even this page is white

by Vivek Shraya

Overview

Vivek Shraya's debut collection of poetry is a bold and timely interrogation of skin—its origins, functions, and limitations. Poems that range in style from starkly concrete to limber break down the barriers that prevent understanding of what it means to be racialized. Shraya paints the face of everyday racism with words, rendering it visible, tangible and undeniable.

Vivek Shraya is a writer, musician, and filmmaker whose previous books include God Loves Hair and She of the Mountains. She lives in Toronto.

This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

Product Details

ISBN-13:	9781551526423
Publisher:	Arsenal Pulp Press, Limited
Publication date:	10/17/2016
Sold by:	Barnes & Noble
Format:	eBook
Pages:	120
File size:	3 MB

About the Author

Vivek Shraya: Vivek Shraya is a writer, musician, performer, and filmmaker. His previous books include the novel She of the Mountains and the YA book God Loves Hair, and he has been shortlisted for Lambda Literary Awards three times. He has read and performed at shows, festivals and post-secondary institutions internationally.

Editorial Reviews

09/19/2016
Shraya (She of the Mountains), a multidisciplinary Canadian artist, fashions an activist text in her debut poetry collection, one that is timely in its focus on identity (queer and racial), racism, colorism, the Black Lives Matter movement, and Shraya’s own struggles with gender, her body, and her place in the world. But the book’s potency lies also in Shraya’s deftness as a writer. Shraya’s poetry, like her prose work, is gifted, evocative, assured, and maintains a tightrope balance between nuance and bluntness. The result is a collection that is both culturally and socially conscious. The best of the poems are shorter and sharp, such as “Bloody Mary,” (“white supremacy/ white supremacy/ white supremacy.”) and “Thank You For Naming All Your Privileges” (“now what?”). Though it is not just those works that can be recited in moments that linger with readers. Present and potent, too, are long conversations between Shraya and friends, found poetry, free verse, and a variety of other forms on display. It is a magnificent collection straddling both current conversations in the U.S. and much more universal and introspective questions about how to see and go beyond the things that divide one thing from another. (Oct.)

Publishers Weekly

"This brave and very contemporary lyrical collection dares to ask the unspoken yet screaming questions, to finish the sentence that hurts, that reveals, that provokes, that celebrates. Like a Durga goddess, Shraya juggles with deft hands the multiple aspects of desire, race, gender, queerness, and contemporary pop culture." —Shani Mootoo, author of Moving Forward Sideways like a Crab and Cereus Blooms at Night

"A stark, bold poetry debut. Shraya writes on, through, and about skin and color — and the meanings we make of both. This beautiful collection is the rawest consideration of race, racism, and identity that I’ve read in a while." —AfterEllen.com

From the Publisher