Do Not Go Gentle: My Search for Miracles in a Cynical Time

by Ann Hood

Overview

A “breathtaking” memoir of a daughter’s quest to find a miracle for her dying father, by the bestselling author of The Book That Matters Most (Publishers Weekly).
 
When her beloved father was diagnosed with inoperable lung cancer, Ann Hood—the author Comfort: A Journey Through Grief—refused to give up. If conventional medicine could no longer help, then she would go to any length to find something that could—even if it took a miracle.
 
In this heartfelt and heartbreaking narrative, Ann’s quest to save her father’s life becomes a reawakening of her self. Through trial and desperation she recollects the story of her family’s own past and their quest to find a better life in America, and renews her connection to her Italian Catholic heritage, all of which reminds her of where she came from and who she truly is: her father’s daughter.
 
With a sensitive yet strong voice, Ann Hood’s “spiritual quest to make sense of her father’s fatal illness is rendered with exceptional grace” in a story that “affectingly explores the link between faith and family ties” (Entertainment Weekly).
 
“[Ann Hood] creates an entire world of belief and tradition that sustains her. . . . The miracle that truly nurtures her is her art.” —The Providence Journal
 
“This memoir is every bit as breathtaking as the poem after which it is named.” —Publishers Weekly
 

Product Details

ISBN-13:	9781480466876
Publisher:	Open Road Media
Publication date:	01/28/2014
Sold by:	Barnes & Noble
Format:	eBook
Pages:	263
File size:	17 MB
Note:	This product may take a few minutes to download.

About the Author

Ann Hood was born in West Warwick, Rhode Island. She is the author of the bestselling novels The Knitting Circle, The Red Thread, and The Obituary Writer. Her memoir, Comfort: A Journey Through Grief, was named one of the top ten nonfiction books of 2008 by Entertainment Weekly and was a New York Times Editors’ Choice. Her other novels include Somewhere Off the Coast of Maine, Waiting to Vanish, Three-Legged Horse, Something Blue, Places to Stay the Night, The Properties of Water, and Ruby. She has also written a memoir, Do Not Go Gentle: My Search for Miracles in a Cynical Time; a book on the craft of writing, Creating Character Emotions; and a collection of short stories, An Ornithologist’s Guide to Life.

Her essays and short stories have appeared in many publications, including the New York Times, the Wall Street Journal, the Atlantic Monthly, Tin House, Ploughshares, and the Paris Review. Hood has won awards for the best American spiritual writing, travel writing, and food writing; the Paul Bowles Prize for Short Fiction; and two Pushcart Prizes. She now lives in Providence, Rhode Island, with her husband and their children.
Ann Hood was born in West Warwick, Rhode Island. She is the author of the bestselling novels The Knitting Circle, The Red Thread, and The Obituary Writer. Her memoir, Comfort: A Journey Through Grief, was named one of the top ten nonfiction books of 2008 by Entertainment Weekly and was a New York Times Editors’ Choice. Her other novels include Somewhere Off the Coast of Maine, Waiting to Vanish, Three-Legged Horse, Something Blue, Places to Stay the Night, The Properties of Water, and Ruby. She has also written a memoir, Do Not Go Gentle: My Search for Miracles in a Cynical Time; a book on the craft of writing, Creating Character Emotions; and a collection of short stories, An Ornithologist’s Guide to Life.

Her essays and short stories have appeared in many publications, including the New York Times, the Wall Street Journal, the Atlantic Monthly, Tin House, Ploughshares, and the Paris Review. Hood has won awards for the best American spiritual writing, travel writing, and food writing; the Paul Bowles Prize for Short Fiction; and two Pushcart Prizes. She now lives in Providence, Rhode Island, with her husband and their children. 

Read an Excerpt

Do Not Go Gentle

My Search for Miracles in a Cynical Time

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By Ann Hood

OPEN ROAD INTEGRATED MEDIA

Copyright © 2000 Ann Hood
All rights reserved.
ISBN: 978-1-4804-6687-6

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CHAPTER 1

the dream

The day my father was diagnosed with inoperable lung cancer, I decided to go and find him a miracle. My family had already spent a good part of that autumn of 1996 chasing medical options, and what we discovered was not hopeful. Given our odds, a miracle cure did not seem too far-fetched. Eight years earlier, my father had given up smoking after forty years of two packs a day, and he had promptly been diagnosed with emphysema. Despite yearly bouts of pneumonia and periodic shortness of breath, he was a robust sixty-seven-year-old. Robust enough to take care of my young son Sam and, since he had retired, to cook and clean the house he and my mother had lived in for their forty-five years of marriage, while my sixty-five-year-old mother continued to work at the job she loved.

The house has been in my mother's family for three generations. It is a hybrid of styles and designs: The panelled walls and aluminum siding arrived in the sixties, but the pear and fig trees that grow in the backyard were planted by my great-grandmother at the turn of the century. It was her husband who dug the dirt cellar to store his homemade wine. Now that cellar holds everything from the steamer trunks my great-grandparents used when they moved to Rhode Island from Italy to my brother's long-ago-abandoned surfboard and my own Barbie nestled in her moldy lavender case.

We are a superstitious family, skeptical of medicine and believers in omens, potions, and the power of prayer. The week the first X ray showed a spot on my father's lung, three of us had dreams that could only be read as portentous. I dreamed of my maternal grandmother, Mama Rose.

I had good reason to distrust my grandmother. Mama Rose stood four feet ten and had ten children, twenty-one grandchildren, and flaming red hair until the day she died at the age of seventy-eight. She liked Elvis Presley, the "Old Country"—a small village in southern Italy—As the World Turns, and going into the woods to collect wild mushrooms. What she didn't like was me. This wouldn't have been a problem except that she lived with my family and so every day became a battleground for us.

Although my parents had technically bought our house from her back in 1964, Mama Rose never really let it go. She had, after all, lived there since she was two, except for three years in Italy recovering from a bout of scarlet fever. Despite her limited time in the "Old Country," Mama Rose acquired a thick Italian accent sprinkled with mispronounced words, her favorite being "Jesus Crest!" As an only child, the small three-bedroom house had suited her fine as she grew up. Until the day she died she had the same bedroom she'd had as a girl. The only changes were in her roommates: her husband, Tony, after he died her youngest daughter, June, and after June got married and our family moved in, me.

Already slightly afraid of her, I begged for a different bedroom. "Where do you want to go?" my mother would ask me, exasperated. My father was in the navy and after moving us back to Rhode Island was promptly shipped off to Cuba, an assignment that did not allow families. My mother had to find room for herself, my ten-year-old brother, and me, who was five. Upstairs, my great-grandmother was still in the room she'd occupied for the last sixty years. My mother moved back into her old bedroom, the same one she'd shared with her five sisters. And my brother was in the tiny former storage room that my three uncles shared as children.

"Of course," Mama Rose offered, "you could sleep there." "There" was a beat-up green couch in the kitchen that Auntie June had slept on until after her father died and she moved in with Mama Rose. To me, that couch held nightmares and ghosts. My strongest memory of it was when I was three and my Uncle Brownie died. Mama Rose lay there all day screaming and pulling her hair. I eyed the green couch and mumbled, "No thanks."

The nightmares came anyway. As I tried to sleep in Mama Rose's bed, the voices of my mother, grandmother, great-grandmother, and visiting aunts in the kitchen right outside the door told stories into the night. The stories were about children who spontaneously burst into flames, babies born with gills, and bad women in our neighborhood who put curses on people or visited them while they slept, sucking on their skin until bruises appeared. There were other women too, the poor women of the neighborhood who, unable to afford proper gifts to celebrate new babies or weddings, paid their visits at night as vapor.

Before everyone went to bed, they traded stories about the ghosts of Uncle Brownie and Auntie Ann, my namesake who had died years earlier at the age of twenty-three while having her wisdom teeth removed. Auntie Ann usually came to them in the form of a beautiful bird. But Uncle Brownie appeared as a full-fledged ghost, wandering around our house whistling happily, kissing foreheads, and smiling as he flew out the window.

Finally everyone would go home and Mama Rose would come to bed. Already terrified, I'd press my trembling self close to her. "Jesus Crest," she'd say, "Move over. I can't believe this girl. She doesn't give me any room." Then she would shove me to my side of the bed where I stayed, wide-eyed, waiting to spontaneously combust or for Uncle Brownie to put his cold ghost lips against my head. Most nights, after I finally fell asleep, I would wake up Mama Rose by letting out a bloodcurdling scream. "Jesus Crest," she'd say. "You almost gave me a heart attack. What is wrong with this girl anyway?"

When left to baby-sit my brother, younger cousin, and me, Mama Rose fried thick steaks for them and a hamburger patty for me. "I want a steak, too," I would say. "That is steak," she'd tell me. "Now shut up and eat." "This is a hamburger," I'd insist, while my brother chewed his steak, moaning with exaggerated pleasure. I would wait up for my parents and then list my grandmother's infractions: there was the hamburger patty, the way she let my brother watch the movie The Bridge Over the River Kwai instead of my beloved Mary Tyler Moore Show, and how she held my cousin on her lap and told me there wasn't room for two. Mama Rose listened to my complaints, shook her head, and said, "That girl has a tongue she can wipe her ass with. She tells stories."

Why Mama Rose didn't like me was always a mystery. Perhaps, as my mother suggested, I was too much like her. As a child, Mama Rose had been pretty and smart and sassy. Aging was not something she did gracefully. "She didn't like having a pretty little girl around getting attention," my mother speculated. Too, as the family matriarch after her mother died, no one questioned her decisions or pronouncements. Except me. I would, in my way, badger her. Why don't we all still live in Italy? Why did you have so many children? Why did you choose the man you married? Why do we have macaroni every Wednesday? Mama Rose would stand at the kitchen stove frying meatballs, making spaghetti sauce—gravy, she called it—and answering my questions, until finally she'd scream, "Look what you made me do! I put in sugar instead of salt! Jesus Crest! Shut your mouth already. Get out of here before I go crazy, before I have a heart attack!"

But where do you go when you don't have a room of your own? I would pick up a book and read at the kitchen table. And when that book was finished, I would write my own stories about a little girl with a mean grandmother, or a little girl chased by ghosts, or a little girl who travels back in time and meets another little girl who adores her and turns out to be the modern girl's grandmother as a child. Then my grandmother would appear in her gravy-splattered apron and shout, "Get out of my sight! You're driving me crazy!" "You're driving me crazy!" I would yell back. "I hate you!" "Good," she'd say. "Now let me watch my story." She would go into the living room and turn on As the World Turns. As soon as it finished, she would put in a call to Angelo, her bookie, and play numbers based on dreams the family had had. Number 240 meant a dream about a dead person, 248 a dream in which a dead person talked. If the dead person told you a number, it negated 248 and Mama Rose played the number the dead person gave her. "What was your dream?" I'd ask after she placed her bet. "You again! Talking again! Shut up and leave me alone!"

Once, crying in the living room after a particularly big battle of wills, I overheard my mother and grandmother talking. "Ann thinks I don't love her as much as I do some of the others," Mama Rose said. "And she's right." I had sensed it all along, but having the proof of my suspicions only made me feel worse, and it only made me try harder to please her. Nothing worked. Not asking what Bob Hughes and the shrew Lisa from her soap opera were up to, not sitting through hours of Lawrence Welk with her, not listening to her stories about the Old Country.

We settled into an uneasy relationship. Mostly, we tried to ignore each other. With my brother away at college and my great-grandmother dead, we suddenly had rooms to spare, and I was able to move into my own room upstairs. But I still had nightmares that sent me out of bed and roaming the house. It was then, late at night, that Mama Rose and I often met. She would burst out of her room as I sat at the kitchen table, all the lights blazing, sipping milk. "What's wrong with this girl?" she'd say. "You're going to give me a heart attack." She questioned me about my dreams to determine if there was a number to play or a prophesy hidden within them. Most of the time she deemed them worthless. "I'm old and I'm tired," she'd tell me, disgusted that not even my dreams were worth her time. "Go to bed. Go."

I entered adolescence, made friends, had dates, worked on school plays and the school newspaper, which all kept me busy and out of the house. Mama Rose complained that I spent too much time on the phone. "That girl, all she does is talk talk talk." She complained that my friends were all noisy. "I can't even hear my story on TV." When I sat outside the house in the car with a date for too long she came out to the front steps and yelled, "Get in here, you puttana! All the neighbors are looking!" She stayed there until, embarrassed and reluctant, I went inside. "Puttana!" she told me as I pushed past her. "Whore!"

When I went away to college, my nightmares stopped. On Christmas break of my freshman year, I stood at the stove with Mama Rose as she made meatballs and gravy. She told me a story about a girl who used to live up the hill who had claws like a lobster instead of hands. She told me about the woman who could tell true love by looking into a candle flame. Hoping for peace between us, I asked her how she made meatballs. She shrugged. I asked her about having babies: Did it hurt? How long did it take? Was it always the same? "Jesus Crest!" she yelled. "You and that tongue. Talk talk talk. Leave me alone." Hurt, I went upstairs and read until it was time to meet my father for lunch. While we were eating at a restaurant, my grandmother finished making a gallon of gravy, sat down in her chair, and died.

YEARS LATER, SHE CAME to me in my dreams—like Saint Rosalia, the patron saint of Palermo, my grandmother's unintentional namesake. Rosalia withdrew into a cave in 1159 when she was fifteen years old. Five hundred years later, when Palermo was in the grips of the Black Death, she appeared in a dream to a hunter napping on the mountainside and revealed the location of her bones. The archbishop found the bones right where Rosalia had described, and they were proven to be hers. When they were returned to Palermo and placed in a silver urn in the cathedral, the plague abated.

My Rose, however, never brought me truth or helped me to avert disaster. Always somber, dressed in black and wearing the hat she saved for special occasions, she would pretend to make up to me all the things she'd done when she was alive. An irrepressible gambler in life, in death she brought me numbers to play. Eagerly, I bought lottery tickets: 6-15-21-12. Each time, I lost by a single digit. "She's still torturing me," I complained to my cousin Gina. Gina was one of my grandmother's favorites because Gina's father had died when she was only two, and a dead parent immediately elevated your status. That same cousin got numbers in her dreams and always won.

Then came the night in late summer of 1996, twenty years after Mama Rose died, when she came to me again in a dream. This time she took my hand and led me through hospital corridors. She held on tight. "Listen," she told me. "There's a spot on your father's lung. He needs to see a doctor." She whisked me past an Indian doctor who was shaking his head outside a hospital room. "He's a fighter," the doctor told me. "But there's nothing else we can do." My grandmother gave me a number: 410. Then she did something remarkable and completely out of character. She hugged me. "Go," she said.

That same night, my cousin Gina—who had grown up next door to us with my father stepping in as a surrogate parent—dreamed of our Great-Uncle Rum. My father dreamed of his father for the first time since he died in 1957. All of these ghosts had one thing in common, they were happy. The night after we had these dreams, everyone gathered at my house to celebrate my mother's sixty-fifth birthday. Like most daughters, I worked hard to please my mother, and I often felt that I fell short of her expectations. But this time everything seemed exactly right.

My husband and I were renting a large Victorian house on the East Side of Providence, just a few blocks from Brown University. We already had a three-and-a- half-year-old son, and I was in my ninth month of pregnancy with what we had learned was a daughter who we were going to name Grace. That very day we had visited my midwife and discovered I was already two centimeters dilated. The baby, she predicted, would probably be born before her October 1 due date.

The anticipation of the new baby added to our celebration. However, my uneasiness with the dream I'd had the night before kept getting in my way, even as Sam and I shopped on Federal Hill, Providence's Little Italy, that afternoon for the birthday dinner. The thing about that dream was how clear it remained, even all these hours later. And how that number—410—stayed with me. As I chose fresh mozzarella, prosciutto, two kinds of salami, my mind kept working over the details of the dream: the Indian doctor, the hospital hallway, Mama Rose's urgency.

At six o'clock, everyone was seated in the high-ceilinged, red-walled dining room. Our table, an old one I had bought on sale years earlier at Pier One Imports, was disguised under a thick cream-colored lace tablecloth. Candles flickered. Gina poured wine. Everything would be perfect if I could only stop myself from glancing at my father as if I could actually find, if I looked hard enough, a tumor growing in his lungs. Even with emphysema, he remained strong. By now we had all grown used to the inhalers he carried and used frequently, to his shortness of breath. To my eyes that night, he was tall and blond and handsome—the way I had always seen my dad.

My mother was happy to finally acquire some new grandchildren now that her only granddaughter, Melissa, was twenty-two, out of college, and working in Houston. Both of my parents spoiled Sam, and they looked forward to doing the same with Grace. Now Sam climbed onto my mother's lap, eating the antipasto from her platter. He ran over to hug Pa, his special name for my dad. The main course of farfelle with prosciutto and peas was a hit, and I thought I had pleased my mom on her sixty-fifth birthday: She was a picky eater but I had managed to cook food she liked, which for an Italian family is a true triumph, I was about to give her a new granddaughter, and even the tapes my father and I gave her to play in her new car were exactly what she wanted—Patsy Cline, Simon and Garfunkel, Tennessee Ernie Ford singing gospel music. My father had chosen them all, easily, and I was struck by how well he knew her. It was too easy to attribute that to their forty-five years of marriage. I've seen couples who, after as many years, still remain strangers. But my parents knew each other and readily pointed out the other's foibles, successes, loves, and dislikes. Many conversations with my father began, "Now you know what Mom thinks ..." I didn't always know, but he did.

(Continues...)

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Excerpted from Do Not Go Gentle by Ann Hood. Copyright © 2000 Ann Hood. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

• Cover
• Dedication
• Prologue
• 1. the dream
• 2. the diagnosis
• 3. my father
• 4. healing sites
• 5. skip
• 6. the miracle
• 7. his death
• 8. hope
• 9. despair
• 10. the simones
• 11. the hoods
• 12. leaving the old world
• 13. the search
• 14. france
• 15. thanksgiving
• 16. home
• 17. the miracle
• Acknowledgments
• About the Photographs
• About the Author
• Copyright

Reading Group Guide

Introduction
In 1996, Ann Hood's beloved father was diagnosed with inoperable lung cancer. Drawing on her faith, a childhood of Catholicism, and her Italian background, she went on a pilgrimage to Chimayo, New Mexico to bring back dirt that is said to have healing powers. "I had no intention of ever writing about this experience. All I wanted was for my father to be cured." When her father's tumor inexplicably disappeared, Hood believed that she found the miracle she had prayed for. However, two months later, after several doses of chemotherapy given as "an insurance policy", her father developed a secondary infection that ultimately killed him. At the time of his death, he was cancer and tumor free. "This sent me into a spiritual crisis. Why had I been given a miracle only to have my father die anyway? Everything I believed was brought into question. My faith had always provided solace. Suddenly, it abandoned me."

Do Not Go Gentle began as a search for miracles that Hood embarked upon for DoubleTake Magazine nine months after her father died. "I thought I might find answers at holy sites. However, each visit only added to my despair." Frustrated and desperate, Hood began to question why she had so firmly believed in the possibility of a miracle. "I grew up in a house where miracles were expected and discovered everywhere. But I began to wonder why a practical, contemporary woman like myself had held on to these beliefs. This led to another journey, this time into my the Italian culture in which I was raised."

Hood traveled to the small village from which her great-grandparents had immigrated at the end of the nineteenth century. "Understanding who I was helped me to understand my faith. In the modern world, it's easy to lose the things which bind us to family, faith and spirituality. While writing this book, I realized anew how important these things are, and how important it is to examine them and get in touch with them so that they can help us as we move through contemporary life."

Discussion Questions:
1. Ann Hood says that she grew up in "a superstitious family, skeptical of medicine and believers in omens, potions, and the power of prayer." How does this upbringing effect her approach to her father's illness? How does it help her after his death? Does it ever fail her?

2. Discuss the role Mama Rose, Hood's grandmother, plays in her childhood. What role does Mama Rose play in Hood's adulthood?

3. Discuss Hood's relationship with her father.

4. How does Hood rely on her faith after her brother's death in 1982? Compare that to how it effects her after her father's death 15 years later.

5. How does Hood's spiritual journey change from childhood through the end of Do Not Go Gentle?

6. How did Hood feel as she visited various healing sites? Lourdes? Chimayo? The Virgin of Guadalupe? Chartres? San Giovanni Rotundo?

7. Ultimately, it is an internal search that begins Hood's journey back to faith. Where does she go and what does she learn there to help her spiritual growth?

8. Does Do Not Go Gentle help you deal with loss and grief?

9. The subtitle of Do Not Go Gentle is "My Search for Miracles in a Cynical Time." Do you believe we live in a cynical world? How can faith help us every day? How can we hold on to faith in a cynical world?

10. Do Not Go Gentle has been described as a non-fiction book told like a novel. How does Hood's storytelling style and her voice affect her story?

11. Do you believe that Hood found a miracle? If so, what was that miracle?

12. Did Do Not Go Gentle change your own belief in miracles? How? Did it change how you feel about faith? How?

About the Author
Ann Hood is the author of seven novels, including Ruby and Somewhere off the Coast of Maine (both from Picador USA). She has won the Pushcart Prize and a Best American Spiritual Writing award for her nonfiction. Her essays and short stories have appeared in DoubleTake, The New York Times, The Paris Review, and many other publications. She lives with her husband and children in Providence, Rhode Island.

Editorial Reviews

This small book tells the story of the search for a miraculous cure, the death of a father and one woman's reconnection with her Catholic roots. Novelist Hood (Ruby; Somewhere off the Coast of Maine) became determined to find a miracle cure when her father was diagnosed with inoperable lung cancer. The product of generations of Italian-American Catholics, Hood followed her penchant for the mystical, leading her to look for signs, interpret dreams and wish for a magic potion. She traveled to Chimayo, N.Mex., where the Tewa Indians believe that the mud is curative and a chapel commemorates the healing miracles that have allegedly occurred there. Hood was looking for an incantation, for anything that would make the tumor vanish. This poignant memoir of grief is also a love story: "My father," Hood writes, "was the love of my life." She loved the way he whistled, the way he smiled, even the way he carried boxes of doughnuts. Unlike many young adults who give up their youthful adoration of Dear Old Dad, Hood only grew to cherish her father more as a grown-up. As she watched him die, Hood (who had become sophisticated, started attending Unitarian and Episcopal churches and even affected a bit of a New England accent) began to "reclaim [her] heritage" of faith and family. This memoir is every bit as breathtaking as the poem after which it is named. (Dec.) Copyright 2000 Cahners Business Information.

Publishers Weekly - Publisher's Weekly