Dr. Arne and Rule, Britannia (Illustrated)
Author Preface:

The glorious National Song, “Rule, Britannia,” is familiar to the whole British race; nevertheless very few men and women are acquainted with the history of its birth and parentage.

In the following pages I have endeavoured to chronicle all the facts which are discoverable by diligent research, and to present them in an attractive and entertaining manner.

The life of Dr. Arne, the composer of “Rule, Britannia,” offers to the reader and to the music student an interesting and instructive story, showing that natural ability, even when combined with genius, is not sufficient to ensure a triumphant and successful career. Morality and conscientious rectitude in the affairs of life are essential, and had Arne exercised these, his exceptional gifts might have enabled him to surpass his great contemporary, Handel.

It only remains to be noted that many letters and documents are here printed for the first time, some of them copied from the original autographs in my possession. They illuminate much which has hitherto been obscure and uncertain in the career of a famous composer.
1103325766
Dr. Arne and Rule, Britannia (Illustrated)
Author Preface:

The glorious National Song, “Rule, Britannia,” is familiar to the whole British race; nevertheless very few men and women are acquainted with the history of its birth and parentage.

In the following pages I have endeavoured to chronicle all the facts which are discoverable by diligent research, and to present them in an attractive and entertaining manner.

The life of Dr. Arne, the composer of “Rule, Britannia,” offers to the reader and to the music student an interesting and instructive story, showing that natural ability, even when combined with genius, is not sufficient to ensure a triumphant and successful career. Morality and conscientious rectitude in the affairs of life are essential, and had Arne exercised these, his exceptional gifts might have enabled him to surpass his great contemporary, Handel.

It only remains to be noted that many letters and documents are here printed for the first time, some of them copied from the original autographs in my possession. They illuminate much which has hitherto been obscure and uncertain in the career of a famous composer.
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Dr. Arne and Rule, Britannia (Illustrated)

Dr. Arne and Rule, Britannia (Illustrated)

by William Hayman Cummings
Dr. Arne and Rule, Britannia (Illustrated)

Dr. Arne and Rule, Britannia (Illustrated)

by William Hayman Cummings

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Overview

Author Preface:

The glorious National Song, “Rule, Britannia,” is familiar to the whole British race; nevertheless very few men and women are acquainted with the history of its birth and parentage.

In the following pages I have endeavoured to chronicle all the facts which are discoverable by diligent research, and to present them in an attractive and entertaining manner.

The life of Dr. Arne, the composer of “Rule, Britannia,” offers to the reader and to the music student an interesting and instructive story, showing that natural ability, even when combined with genius, is not sufficient to ensure a triumphant and successful career. Morality and conscientious rectitude in the affairs of life are essential, and had Arne exercised these, his exceptional gifts might have enabled him to surpass his great contemporary, Handel.

It only remains to be noted that many letters and documents are here printed for the first time, some of them copied from the original autographs in my possession. They illuminate much which has hitherto been obscure and uncertain in the career of a famous composer.

Product Details

BN ID: 2940148733607
Publisher: Lost Leaf Publications
Publication date: 07/17/2013
Sold by: Barnes & Noble
Format: eBook
File size: 2 MB

About the Author

William Hayman Cummings (August 22, 1831 – June 10, 1915), born in Sidbury (near Sidmouth) in Devon, was an English musician, tenor and organist at Waltham Abbey.
He was educated at St Paul's Cathedral Choir School and the City of London School, becoming a pupil of Dr E.J. Hopkins, J.W Hobbs and Alberto Randegger, and was for many years a chorister in St Paul's Cathedral and the Temple Church.
In 1847, as a teenager, he was one of the choristers when Felix Mendelssohn conducted the first London performance of his Elijah at Exeter Hall. Cummings also sang at numerous festivals and concerts throughout Great Britain and twice toured in the United States. He is credited in 1855 with linking Mendelssohn's tune to Charles Wesley's words Hark! The Herald Angels Sing, which are now universally inextricably linked. At the Birmingham Festival he was the last-minute tenor soloist at the premiere of The Masque at Kenilworth (1866) by Arthur Sullivan, taking Mario's place (with only half-an-hour's notice to prepare).
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