From the Tree to the Labyrinth: Historical Studies on the Sign and Interpretation

The way we create and organize knowledge is the theme of From the Tree to the Labyrinth, a major achievement by one of the world’s foremost thinkers on language and interpretation. Umberto Eco begins by arguing that our familiar system of classification by genus and species derives from the Neo-Platonist idea of a “tree of knowledge.” He then moves to the idea of the dictionary, which—like a tree whose trunk anchors a great hierarchy of branching categories—orders knowledge into a matrix of definitions. In Eco’s view, though, the dictionary is too rigid: it turns knowledge into a closed system. A more flexible organizational scheme is the encyclopedia, which—instead of resembling a tree with finite branches—offers a labyrinth of never-ending pathways. Presenting knowledge as a network of interlinked relationships, the encyclopedia sacrifices humankind’s dream of possessing absolute knowledge, but in compensation we gain the freedom to pursue an infinity of new connections and meanings.

Moving effortlessly from analyses of Aristotle and James Joyce to the philosophical difficulties of telling dogs from cats, Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. From the Tree to the Labyrinth is a brilliant illustration of Eco’s longstanding argument that problems of interpretation can be solved only in historical context.

1115097493
From the Tree to the Labyrinth: Historical Studies on the Sign and Interpretation

The way we create and organize knowledge is the theme of From the Tree to the Labyrinth, a major achievement by one of the world’s foremost thinkers on language and interpretation. Umberto Eco begins by arguing that our familiar system of classification by genus and species derives from the Neo-Platonist idea of a “tree of knowledge.” He then moves to the idea of the dictionary, which—like a tree whose trunk anchors a great hierarchy of branching categories—orders knowledge into a matrix of definitions. In Eco’s view, though, the dictionary is too rigid: it turns knowledge into a closed system. A more flexible organizational scheme is the encyclopedia, which—instead of resembling a tree with finite branches—offers a labyrinth of never-ending pathways. Presenting knowledge as a network of interlinked relationships, the encyclopedia sacrifices humankind’s dream of possessing absolute knowledge, but in compensation we gain the freedom to pursue an infinity of new connections and meanings.

Moving effortlessly from analyses of Aristotle and James Joyce to the philosophical difficulties of telling dogs from cats, Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. From the Tree to the Labyrinth is a brilliant illustration of Eco’s longstanding argument that problems of interpretation can be solved only in historical context.

53.0 In Stock
From the Tree to the Labyrinth: Historical Studies on the Sign and Interpretation

From the Tree to the Labyrinth: Historical Studies on the Sign and Interpretation

by Umberto Eco
From the Tree to the Labyrinth: Historical Studies on the Sign and Interpretation

From the Tree to the Labyrinth: Historical Studies on the Sign and Interpretation

by Umberto Eco

eBook

$53.00 

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers


Overview

The way we create and organize knowledge is the theme of From the Tree to the Labyrinth, a major achievement by one of the world’s foremost thinkers on language and interpretation. Umberto Eco begins by arguing that our familiar system of classification by genus and species derives from the Neo-Platonist idea of a “tree of knowledge.” He then moves to the idea of the dictionary, which—like a tree whose trunk anchors a great hierarchy of branching categories—orders knowledge into a matrix of definitions. In Eco’s view, though, the dictionary is too rigid: it turns knowledge into a closed system. A more flexible organizational scheme is the encyclopedia, which—instead of resembling a tree with finite branches—offers a labyrinth of never-ending pathways. Presenting knowledge as a network of interlinked relationships, the encyclopedia sacrifices humankind’s dream of possessing absolute knowledge, but in compensation we gain the freedom to pursue an infinity of new connections and meanings.

Moving effortlessly from analyses of Aristotle and James Joyce to the philosophical difficulties of telling dogs from cats, Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. From the Tree to the Labyrinth is a brilliant illustration of Eco’s longstanding argument that problems of interpretation can be solved only in historical context.


Product Details

ISBN-13: 9780674728172
Publisher: Harvard University Press
Publication date: 02/24/2014
Sold by: Barnes & Noble
Format: eBook
Pages: 639
File size: 4 MB

About the Author

About The Author
Umberto Eco (1932–2016) was an acclaimed writer, philosopher, medievalist, and semiotician. In addition to dozens of nonfiction books, he authored seven novels, including The Name of the Rose, which has been translated into more than forty languages and has sold more than fifty million copies worldwide.

Hometown:

Bologna, Italy

Date of Birth:

January 5, 1932

Date of Death:

February 19, 2016

Place of Birth:

Alessandria, Italy

Education:

Ph.D., University of Turin, 1954

Table of Contents

Contents Introduction 1. From the Tree to the Labyrinth 2. Metaphor as Knowledge:Aristotle’s Medieval (Mis)Fortunes 3. From Metaphor to Analogia Entis 4. The Dog That Barked (and Other Zoosemiotic Archaeologies) 5. Fakes and Forgeries in the Middle Ages 6. Jottings on Beatus of Liébana 7. Dante between Modistae and Kabbalah 8. The Use and Interpretation of Medieval Texts 9. Toward a History of Denotation 10. On Llull, Pico, and Llullism 11. The Language of the Austral Land 12. The Linguistics of Joseph de Maistre 13. On the Silence of Kant 14. Natural Semiosis and the Word in Alessandro Manzoni’s The Betrothed (I promessi sposi) 15. The Threshold and the Infinite: Peirce and Primary Iconism 16. The Definitions in Croce’s Aesthetic 17. Five Senses of the Word “Semantics,” from Bréal to the Present Day 18. Weak Thought versus the Limits of Interpretation References Index
From the B&N Reads Blog

Customer Reviews