BONUS: This edition contains an excerpt from Jonathan Kellerman's Victims.
Who killed the killer? In this brilliant and startling psychological thriller, Jonathan Kellerman, perennial bestselling author, gives a sharp and timely twist to homicide's central question.
Someone has murdered euthanasia champion Dr. Eldon Mate--a self-styled Dr. Death responsible for scores of assisted suicides. In a burst of bloody irony, the killer chooses to dispatch the doctor in the back of Mate's own suicide van, hooking him up to the killing apparatus dubbed "the Humanitron"--and adding some butchering touches of his own. The case is assigned to veteran LAPD homicide detective Milo Sturgis, who turns, once again, to his friend Dr. Alex Delaware. But working this case raises a conflict of interest for Alex so profound that he can't even discuss it with Milo. The tension that develops between cop and psychologist further complicates an already baffling and complex murder investigation--one whose suspects include the families of Dr. Mate's "travelers," Mate's own son, and a psychopathic killer who relishes the geometry of death.
Dr. Death is a rich brew of unforgettable characters, labyrinthine plotting, page-turning prose, and the unique insights into the darkest corners of the human mind that have earned Jonathan Kellerman international accolades as the master of psychological suspense.
Jonathan Kellerman is the #1 New York Times bestselling author of more than three dozen bestselling crime novels, including the Alex Delaware series, The Butcher’s Theater, Billy Straight, The Conspiracy Club,Twisted, and True Detectives. With his wife, bestselling novelist Faye Kellerman, he co-authored Double Homicide and Capital Crimes. With his son, bestselling novelist Jesse Kellerman, he co-authored the first book of a new series, The Golem of Hollywood. He is also the author of two children’s books and numerous nonfiction works, including Savage Spawn: Reflections on Violent Children and With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California, New Mexico, and New York.
Hometown:
Beverly Hills, California
Date of Birth:
August 9, 1949
Place of Birth:
New York, New York
Education:
B.A. in psychology, University of California-Los Angeles; Ph.D., University of Southern California, 1974
Irony can be a rich dessert, so when the contents of the van were publicized, some people gorged. The ones who'd believed Eldon H. Mate to be the Angel of Death.
Those who'd considered him Mercy Personified grieved.
I viewed it through a different lens, had my own worries.
Mate was murdered in the very early hours of a sour-smelling, fog-laden Monday in September. No earthquakes or wars interceded by sundown, so the death merited a lead story on the evening news. Newspaper headlines in the Times and the Daily News followed on Tuesday. TV dropped the story within twenty-four hours, but recaps ran in the Wednesday papers. In total, four days of coverage, the maximum in short-attention-span L.A. unless the corpse is that of a princess or the killer can afford lawyers who yearn for Oscars.
No easy solve on this one; no breaks of any kind. Milo had been doing his job long enough not to expect otherwise.
He'd had an easy summer, catching a quartet of lovingly stupid homicides during July and August--one domestic violence taken to the horrible extreme and three brain-dead drunks shooting other inebriates in squalid Westside bars. Four murderers hanging around long enough to be caught. It kept his solve rate high, made it a bit--but not much--easier to be the only openly gay detective in LAPD.
"Knew I was due," he said. It was the Sunday after the murder when he phoned me at the house. Mate's corpse had been cold for six days and the press had moved on.
That suited Milo just fine. Like any artist, he craved solitude. He'd played his part by not giving the press anything to work with. Orders from the brass. One thing he and the brass could agree on: reporters were almost always the enemy.
What the papers HAD printed was squeezed out of clip-file biographies, the inevitable ethical debates, old photos, old quotes. Beyond the fact that Mate had been hooked up to his own killing machine, only the sketchiest details had been released:
Van parked on a remote section of Mulholland Drive, discovery by hikers just after dawn.
DR. DEATH MURDERED.
I knew more because Milo told me.
The call came in at 8 P.M., just as Robin and I had finished dinner. I was out the door, holding on to the straining leash of Spike, our little French bulldog. Pooch and I both looking forward to a night walk up the glen. Spike loved the dark because pointing at scurrying sounds let him pretend he was a noble hunter. I enjoyed getting out because I worked with people all day and solitude was always welcome.
Robin answered the phone, caught me in time, ended up doing dog-duty as I returned to my study.
"Mate's yours?" I said, surprised because he hadn't told me sooner. Suddenly edgy because that added a whole new layer of complexity to my week.
"Who else merits such blessing?"
I laughed softly, feeling my shoulders humping, rings of tension around my neck. The moment I'd heard about Mate I'd worried. Deliberated for a long time, finally made a call that hadn't been returned. I'd dropped the issue because there'd been no good reason not to. It really WASN'T any of my business. Now, with Milo involved, all that had changed.
I kept the worries to myself. His call had nothing to do with my problem. Coincidence--one of those nasty little overlaps. Or maybe there really are only a hundred people in the world.
His reason for getting in touch was simple: the dreaded W word: whodunit. A case with enough psychopathology to make me potentially useful.
Also I was his friend, one of the few people left in whom he could confide.
The psychopathology part was fine with me. What bothered me was the friendship component. Things I knew but didn't tell him. COULDN'T tell him.
