The Flowering Thorn: International Ballad Studies

The flowering thorn expresses the dual nature of the ballad: at once a distinctive expression of European tradition, but also somewhat tricky to approach from a scholarly perspective, requiring a range of disciplines to illuminate its rich composition. Most of this latter quality has to do with the very features that characterize ballads... or narrative songs. These include an appearance of fragmentation; a wide range of cultural and social referents; complex, evocative symbolic language; and variation. The notable multiformity of meaning, text and tune is mirrored in scholarship, too. The Flowering Thorn is therefore wide ranging, with articles written by world authorities from the fields of folklore, history, literature, and ethnology, employing a variety of methodologies—structuralism to functionalism, repertoire studies to geographical explorations of cultural movement and change. The twenty-five selected contributions represent the latest trends in ballad scholarship, embracing the multi-disciplinary nature of the field today. The essays have their origins in the 1999 International Ballad Conference of the Kommission fur Volksdichtung (KfV), which focused particularly on ballads and social context; performance and repertoire; genre, motif, and classification. The revised, tailored, and expanded essays are divided into five sections—the interpretation of narrative song; structure and motif; context, version, and transmission; regions, reprints, and repertoires; and the mediating collector's offering a range of examples from fifteen different cultures, ten of them drawing on languages other than English, resulting in a series of personal journeys to the heart of one of Europe's richest, most enduring cultural creations. —Thomas McKean, from the Introduction

CONTRIBUTORS: Mary Anne Alburger, David Atkinson, Julia C. Bishop, Valentina Bold, Katherine Campbell, Nicolae Constantinescu, Luisa Del Giudice, Sheila Douglas, David G. Engle, Frances J. Fischer, Simon Furey, Vic Gammon, Marjetka Golez-Kaucic, Pauline Greenhill, Cozette Griffin-Kremer, J. J. Dias Marques, William Bernard McCarthy, Isabelle Peere, Gerald Porter, James Porter, Roger de V. Renwick, Sigrid Rieuwerts, Michèle Simonsen, Larry Syndergaard, Stefaan Top, Larysa Vakhnina, Lynn Wollstadt

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The Flowering Thorn: International Ballad Studies

The flowering thorn expresses the dual nature of the ballad: at once a distinctive expression of European tradition, but also somewhat tricky to approach from a scholarly perspective, requiring a range of disciplines to illuminate its rich composition. Most of this latter quality has to do with the very features that characterize ballads... or narrative songs. These include an appearance of fragmentation; a wide range of cultural and social referents; complex, evocative symbolic language; and variation. The notable multiformity of meaning, text and tune is mirrored in scholarship, too. The Flowering Thorn is therefore wide ranging, with articles written by world authorities from the fields of folklore, history, literature, and ethnology, employing a variety of methodologies—structuralism to functionalism, repertoire studies to geographical explorations of cultural movement and change. The twenty-five selected contributions represent the latest trends in ballad scholarship, embracing the multi-disciplinary nature of the field today. The essays have their origins in the 1999 International Ballad Conference of the Kommission fur Volksdichtung (KfV), which focused particularly on ballads and social context; performance and repertoire; genre, motif, and classification. The revised, tailored, and expanded essays are divided into five sections—the interpretation of narrative song; structure and motif; context, version, and transmission; regions, reprints, and repertoires; and the mediating collector's offering a range of examples from fifteen different cultures, ten of them drawing on languages other than English, resulting in a series of personal journeys to the heart of one of Europe's richest, most enduring cultural creations. —Thomas McKean, from the Introduction

CONTRIBUTORS: Mary Anne Alburger, David Atkinson, Julia C. Bishop, Valentina Bold, Katherine Campbell, Nicolae Constantinescu, Luisa Del Giudice, Sheila Douglas, David G. Engle, Frances J. Fischer, Simon Furey, Vic Gammon, Marjetka Golez-Kaucic, Pauline Greenhill, Cozette Griffin-Kremer, J. J. Dias Marques, William Bernard McCarthy, Isabelle Peere, Gerald Porter, James Porter, Roger de V. Renwick, Sigrid Rieuwerts, Michèle Simonsen, Larry Syndergaard, Stefaan Top, Larysa Vakhnina, Lynn Wollstadt

17.95 In Stock
The Flowering Thorn: International Ballad Studies

The Flowering Thorn: International Ballad Studies

by Thomas Mckean
The Flowering Thorn: International Ballad Studies

The Flowering Thorn: International Ballad Studies

by Thomas Mckean

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$17.95 

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Overview

The flowering thorn expresses the dual nature of the ballad: at once a distinctive expression of European tradition, but also somewhat tricky to approach from a scholarly perspective, requiring a range of disciplines to illuminate its rich composition. Most of this latter quality has to do with the very features that characterize ballads... or narrative songs. These include an appearance of fragmentation; a wide range of cultural and social referents; complex, evocative symbolic language; and variation. The notable multiformity of meaning, text and tune is mirrored in scholarship, too. The Flowering Thorn is therefore wide ranging, with articles written by world authorities from the fields of folklore, history, literature, and ethnology, employing a variety of methodologies—structuralism to functionalism, repertoire studies to geographical explorations of cultural movement and change. The twenty-five selected contributions represent the latest trends in ballad scholarship, embracing the multi-disciplinary nature of the field today. The essays have their origins in the 1999 International Ballad Conference of the Kommission fur Volksdichtung (KfV), which focused particularly on ballads and social context; performance and repertoire; genre, motif, and classification. The revised, tailored, and expanded essays are divided into five sections—the interpretation of narrative song; structure and motif; context, version, and transmission; regions, reprints, and repertoires; and the mediating collector's offering a range of examples from fifteen different cultures, ten of them drawing on languages other than English, resulting in a series of personal journeys to the heart of one of Europe's richest, most enduring cultural creations. —Thomas McKean, from the Introduction

CONTRIBUTORS: Mary Anne Alburger, David Atkinson, Julia C. Bishop, Valentina Bold, Katherine Campbell, Nicolae Constantinescu, Luisa Del Giudice, Sheila Douglas, David G. Engle, Frances J. Fischer, Simon Furey, Vic Gammon, Marjetka Golez-Kaucic, Pauline Greenhill, Cozette Griffin-Kremer, J. J. Dias Marques, William Bernard McCarthy, Isabelle Peere, Gerald Porter, James Porter, Roger de V. Renwick, Sigrid Rieuwerts, Michèle Simonsen, Larry Syndergaard, Stefaan Top, Larysa Vakhnina, Lynn Wollstadt


Product Details

ISBN-13: 9780874214918
Publisher: Utah State University Press
Publication date: 11/01/2003
Sold by: Barnes & Noble
Format: eBook
Pages: 400
File size: 6 MB
Age Range: 18 Years

Table of Contents

Contents INTRODUCTION 6 NOW SHE?S FAIRLY ALTERED HER MEANING: INTERPRETING NARRATIVE SONG 21 Healing the Spider's Bite: ?Ballad Therapy? and Tarantismo Luisa Del Giudice 24 Music, Charm, and Seduction in British Traditional Songs and Ballads Vic Gammon 34 ?Places She Knew Very Well?: The Symbolic Economy of Women's Travels in Traditional Newfoundland Ballads Pauline Greenhill 49 A Good Man Is Hard Tto Find: Positive Masculinity in the Ballads Sung by Scottish Women Lynn Wollstadt 59 Jesting with Edge Tools: The Dynamics of a Fragmentary Ballad tTradition Gerald Porter 67 The Servant Problem in Child Ballads Roger deV. Renwick 78 May Day and Mayhem: Portraits of a Holiday in Eighteenth-Century Dublin Ballads Cozette Griffin-Kremer 87 MALIGN FORCES THAT CAN PUNISH AND PARDON: STRUCTURE AND MOTIF 113 An Oddity of Catalan Folk Songs and Ballads Simon Furey 116 "Barbara Allen" and t"The Gypsy Laddie": Single-Rhyme Ballads in the Child Corpus William Bernard McCarthy 123 The Motif of Poisoning in Ukrainian Ballads Larysa Vakhnina 134 Contexts and Interpretations: The Walled-Up Wife Ballad and Other Related Texts Nicolae Constantinescu 140 RECAPTURING THE JOURNEY: THE THREE CRUXES OF CONTEXT, VERSION, AND TRANSMISSION 147 The Life and Times of Rosie Anderson Sheila Douglas 150 Scholar, Anti-Sscholar: Sir Alexander Gray's Translations of the Danish Ballads Larry Syndergaard 156 ?George Collins? in Hampshire David Atkinson 166 From France to Brazil via Germany and Portugal: The Meandering Journey of a Traditional Ballad J.J. Dias Marques 177 ?The White Fisher?: An Illegitimate Child Ballad from Aberdeenshire Julia C. Bishop 188 REGIONS, REPRINTS, AND REPERTOIRES 241 Ballad Singing in New Deer Katherine Campbell 243 Old Flemish Songbook Reprints Stefaan Top 251 Chants Populaires Flamands (1879): A Scholarly Field Collection and an Early Individual Repertoire Isabelle Peere 259 The Corpus of French Ballads Michèle Simonsen 275 The Slovenian Folk and Literary Ballad Marjetka Gole?z-Kau?ci?c 285 Scotland's Nordic Ballads Frances J. Fischer 295 Simon Fraser's Airs and Melodies (1816): An Instrumental Collection as a Source of Scottish Gaelic Songs Mary Anne Alburger 305 ?LEUR BUT EST PUREMENT SCIENTIFIQUE ET ARCH?OLOGIQUE?: THE MEDIATING COLLECTOR 321 The Case Aagainst Peter Buchan Sigrid Rieuwerts 323 Ballad Raids and Spoilt Songs: Collection as Colonization Valentina Bold 333 The Contribution of D. K. Wilgus to Ballad and Folksong Scholarship David G. Engle, James Porter, and Roger deV. Renwick 342 Endnotes

Library of Congress Subject Headings for this publication: Ballads History and criticism, Folk literature History and criticism
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