Dynastic Marriages 1612/1615: A Celebration of the Habsburg and Bourbon Unions

The union of the two royal houses - the Habsburgs and the Bourbons - in the early seventeenth century illustrates the extent to which marriage was a tool of government in Renaissance Europe, and festivals a manifestation of power and cultural superiority. With contributions from scholars representing a range of disciplines, this volume provides an all-round view of the sequence of festivals and events surrounding the dynastic marriages which were agreed upon in 1612 but not celebrated until 1615 owing to the constant interruption of festivities by protestant uprisings. The occasion inspired an extraordinary range of records from exchanges of political pamphlets, descriptions of festivities, visual materials, the music of songs and ballets, and the impressions of witnesses and participants. The study of these remarkable sources shows how a team of scholars from diverse disciplines can bring into focus again the creative genius of artists: painters, architects and costume designers, musicians and poets, experts in equestrianism, in pyrotechnics, and in the use of symbolic languages. Their artistic efforts were staged against a background of intense political diplomacy and continuing civil strife; and yet, the determination of Marie de Médicis and her advisers and of the Duke of Lerma brought to a triumphant conclusion negotiations and spectacular commemorations whose legacy was to inform festival art throughout European courts for decades.

In addition to printed and manuscript sources, the volume identifies ways of giving future researchers access to festival texts and studies through digitization, making the book both an in-depth analysis of a particular occasion and a blueprint for future engagement with digital festival resources.


1122760684
Dynastic Marriages 1612/1615: A Celebration of the Habsburg and Bourbon Unions

The union of the two royal houses - the Habsburgs and the Bourbons - in the early seventeenth century illustrates the extent to which marriage was a tool of government in Renaissance Europe, and festivals a manifestation of power and cultural superiority. With contributions from scholars representing a range of disciplines, this volume provides an all-round view of the sequence of festivals and events surrounding the dynastic marriages which were agreed upon in 1612 but not celebrated until 1615 owing to the constant interruption of festivities by protestant uprisings. The occasion inspired an extraordinary range of records from exchanges of political pamphlets, descriptions of festivities, visual materials, the music of songs and ballets, and the impressions of witnesses and participants. The study of these remarkable sources shows how a team of scholars from diverse disciplines can bring into focus again the creative genius of artists: painters, architects and costume designers, musicians and poets, experts in equestrianism, in pyrotechnics, and in the use of symbolic languages. Their artistic efforts were staged against a background of intense political diplomacy and continuing civil strife; and yet, the determination of Marie de Médicis and her advisers and of the Duke of Lerma brought to a triumphant conclusion negotiations and spectacular commemorations whose legacy was to inform festival art throughout European courts for decades.

In addition to printed and manuscript sources, the volume identifies ways of giving future researchers access to festival texts and studies through digitization, making the book both an in-depth analysis of a particular occasion and a blueprint for future engagement with digital festival resources.


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Dynastic Marriages 1612/1615: A Celebration of the Habsburg and Bourbon Unions

Dynastic Marriages 1612/1615: A Celebration of the Habsburg and Bourbon Unions

Dynastic Marriages 1612/1615: A Celebration of the Habsburg and Bourbon Unions

Dynastic Marriages 1612/1615: A Celebration of the Habsburg and Bourbon Unions

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Overview

The union of the two royal houses - the Habsburgs and the Bourbons - in the early seventeenth century illustrates the extent to which marriage was a tool of government in Renaissance Europe, and festivals a manifestation of power and cultural superiority. With contributions from scholars representing a range of disciplines, this volume provides an all-round view of the sequence of festivals and events surrounding the dynastic marriages which were agreed upon in 1612 but not celebrated until 1615 owing to the constant interruption of festivities by protestant uprisings. The occasion inspired an extraordinary range of records from exchanges of political pamphlets, descriptions of festivities, visual materials, the music of songs and ballets, and the impressions of witnesses and participants. The study of these remarkable sources shows how a team of scholars from diverse disciplines can bring into focus again the creative genius of artists: painters, architects and costume designers, musicians and poets, experts in equestrianism, in pyrotechnics, and in the use of symbolic languages. Their artistic efforts were staged against a background of intense political diplomacy and continuing civil strife; and yet, the determination of Marie de Médicis and her advisers and of the Duke of Lerma brought to a triumphant conclusion negotiations and spectacular commemorations whose legacy was to inform festival art throughout European courts for decades.

In addition to printed and manuscript sources, the volume identifies ways of giving future researchers access to festival texts and studies through digitization, making the book both an in-depth analysis of a particular occasion and a blueprint for future engagement with digital festival resources.



Product Details

ISBN-13: 9781472404909
Publisher: Ashgate Publishing Ltd
Publication date: 05/28/2013
Series: European Festival Studies: 1450-1700
Sold by: Barnes & Noble
Format: eBook
File size: 30 MB
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About the Author

Margaret M.McGowan is Research Professor of French at the University of Sussex. Her research interests centre on the intellectual, cultural and artistic concerns of Early Modern Europe. Her publications include L'Art du Ballet de cour en France 1581-1643 (1963), Montaigne's Deceits (1974), Ideal forms in the Age of Ronsard (1985), The Vision of Rome in Late Renaissance France (2000), and Dance in the Renaissance: European Fashion, French Obsession (2008). She gave the Léopold Delisle lectures in 2012, was awarded the Wolfson Prize in 2008, and the CBE for services to French Studies in 1998.

Margaret M. McGowan, J.H. Elliott, Nicolas Le Roux, David Sánchez Cano, Maria Inès Aliverti, Marie Baudière, Monique Chatenet, Patrice Franchet d’Espèrey, Iain Fenlon, Paulette Choné, Marie-Claude Canova-Green, Chantal Grell, J.R. Mulryne.


Table of Contents

Contents: Introduction, Margaret M. McGowan; The political context of the 1612-1615 Franco-Spanish Treaty, J.H. Elliott; A time of frenzy. Dreams of union and aristocratic turmoil (1610-1615), Nicolas Le Roux; Festivities during Elizabeth of Bourbon's journey to Madrid, David Sánchez Cano; Celebrations in Naples and other Italian cities, Maria Inès Aliverti; The carrousel of 1612 and the festival book, Marie Baudière; The carrousel on the Place Royale: production, costumes and décor, Monique Chatenet; The Ballet d'Antoine de Pluvinel and The Maneige Royal, Patrice Franchet d’Espèrey; Competition and emulation: music and dance for the celebrations in Paris, 1612-1615, Iain Fenlon; The dazzle of chivalric devices: carrousel on the Place Royale, Paulette Choné; Literary traditions and their afterlife, Margaret M. McGowan ; Ambivalent fictions: the Bordeaux celebrations of the wedding of Louis XIII and Anne d’Autriche, Marie-Claude Canova-Green; Firework displays in Paris, London and Heidelberg (1612-1615), Paulette Choné; The fêtes of 1612-1615 in history and historiography, Chantal Grell; Dynastic weddings in personal and political context: two instances, J.R. Mulryne; Epilogue, Margaret M. McGowan; Bibliography; Index.


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