The Pornographers [Criterion Collection]

Director: Shohei Imamura Shohei Imamura

Overview

"Shohei Imamura's perverse classic comes to DVD in this crisp if spartan presentation from the unparalleled Criterion Collection. The video image and soundtrack for The Pornographers is taken from an impeccably cleaned-up print of the film: Barely a scratch is transferred over to the disc, and the mono soundtrack is superbly modified to accommodate stereo (if not surround-sound) systems. This is a film of extremes, and every high-contrast shot and sudden burst of volume is preserved as the director might have wished. What's more, the disc has been given new and improved subtitling that does away with some of the anachronisms and errors found in previous prints' translations. As for supplemental material, the disc is bare save for the odd, sensationalistic original Japanese trailer and a witty essay by critic J. Hoberman, included in the liner notes."

Product Details

Release Date:	03/21/2010
UPC:	0037429178027
Original Release:	1966
Source:	CRITERION COLLECTION
Presentation:	[B&W, Wide Screen]
Sound:	[Dolby Digital Mono]
Language:	English
Time:	2:07:00

Special Features

New high-definition digital transfer; Original theatrical trailer; New and improved English subtitle translation; Optimal image quality: RSDL dual-layer edition

Cast & Crew

Performance Credits

Keiko Sagowa	Keiko
Sumiko Sakamoto	Haru
Haruo Tanaka	Actor
Masaomi Kondo	Koichi
Shoichi Ozawa	Ogata
Toshiro Mayuzumi	Composer

Technical Credits

Shohei Imamura

Shohei Imamura

Director,Screenwriter

Editorial Reviews

Imagine Eyes Wide Shut as directed by a court jester and you'd come close to approximating the pleasures of The Pornographers, Shohei Imamura's impish, cynical treatise on the intersection between perversity and commerce. The film positively revels in its ability to treat taboo subjects -- the sex industry, incest, orgies -- with the same detached, laissez-faire attitude as its amoral protagonist Subu, played to oblivious perfection by Shoichi Ozawa. Imamura sets his anti-hero's comedy of errors against a lurid, workaday Osaka, portrayed in a series of meticulously framed, static wide shots in which everything and nothing seems to be happening at once. Although his characters pontificate on the nature of sex, attraction, and perversity throughout the film, Imamura doesn't telegraph his feelings, blessedly refraining from finger-pointing or easy moralization. Like Renoir before him, he's more content to sit back and let each member of his film's seedy extended family design their own unique end. As oblique and vivid as the giant carp that casts a blank eye on the proceedings, The Pornographers is a wry, acerbic, and -- in every sense of the word -- sensational allegory that only becomes more topical with each passing year.