Georg Simmel: Essays on Art and Aesthetics

by Georg Simmel, Austin Harrington (Editor)

Overview

Georg Simmel is one of the most original German thinkers of the twentieth century and is considered a founding architect of the modern discipline of sociology. Ranging over fundamental questions of the relationship of self and society, his influential writings on money, modernity, and the metropolis continue to provoke debate today.
Fascinated by the relationship between culture, society, and economic life, Simmel took an interest in myriad phenomena of aesthetics and the arts.  A friend of writers and artists such as Auguste Rodin, Rainer Maria Rilke, and Stefan George, he wrote dozens of pieces engaging with topics such as the work of Michelangelo, Rembrandt, and Rodin, Japanese art, naturalism and symbolism, Goethe, "art for art's sake", art exhibitions, and the aesthetics of the picture frame.
This is the first collection to bring together Simmel's finest writing on art and aesthetics, and many of the items appear in English in this volume for the first time. The more than forty essays show the protean breadth of Simmel's reflections, covering landscape painting, portraiture, sculpture, poetry, theater, form, style, and representation. An extensive introduction by Austin Harrington gives an overview of Simmel's themes and elucidates the significance of his work for the many theorists who would be inspired by his ideas.
Something of an outsider to the formal academic world of his day, Simmel wrote creatively with the flair of an essayist. This expansive collection of translations preserves the narrative ease of Simmel's prose and will be a vital source for readers with an interest in Simmel's trailblazing ideas in modern European philosophy, sociology, and cultural theory.

Product Details

ISBN-13:	9780226621128
Publisher:	University of Chicago Press
Publication date:	05/31/2024
Sold by:	Barnes & Noble
Format:	eBook
Pages:	394
File size:	1 MB

About the Author

Georg Simmel (1858–1918) taught at the University of Berlin and the University of Strasbourg. His many books include The Philosophy of Money, The View of Life, and Georg Simmel on Individuality andSocial Forms, the latter two both published by the University of Chicago Press. Austin Harrington is associate professor of sociology at the University of Leeds. His most recent book is German Cosmopolitan Social Thought and the Idea of theWest: Voices from Weimar.

Table of Contents

Contents Introduction 1. Aesthetics Sociological Aesthetics Kant and Modern Aesthetics Art for Art’s Sake Autonomy in the Work of Art 2. Materials, Functions, Institutions On Art Exhibitions Aesthetics of Gravity The Picture Frame: An Aesthetic Study On Aesthetic Quantities The Handle 3. Style and Representation A Note on Japanese Art On the Third Dimension in Art On Realism in Art On Caricature Individualism in Art Germanic and Classical Romanic Style 4. Landscape Painting Arnold Böcklin’s Landscapes On the Aesthetics of the Alps The Philosophy of Landscape 5 . Portraiture The Aesthetic Significance of the Face Leonardo da Vinci’s Last Supper Aesthetics of the Portrait: Part I Aesthetics of the Portrait: Part II 6. Theater Gerhart Hauptmann’s The Weavers Theater and the Dramatic Actor: Part I Theater and the Dramatic Actor: Part II Theater and the Dramatic Actor: Part III 7. Sculpture Michelangelo and the Metaphysics of Culture On Constantin Meunier Auguste Rodin: Part I Auguste Rodin: Part II Auguste Rodin: Part III 8. Literature Maurice Maeterlinck’s Wisdom and Destiny Stefan George: Part I Stefan George: Part II Goethe and the Creative Life Individuality and Character in Goethe and Shakespeare Rainer Maria Rilke Acknowledgments Sources and References Index

Editorial Reviews

At long last a collection in English that does justice to the breadth, depth, and contemporary significance of Simmel’s writings on the arts! With many new translations and a wide-ranging introduction, Harrington’s volume portrays the influential modernist philosopher and pioneering cultural theorist in deep and critical engagement with a rapidly changing world. A powerful testament to Simmel’s conception of philosophical culture—and to the transdisciplinary significance of a thinker whose achievements continue to resist disciplinary categorization.”
 

Elizabeth Goodstein

"The long and detailed introduction that Harrington provides is probably one of the best introductions to Simmel's works. . . Harrington's goal of providing the reader with a complete and well-structured collection of the most important Simmel essays on art and aesthetics in just one book is fully achieved."

Simmel Studies

Georg Simmel is known in sociology for many things: the structure of social groups, the philosophy of money, metaphysical essays on life, individuality and social forms, the metropolis, and social differentiation. However, apart from the publication of Rembrandt in 2005, Simmel’s fascinating studies of culture, literature, and art forms have been neglected. Therefore, we owe Austin Harrington a serious debt of gratitude for editing and translating Simmel’s diverse publications on the theatre, sculpture, style and representation, and aesthetics into a single volume. In addition, I strongly recommend Harrington’s modestly entitled ‘Introduction’ as a comprehensive and meticulous commentary on Simmel and contemporary evaluations of his oeuvre. This volume will deepen and expand our understanding of the Simmel legacy for years to come.

Bryan S. Turner

"The long and detailed introduction that Harrington provides is probably one of the best introductions to Simmel's works. . . Harrington's goal of providing the reader with a complete and well-structured collection of the most important Simmel essays on art and aesthetics in just one book is fully achieved."-- "Simmel Studies"

"At long last a collection in English that does justice to the breadth, depth, and contemporary significance of Simmel's writings on the arts! With many new translations and a wide-ranging introduction, Harrington's volume portrays the influential modernist philosopher and pioneering cultural theorist in deep and critical engagement with a rapidly changing world. A powerful testament to Simmel's conception of philosophical culture--and to the transdisciplinary significance of a thinker whose achievements continue to resist disciplinary categorization."
--Elizabeth Goodstein, Emory University

"Georg Simmel is known in sociology for many things: the structure of social groups, the philosophy of money, metaphysical essays on life, individuality and social forms, the metropolis, and social differentiation. However, apart from the publication of Rembrandt in 2005, Simmel's fascinating studies of culture, literature, and art forms have been neglected. Therefore, we owe Austin Harrington a serious debt of gratitude for editing and translating Simmel's diverse publications on the theatre, sculpture, style and representation, and aesthetics into a single volume. In addition, I strongly recommend Harrington's modestly entitled 'Introduction' as a comprehensive and meticulous commentary on Simmel and contemporary evaluations of his oeuvre. This volume will deepen and expand our understanding of the Simmel legacy for years to come."--Bryan S. Turner, Australian Catholic University and the Graduate Centre CUNY

From the Publisher