In this book, Akel Ismail Kahera explores the history and theory of Muslim religious aesthetics in the United States since 1950. Using a notion of deconstruction based on the concepts of "jamal" (beauty), "subject," and "object" found in the writings of Ibn Arabi (d. 1240), he interprets the forms and meanings of several American mosques from across the country. His analysis contributes to three debates within the formulation of a Muslim aesthetics in North America--first, over the meaning, purpose, and function of visual religious expression; second, over the spatial and visual affinities between American and non-American mosques, including the Prophet's mosque at Madinah, Arabia; and third, over the relevance of culture, place, and identity to the making of contemporary religious expression in North America.
|Publisher:||University of Texas Press|
|Sold by:||Barnes & Noble|
|File size:||6 MB|
About the Author
Akel Ismail Kahera is Assistant Professor of Islamic Studies at the University of Texas at Austin.
Table of ContentsAcknowledgments
Introduction: The Polemics of Deconstruction
Chapter One: Aesthetic Origins and End Conditions
Chapter Two: Interpretations of Image, Text, and Form
Chapter Three: Space, Place, and Public Gathering
Conclusion: Reversible Space and Linear Time
What People are Saying About This
"This text will be the classic work in the field.... It will be extremely useful for general Islamic studies, for studies of religion in America, and for the study of Islam in America."