Devices and Desires (Adam Dalgliesh Series #8)by P. D. James
Featuring the famous Commander Adam Dalgliesh, Devices and Desires is a thrilling and insightfully crafted novel of fallible people caught in a net of secrets, ambitions, and schemes on a lonely stretch of Norfolk coastline.
Commander Dalgliesh of Scotland Yard has just published a new book of poems and has/i>/b>
Featuring the famous Commander Adam Dalgliesh, Devices and Desires is a thrilling and insightfully crafted novel of fallible people caught in a net of secrets, ambitions, and schemes on a lonely stretch of Norfolk coastline.
Commander Dalgliesh of Scotland Yard has just published a new book of poems and has taken a brief respite from publicity on the remote Larksoken headland on the Norfolk coast in a converted windmill left to him by his aunt. But he cannot so easily escape murder. A psychotic strangler of young women is at large in Norfolk, and getting nearer to Larksoken with every killing. And when Dalgliesh discovers the murdered body of the Acting Administrative Officer on the beach, he finds himself caught up in the passions and dangerous secrets of the headland community and in one of the most baffling murder cases of his career.
“I have often thought of mysteries as the sorbets of literature, something light and tangy to clear the palate between more serious courses. The books of P.D. James, however are more substantial fare, fulfilling as well as delicious, and Devices and Desires is no exception.” —The Washington Post Book World
“A masterful writer.... Devices and Desires seems to be that highly prized work–a terrific tale suspense and detection that also delivers the satisfaction of a mainstream novel.” —The Wall Street Journal
“Brilliant ... wonderful. P.D. James does it again.” —USA Today
“Her stories are so engrossing that it is difficult to read slowly enough to pay attention to the remarkable writing. But in Devices and Desires, she is so at the top of her form that to rush though would itself be a crime.” —The Kansas City Star
“Undiluted pleasure.” —Newsday
“Vintage P.D. James. . . . Devotees of Britain’s Queen of Crime will be enthralled . . . showcasing lyrical prose abounding with vivid imagery, suberbly delineated characters, and a labyrinthine puzzle.... It’s impossible to resist this haunting, dark tale.” —Milwaukee Journal Sentinel
“We’re glued to P.D. James’s beautifully spun whodunit.... The master’s shivering touch is intact.” —Glamour
“A cleverly crafted book that readers may very well stay up all night to finish.... She exposes the murderously repressed rage beneath the clam surface of typical middle-class Britishers.” —Boston Herald
“The greatest living mystery writer ... weaves a dazzling array of psychological profiles into a gently ironic examination of human life and the ‘relative value’ we ascribe to it.” —People
“James at her best ... a superb tale of murder.” —Booklist
“Devices and Desires may be her best yet.... The plot is superb, with the larger moral issues of a nearby nuclear power station and the thickly interwoven lives of characters lending measured gravity to the sensational murder story. And the prose style is a dream.” —The Seattle Times
“Un-put-downable.... P.D. James is never content with just a formulaic detective story. She takes the whodunit to deeper levels.” —New Woman
“James is one of Britain’s best writers in the genre.... Devices and Desires brings the classic whodunit as far as it can go.” —The Detroit News
“The best book she’s written. It has literary merit that detective works seldom attempt ... everything fits beautifully.” —The Sacramento Bee
“No other mystery writer–and few writers period–offers such a rich bounty.... Devices and Desires is superb. It is what good writing–and reading–is all about. James has used all her powers to produce her best work yet. Her fans–old and new–will be overjoyed.” —Fort Worth Star-Telegram
“James once again gives us a convincing portrait of contemporary society, while at the same time she scrupulously observes–and smartly updates and complicates–all the mystery genre conventions.” —San Diego Magazine
“Demonstrates just how well James commands the English language.... The complex plot unfolds into the usual Jamesian tangle of human relationships and subplots. The story takes shape as James unwraps each nuance of personality, each intricate piece of the puzzle.” —Library Journal
Read an Excerpt
Friday 16 September to Tuesday 20 September
The Whistler's fourth victim was his youngest, Valerie Mitchell, aged fifteen years, eight months and four days, and she died because she missed the 9.40 bus from Easthaven to Cobb's Marsh. As always, she had left it until the last minute to leave the disco, and the floor was still a packed, gyrating mass of bodies under the makeshift strobe lights when she broke free of Wayne's clutching hands, shouted instructions to Shirl about their plans for next week above the raucous beat of the music and left the dance floor. Her last glimpse of Wayne was of his serious, bobbing face bizarrely striped with red, yellow and blue under the turning lights. Without waiting to change her shoes, she snatched up her jacket from the cloakroom peg and raced up the road past the darkened shops towards the bus station, her cumbersome shoulder-bag flapping against her ribs. But when she turned the corner into the station she saw with horror that the lights on their high poles shone down on a bleached and silent emptiness and, dashing to the corner, was in time to see the bus already half-way up the hill. There was still a chance if the lights were against it, and she began desperately chasing after it, hampered by her fragile, high-heeled shoes. But the lights were green and she watched helplessly, gasping and bent double with a sudden cramp, as it lumbered over the brow of a hill and like a brightly lit ship sank out of sight. "Oh no!" she screamed after it, "Oh God! Oh no!" and felt the tears of anger and dismay smarting her eyes.
This was the end. It was her father who laid down the rules in her family, and there was never any appeal, any second chance. After protracted discussion and her repeated pleas, she had been allowed this weekly visit on Friday evenings to the disco run by the church Youth Club, provided she caught the 9.40 bus without fail. It put her down at the Crown and Anchor at Cobb's Marsh, only fifty yards from her cottage. From 10.15 her father would begin watching for the bus to pass the front room where he and her mother would sit half-watching the television, the curtains drawn back. Whatever the programme or weather, he would then put on his coat and come out to walk the fifty yards to meet her, keeping her always in sight. Since the Norfolk Whistler had begun his killings, her father had had an added justification for the mild domestic tyranny which, she half-realized, he both thought right in dealing with his only child and rather enjoyed. The concordat had been early established: "You do right by me, my girl, and I'll do right by you." She both loved him and slightly feared him, and she dreaded his anger. Now there would be one of those awful rows in which she knew she couldn't hope to look to her mother for support. It would be the end of her Friday evenings with Wayne and Shirl and the gang. Already they teased and pitied her because she was treated as a child. Now it would be total humiliation.
Her first desperate thought was to hire a taxi and to chase the bus, but she didn't know where the cab rank was and she hadn't enough money; she was sure of that. She could go back to the disco and see if Wayne and Shirl and the gang between them could lend her enough. But Wayne was always skint and Shirl too mean, and by the time she had argued and cajoled it would be too late.
And then came salvation. The lights had changed again to red, and a car at the end of a tail of four others was just drawing slowly to a stop. She found herself opposite the open, left-hand window and looking directly at two elderly women. She clutched at the lowered glass and said breathlessly: "Can you give me a lift? Anywhere Cobb's Marsh direction. I've missed the bus. Please."
The final desperate plea left the driver unmoved. She stared ahead, frowned, then shook her head and let in the clutch. Her companion hesitated, looked at her, then leaned back and released the rear door.
"Get in. Quickly. We're going as far as Holt. We could drop you at the crossroads."
Valerie scrambled in and the car moved forward. At least they were going in the right direction, and it took her only a couple of seconds to think of her plan. From the crossroads outside Holt it would be less than half a mile to the junction with the bus route. She could walk it and pick it up at the stop before the Crown and Anchor. There would be plenty of time; the bus took at least twenty minutes meandering round the villages.
The woman who was driving spoke for the first time. She said: "You shouldn't be cadging lifts like this. Does your mother know that you're out, what you're doing? Parents seem to have no control over children these days.''
Silly old cow, she thought, what business is it of hers what I do? She wouldn't have stood the cheek from any of the teachers at school. But she bit back the impulse to rudeness, which was her adolescent response to adult criticism. She had to ride with the two old wrinklies. Better keep them sweet. She said: "I'm supposed to catch the nine-forty bus. My dad'ud kill me if he thought I'd cadged a lift. I wouldn't if you was a man."
"I hope not. And your father's perfectly right to be strict about it. These are dangerous times for young women, quite apart from the Whistler. Where exactly do you live?"
"At Cobb's Marsh. But I've got an aunt and uncle at Holt. If you put me down at the crossroads, he'll be able to give me a lift. They live right close. I'll be safe enough if you drop me there, honest."
The lie came easily to her and was as easily accepted. Nothing more was said by any of them. She sat looking at the backs of the two grey, cropped heads, watching the driver's age-speckled hands on the wheel. Sisters, she thought, by the look of them. Her first glimpse had shown her the same square heads, the same strong chins, the same curved eyebrows above anxious, angry eyes. They've had a row, she thought. She could sense the tension quivering between them. She was glad when, still without a word, the driver drew up at the crossroads and she was able to scramble out with muttered thanks and watch while they drove out of sight. They were the last human beings, but one, to see her alive.
She crouched to change into the sensible shoes which her parents insisted she wear to school, grateful that the shoulder-bag was now lighter, then began trudging away from the town towards the junction where she would wait for the bus. The road was narrow and unlit, bordered on the right by a row of trees, black cut-outs pasted against the star-studded sky, and on the left, where she walked, by a narrow fringe of scrub and bushes at times dense and close enough to overshadow the path. Up till now she had felt only an overwhelming relief that all would be well. She would be on that bus. But now, as she walked in an eerie silence, her soft footfalls sounding unnaturally loud, a different, more insidious anxiety took over and she felt the first prickings of fear. Once recognized, its treacherous power acknowledged, the fear took over and grew inexorably into terror.
A car was approaching, at once a symbol of safety and normality and an added threat. Everyone knew that the Whistler must have a car. How else could he kill in such widely spaced parts of the county, how else make his getaway when his dreadful work was done? She stood back into the shelter of the bushes, exchanging one fear for another. There was a surge of sound and the cat's-eyes momentarily gleamed before, in a rush of wind, the car passed. And now she was alone again in the darkness and the silence. But was she? The thought of the Whistler took hold of her mind, rumours, half-truths fusing into a terrible reality. He strangled women, three so far. And then he cut off their hair and stuffed it in their mouths, like straw spilling out of a Guy on November 5th. The boys at school laughed about him, whistling in the bicycle sheds as he was said to whistle over the bodies of his victims. "The Whistler will get you," they called after her. He could be anywhere. He always stalked by night. He could be here. She had an impulse to throw herself down and press her body into the soft rich-smelling earth, to cover her ears and lie there rigid until the dawn. But she managed to control her panic. She had to get to the crossroads and catch the bus. She forced herself to step out of the shadows and begin again her almost silent walk.
She wanted to break into a run but managed to resist. The creature, man or beast, crouching in the undergrowth was already sniffing her fear, waiting until her panic broke. Then she would hear the crash of the breaking bushes, his pounding feet, feel his panting breath hot on her neck. She must keep walking, swiftly but silently, holding her bag tightly against her side, hardly breathing, eyes fixed ahead. And as she walked she prayed: "Please, God, let me get safely home and I'll never lie again. I'll always leave in time. Help me to get to the crossroads safely. Make the bus come quickly. Oh God, please help me."
And then, miraculously, her prayer was answered. Suddenly, about thirty yards ahead of her, there was a woman. She didn't question how, so mysteriously, this slim, slow-walking figure had materialized. It was sufficient that she was there. As she drew nearer with quickening step, she could see the swathe of long blond hair under a tight-fitting beret, and what looked like a belted trench coat. And at the girl's side, trotting obediently, most reassuring of all, was a small black-and-white dog, bandy-legged. They could walk together to the crossroads. Perhaps the girl might herself be catching the same bus. She almost cried aloud, "I'm coming, I'm coming," and, breaking into a run, rushed towards safety and protection as a child might to her mother's arms.
And now the woman bent down and released the dog. As if in obedience to some command, he slipped into the bushes. The woman took one swift backward glance and then stood quietly waiting, her back half-turned to Valerie, the dog's lead held drooping in her right hand. Valerie almost flung herself at the waiting back. And then, slowly, the woman turned. It was a second of total, paralysing terror. She saw the pale, taut face which had never been a woman's face, the simple, inviting, almost apologetic smile, the blazing and merciless eyes. She opened her mouth to scream, but there was no chance, and horror had made her dumb. With one movement the noose of the lead was swung over her head and jerked tight and she was pulled from the road into the shadow of the bushes. She felt herself falling through time, through space, through an eternity of horror. And now the face was hot over hers and she could smell drink and sweat and a terror matching her own. Her arms jerked upwards, impotently flailing. And now her brain was bursting and the pain in her chest, growing like a great red flower, exploded in a silent, wordless scream of "Mummy, Mummy." And then there was no more terror, no more pain, only the merciful, obliterating dark.
Four days later Commander Adam Dalgliesh of New Scotland Yard dictated a final note to his secretary, cleared his in-tray, locked his desk drawer, set the combination of his security cupboard and prepared to leave for a two-week holiday on the Norfolk coast. The break was overdue and he was ready for it. But the holiday wasn't entirely therapeutic; there were affairs in Norfolk that needed his attention. His aunt, his last surviving relative, had died two months earlier, leaving him both her fortune and a converted windmill at Larksoken on the north-east coast of Norfolk. The fortune was unexpectedly large and had brought its own, as yet unresolved, dilemmas. The mill was a less onerous bequest but was not without its minor problems. He needed, he felt, to live in it alone for a week or two before finally making up his mind whether to keep it for occasional holidays, sell, or pass it over at a nominal price to the Norfolk Windmill Trust, who were, he knew, always anxious to restore old windmills to working order. And then there were family papers and his aunt's books, particularly her comprehensive library of ornithology, to be looked at and sorted and their disposal decided upon. These were pleasurable tasks. Even in boyhood he had disliked taking a holiday totally without purpose. He didn't know from what roots of childhood guilt or imagined responsibility had grown this curious masochism, which in his middle years had returned with added authority. But he was glad that there was a job to be done in Norfolk, not least because he knew that the journey had an element of flight. After four years of silence his new book of poetry, A Case to Answer and Other Poems, had been published to considerable critical acclaim, which was surprisingly gratifying, and to even wider public interest which, less surprisingly, he was finding more difficult to take. After his more notorious murder cases, the efforts of the Metropolitan Police press office had been directed to shielding him from egregious publicity. His publisher's rather different priorities took some getting used to and he was frankly glad of an excuse to escape from them, at least for a couple of weeks.
He had earlier said his goodbye to Inspector Kate Miskin, and she was now out on a case. Chief Inspector Massingham had been seconded to the Intermediate Command Course at Bramshill Police College, one more step on his planned progress to a Chief Constable's braid, and Kate had temporarily taken over his place as Dalgliesh's second-in-command of the Special Squad. He went into her office to leave a note of his holiday address. It was, as always, impressively tidy, sparsely efficient and yet feminine, its walls enlivened by a single picture, one of her own abstract oils, a study in swirling browns heightened with a single streak of acid green, which Dalgliesh was growing to like more each time he studied it. On the uncluttered desktop was a small glass vase of freesias. Their scent, at first fugitive, suddenly wafted up to him, reinforcing the odd impression he always got that the office was more full of her physical presence empty than it was when she was seated there working. He laid his note, exactly in the middle of the clean blotter, and smiled as he closed the door after him with what seemed unnecessary gentleness. It remained only to put his head round the AC's door for a final word and he was on his way to the lift.
The door was already closing when he heard running footsteps and a cheerful shout and Manny Cummings lept in, just avoiding the bite of the closing steel. As always he seemed to whirl in a vortex of almost oppressive energy, too powerful to be contained by the lift's four walls. He was brandishing a large brown envelope. "Glad I caught you, Adam. It is Norfolk you're escaping to, isn't it? If the Norfolk CID do lay their hands on the Whistler, take a look at him for me, will you, check he isn't our chap in Battersea."
"The Battersea Strangler? Is that likely, given the timing and the MO? Surely it isn't a serious possibility?"
"Highly unlikely but, as you know, Uncle is never happy unless every stone is explored and every avenue thoroughly upturned. I've put together some details and the Identikit just in case. As you know, we've had a couple of sightings. And I've let Rickards know that you'll be on his patch. Remember Terry Rickards?"
"Chief Inspector now, apparently. Done all right for himself in Norfolk. Better than he would have done if he'd stayed with us. And they tell me he's married, which might have softened him a bit. Awkward cuss."
Dalgliesh said: "I shall be on his patch but not, thank God, on his team. And if they do lay their hands on the Whistler, why should I do you out of a day in the country?"
"I hate the country and I particularly loathe flat country. Think of the public money you'll be saving. I'll come down—or is it up?—if he's worth looking at. Decent of you, Adam. Have a good leave."
Only Cummings would have had the cheek. But the request was not unreasonable, made, as it was, to a colleague his senior only by a matter of months, and one who had always preached co-operation and the common-sense use of resources. And it was unlikely that his holiday would be interrupted by the need to take even a cursory glance at the Whistler, Norfolk's notorious serial killer, dead or alive. He had been at his work for fifteen months now and the latest victim—Valerie Mitchell, wasn't it?—was his fourth. These cases were invariably difficult, time-consuming and frustrating, depending as they often did more on good luck than good detection. As he made his way down the ramp to the underground car-park he glanced at his watch. In three-quarters of an hour he would be on his way. But first there was unfulfilled business at his publisher's.
From the Trade Paperback edition.
Meet the Author
P. D. James is the author of twenty books, many of which feature her detective hero Adam Dalgliesh and have been televised or filmed. She was the recipient of many honors, including the Mystery Writers of America Grand Master Award and the National Arts Club Medal of Honor for Literature, and in 1991 was created Baroness James of Holland Park. She died in 2014.
- London, England
- Date of Birth:
- August 3, 1920
- Place of Birth:
- Oxford, England
- Attended the Cambridge High School for Girls from 1931 to 1937 and later took evening classes in hospital administration
Most Helpful Customer Reviews
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This novel by PD James is by no means a story you will rush through. Ms. James simply does not allow that. She invites you into the story and though it may seem at first you are plodding along, her prose so enchants you that before you are aware, you are involved and committed. Few authors I have read have such rare talent to engross me on this level and such command of the English language. Excellent story. Superb writing. Timeless author.
PD James mysteries are very British with careful characterization, (usually) believable plot lines, and characters that generate sympathy (or antipathy). This is perhaps her best detective novel, with enough red herrings to make prediction difficult. It's a classic mystery (in the style of Agatha Christie's 'Murder on the Orient Express'), with her favorite protagonist, Adam Dalgleish, in a remote vacation seaside village, bringing sanity and order to the violent convulsion of murder. If John LeCarre wrote murder mysteries, he'd wish he had written this one.
Not a mystery but a long philosophy rant wrapped in a bad detective story.
I collect this series and although I have not yet read this book (Devices & Desires)I know it won't disappoint.