Field Guide to String Education: Warm-ups

Long Description (4,000 characters)

Field Guide to String Education: Warm-ups is written for the music teacher who has the privilege of teaching strings. Dr. Matthew H. Spieker is an experienced classroom educator who offers insight and advice that works.
A genuine field guide is a small handbook that can fit in a pocket and be used as a quick reference to help someone identify plants and animals in nature. They are compact, easy to use, informative, and they make the experience of nature more enjoyable. In this same spirit, I hope you find these field guides as useful to help you teach stringed instruments to kids. They are written to provide you with brief, power-packed bits of information you can apply quickly to your classroom. It is my wish these field guides will transform your teaching.
You need a good reason for warm-ups because students will repeatedly as you “why?” Students do not like warm-ups, and if you do not have a good reason for these daily exercises, students will check out. I have watched too many rehearsals during which the director mindlessly throws out scales, and the students mindlessly play them. That is a colossal waste of time. Warm-ups should be intentional in their development and execution.
This field guide is about warm-ups. It begins with a chapter on helping you develop a good why for warm-ups. The discussion then turns to the warm-ups I have used for years. Good string pedagogy analyzes skills into left-side and right-side skills. My warm-ups follow this pattern with the left page is mostly about left-side skills and the right page is mostly about right-side skills. My warm-ups also finish with some ensemble skills mostly dealing with intonation. Although this eBook details the warm-ups I developed and use, it really is an encouragement to help the string educator write their own. The final chapter focuses on this outlines several more concepts that warm-ups could include.
My String Coach
In the early 2000s, a group of students called me "coach." At first it annoyed me a little, as I never saw myself as a coach. But they liked it, and there are far worse things they could call me. Then it occurred to me that coaching is a major part of my role as a music educator.
Tom Landry was one of the all-time best coaches in the NFL. He led the Dallas Cowboys to 20 consecutive winning seasons, 13 division titles, 5 NFC titles, and 2 Super Bowl wins. He once was asked about his secret to coaching. He said, "Make them [the players] do what they don't want to do, so that they will become what they want to be."
I have learned that much of what I do in the classroom is to make students do important things that they aren't happy about, so that when they perform on stage, they can feel that amazing sense of accomplishment. Teaching is difficult. It can be a grind and feel thankless, but it’s also tremendously rewarding and important. If I can help teachers make the journey a bit easier, then I feel like I am contributing positively to the profession.
My String Coach (MSC) is dedicated to helping teachers in the profession of string education. This is accomplished through three aspects:
•String Education Field Guides
•MSC Youth Editions
•MSC Teaching Materials

1137415416
Field Guide to String Education: Warm-ups

Long Description (4,000 characters)

Field Guide to String Education: Warm-ups is written for the music teacher who has the privilege of teaching strings. Dr. Matthew H. Spieker is an experienced classroom educator who offers insight and advice that works.
A genuine field guide is a small handbook that can fit in a pocket and be used as a quick reference to help someone identify plants and animals in nature. They are compact, easy to use, informative, and they make the experience of nature more enjoyable. In this same spirit, I hope you find these field guides as useful to help you teach stringed instruments to kids. They are written to provide you with brief, power-packed bits of information you can apply quickly to your classroom. It is my wish these field guides will transform your teaching.
You need a good reason for warm-ups because students will repeatedly as you “why?” Students do not like warm-ups, and if you do not have a good reason for these daily exercises, students will check out. I have watched too many rehearsals during which the director mindlessly throws out scales, and the students mindlessly play them. That is a colossal waste of time. Warm-ups should be intentional in their development and execution.
This field guide is about warm-ups. It begins with a chapter on helping you develop a good why for warm-ups. The discussion then turns to the warm-ups I have used for years. Good string pedagogy analyzes skills into left-side and right-side skills. My warm-ups follow this pattern with the left page is mostly about left-side skills and the right page is mostly about right-side skills. My warm-ups also finish with some ensemble skills mostly dealing with intonation. Although this eBook details the warm-ups I developed and use, it really is an encouragement to help the string educator write their own. The final chapter focuses on this outlines several more concepts that warm-ups could include.
My String Coach
In the early 2000s, a group of students called me "coach." At first it annoyed me a little, as I never saw myself as a coach. But they liked it, and there are far worse things they could call me. Then it occurred to me that coaching is a major part of my role as a music educator.
Tom Landry was one of the all-time best coaches in the NFL. He led the Dallas Cowboys to 20 consecutive winning seasons, 13 division titles, 5 NFC titles, and 2 Super Bowl wins. He once was asked about his secret to coaching. He said, "Make them [the players] do what they don't want to do, so that they will become what they want to be."
I have learned that much of what I do in the classroom is to make students do important things that they aren't happy about, so that when they perform on stage, they can feel that amazing sense of accomplishment. Teaching is difficult. It can be a grind and feel thankless, but it’s also tremendously rewarding and important. If I can help teachers make the journey a bit easier, then I feel like I am contributing positively to the profession.
My String Coach (MSC) is dedicated to helping teachers in the profession of string education. This is accomplished through three aspects:
•String Education Field Guides
•MSC Youth Editions
•MSC Teaching Materials

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Field Guide to String Education: Warm-ups

Field Guide to String Education: Warm-ups

by Matthew Spieker
Field Guide to String Education: Warm-ups

Field Guide to String Education: Warm-ups

by Matthew Spieker

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Overview

Long Description (4,000 characters)

Field Guide to String Education: Warm-ups is written for the music teacher who has the privilege of teaching strings. Dr. Matthew H. Spieker is an experienced classroom educator who offers insight and advice that works.
A genuine field guide is a small handbook that can fit in a pocket and be used as a quick reference to help someone identify plants and animals in nature. They are compact, easy to use, informative, and they make the experience of nature more enjoyable. In this same spirit, I hope you find these field guides as useful to help you teach stringed instruments to kids. They are written to provide you with brief, power-packed bits of information you can apply quickly to your classroom. It is my wish these field guides will transform your teaching.
You need a good reason for warm-ups because students will repeatedly as you “why?” Students do not like warm-ups, and if you do not have a good reason for these daily exercises, students will check out. I have watched too many rehearsals during which the director mindlessly throws out scales, and the students mindlessly play them. That is a colossal waste of time. Warm-ups should be intentional in their development and execution.
This field guide is about warm-ups. It begins with a chapter on helping you develop a good why for warm-ups. The discussion then turns to the warm-ups I have used for years. Good string pedagogy analyzes skills into left-side and right-side skills. My warm-ups follow this pattern with the left page is mostly about left-side skills and the right page is mostly about right-side skills. My warm-ups also finish with some ensemble skills mostly dealing with intonation. Although this eBook details the warm-ups I developed and use, it really is an encouragement to help the string educator write their own. The final chapter focuses on this outlines several more concepts that warm-ups could include.
My String Coach
In the early 2000s, a group of students called me "coach." At first it annoyed me a little, as I never saw myself as a coach. But they liked it, and there are far worse things they could call me. Then it occurred to me that coaching is a major part of my role as a music educator.
Tom Landry was one of the all-time best coaches in the NFL. He led the Dallas Cowboys to 20 consecutive winning seasons, 13 division titles, 5 NFC titles, and 2 Super Bowl wins. He once was asked about his secret to coaching. He said, "Make them [the players] do what they don't want to do, so that they will become what they want to be."
I have learned that much of what I do in the classroom is to make students do important things that they aren't happy about, so that when they perform on stage, they can feel that amazing sense of accomplishment. Teaching is difficult. It can be a grind and feel thankless, but it’s also tremendously rewarding and important. If I can help teachers make the journey a bit easier, then I feel like I am contributing positively to the profession.
My String Coach (MSC) is dedicated to helping teachers in the profession of string education. This is accomplished through three aspects:
•String Education Field Guides
•MSC Youth Editions
•MSC Teaching Materials


Product Details

BN ID: 2940164203870
Publisher: Matthew Spieker
Publication date: 07/27/2020
Sold by: Smashwords
Format: eBook
File size: 2 MB

About the Author

Matthew H. Spieker has been a music educator for 30 years and has taught all levels of orchestra and general music in U.S. school districts of South Carolina and Colorado. From 2005 to 2007, Dr. Spieker taught at the John F. Kennedy Schule in Berlin, Germany and he currently teaches at Ball State University as an assistant professor of music education with an emphasis on string/orchestral education.
Dr. Spieker’s school ensembles performed several times at Colorado’s state music convention and received numerous superior ratings at large group music festivals. They also toured Germany and Austria and received wonderful reviews and created lifelong friendships with students and teachers at the German Sinfonie Orchester der Musikschule Lüchow-Dannenberg.
Dr. Spieker is a guest clinician, adjudicator, and an orchestral all state/honor orchestra conductor throughout the United States. He also worked abroad in cities including Brussels, Vienna, Geneva, and Beijing, and since 2000, Dr. Spieker has been the conductor of the Internationales Orchester Camp in Lüchow, Germany.
As a clinician, Dr. Spieker speaks to issues concerning string pedagogy, classroom culture/environment, recruiting, motivation, and more. He has presented at numerous state conferences and nationally at several American String Teacher’s Association (ASTA) National Conferences, National Association for Music Education (NAfME) Directors’ Academy, Society for Music Teacher Education (SMTE), and the Midwest Clinic in Chicago. Dr. Spieker is also an Educational Clinician for Conn-Selmer (https://education.conn-selmer.com/en-us/education)
Published articles include state music journals of Alabama and Oregon. National articles include NAfME’s Teaching Music, General Music Today, Research Issues & Music Education, and Journal of Historical Research in Music Education. Dr. Spieker’s research interests include string pedagogy, classroom culture/environment, figurative language, youth string musicians’ health, and music education history.
Dr. Spieker has been involved with professional communities of ASTA (American String Teachers Association), NAfME (National Association of Music Education), IMEA (Indiana Music Educators Association), CMEA (Colorado Music Educators Association), AMEA (Arizona Music Education Association), AMIS (Association of Music in International Schools) and CMS (College Music Society).
Most current projects involve Ball State collaboration with the local Youth Symphony Orchestras of East Central Indiana in which pre-service teachers are gaining teaching experience by working with YSOECI. Also, both BSU and YSOECI are actively volunteering in the community by teaching string instruments to students at Motivate our Minds, which is an after-school program for children in the Muncie community.
The best part of Dr. Spieker’s life is being a husband to Roberta, father to Brittney and Lyndsey, and now Grandad (Grumps) to his grandchildren.

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