Dissonance: Auditory Aesthetics in Ancient Greece
In the four centuries leading up to the death of Euripides, Greek singers, poets, and theorists delved deeply into auditory experience. They charted its capacity to develop topologies distinct from those of the other senses; contemplated its use as a communicator of information; calculated its power to express and cause extreme emotion. They made sound too, artfully and self-consciously creating songs and poems that reveled in sonorousness. Dissonance reveals the commonalities between ancient Greek auditory art and the concerns of contemporary sound studies, avant-garde music, and aesthetics, making the argument that “classical” Greek song and drama were, in fact, an early European avant-garde, a proto-exploration of the aesthetics of noise. The book thus develops an alternative to that romantic ideal which sees antiquity as a frozen and silent world.
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Dissonance: Auditory Aesthetics in Ancient Greece
In the four centuries leading up to the death of Euripides, Greek singers, poets, and theorists delved deeply into auditory experience. They charted its capacity to develop topologies distinct from those of the other senses; contemplated its use as a communicator of information; calculated its power to express and cause extreme emotion. They made sound too, artfully and self-consciously creating songs and poems that reveled in sonorousness. Dissonance reveals the commonalities between ancient Greek auditory art and the concerns of contemporary sound studies, avant-garde music, and aesthetics, making the argument that “classical” Greek song and drama were, in fact, an early European avant-garde, a proto-exploration of the aesthetics of noise. The book thus develops an alternative to that romantic ideal which sees antiquity as a frozen and silent world.
59.99 In Stock
Dissonance: Auditory Aesthetics in Ancient Greece

Dissonance: Auditory Aesthetics in Ancient Greece

by Sean Alexander Gurd
Dissonance: Auditory Aesthetics in Ancient Greece

Dissonance: Auditory Aesthetics in Ancient Greece

by Sean Alexander Gurd

eBook

$59.99 

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Overview

In the four centuries leading up to the death of Euripides, Greek singers, poets, and theorists delved deeply into auditory experience. They charted its capacity to develop topologies distinct from those of the other senses; contemplated its use as a communicator of information; calculated its power to express and cause extreme emotion. They made sound too, artfully and self-consciously creating songs and poems that reveled in sonorousness. Dissonance reveals the commonalities between ancient Greek auditory art and the concerns of contemporary sound studies, avant-garde music, and aesthetics, making the argument that “classical” Greek song and drama were, in fact, an early European avant-garde, a proto-exploration of the aesthetics of noise. The book thus develops an alternative to that romantic ideal which sees antiquity as a frozen and silent world.

Product Details

ISBN-13: 9780823269662
Publisher: Fordham University Press
Publication date: 07/01/2016
Series: Idiom: Inventing Writing Theory
Sold by: Barnes & Noble
Format: eBook
Pages: 256
File size: 968 KB

About the Author

Sean Alexander Gurd is Associate Professor in the Department of Classical Studies at the University of Missouri, Columbia. He is the author of Iphigenias at Aulis: Textual Multiplicity, Radical Philology and Work in Progress: Literary Revision as Social Performance in Ancient Rome.

Table of Contents

Note on Sources and Citations
Acknowledgments
Prologue
Capo

Chapter One: Figures

Chapter Two: Affect

Chapter Three: Music

Coda
Works Cited
Notes
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