciphering Ancient Minds: The Mystery of San Bushmen Rock Art

by David Lewis-Williams, Sam Challis
Deciphering Ancient Minds: The Mystery of San Bushmen Rock Art

Deciphering Ancient Minds: The Mystery of San Bushmen Rock Art

by David Lewis-Williams, Sam Challis

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Overview

Goes to the heart of contemporary arguments about the "primitive" and the "modern" minds, and draws new social, anthropological, and ethnographic conclusions about the nature of ancient societies.

How did ancient peoples—those living before written records—think? Were their thinking patterns fundamentally different from ours today? Researchers over the years have certainly believed so. Along with the Aborigines of Australia, the indigenous San people of southern Africa—among the last hunter-gatherer societies on Earth—became iconic representatives of all our distant ancestors and were viewed as either irrational fantasists or childlike, highly spiritual conservationists.

Since the 1960s a new wave of research among the San and their world-famous rock art has overturned these misconceived ideas. Here, the great authority David Lewis-Williams and his colleague Sam Challis reveal how analysis of the rock paintings and engravings can be made to yield vital insights into San beliefs and ways of thought. This is possible because we possess comprehensive transcriptions, made in the nineteenth century, of interviews with San informants who were shown copies of the art and gave their interpretations of it. Using the analogy of the Rosetta Stone, the authors move back and forth between these San texts and the rock art, teasing out the subtle meanings behind both.

The picture that emerges is very different from past analysis: this art is not a naïve narrative of daily life but rather is imbued with power and religious depth.

Product Details

ISBN-13: 9780500770467
Publisher: Thames & Hudson
Publication date: 06/01/2011
Sold by: Barnes & Noble
Format: eBook
Pages: 224
File size: 21 MB
Note: This product may take a few minutes to download.

About the Author

David Lewis-Williams is Professor Emeritus and Senior Mentor at the Rock Art Research Institute, University of Witwatersrand, Johannesburg. He is the author of The Mind in the Cave, Conceiving God, and Deciphering Ancient Minds.
Sam Challis is a rock art specialist at the Rock Art Research Institute, University of the Witwatersrand, Johannesburg.

Table of Contents

Preface 6

A Note on Pronunciation 15

1 Back in Time 16

2 Dance of Life, Dance of Death 51

3 'These are sorcery's things' 73

4 Discovering Rain 94

5 Capturing Rain 110

6 Truth Hidden in Error 132

7 The Imagistic Web of Myth 153

8 Into the Unknown 172

9 'Simple' People? 189

Notes 202

Bibliography and Guide to Further Reading 209

Acknowledgments 219

Sources of Illustrations 220

Index 221

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