The Ghost's Child

"A one-of-a-kind love story...Those who enjoy fables or magical realism will be spellbound by this redemptive story of a search for love, love lost and love (of a sort) found again...exquisite prose." – Publishers Weekly

Maddy, an old lady now, arrives home one day to find a peculiar boy waiting for her. Over tea, she tells him the story of her life long ago, when she wished for her days to be as romantic and mysterious as a fairy tale. It was then that she fell painfully in love with a free spirit named Feather, who put aside his wild ways to live with her in a little cottage, conceived with her a child never to be born, and disappeared -- leaving an inconsolable Maddy to follow after him on a fantastical journey across the sea. In a beautifully crafted tale Sonya Hartnett masterfully explores the mysteries of the heart, the sustaining power of memory, and the ultimate consolation that comes to souls who live fully and fearlessly.

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The Ghost's Child

"A one-of-a-kind love story...Those who enjoy fables or magical realism will be spellbound by this redemptive story of a search for love, love lost and love (of a sort) found again...exquisite prose." – Publishers Weekly

Maddy, an old lady now, arrives home one day to find a peculiar boy waiting for her. Over tea, she tells him the story of her life long ago, when she wished for her days to be as romantic and mysterious as a fairy tale. It was then that she fell painfully in love with a free spirit named Feather, who put aside his wild ways to live with her in a little cottage, conceived with her a child never to be born, and disappeared -- leaving an inconsolable Maddy to follow after him on a fantastical journey across the sea. In a beautifully crafted tale Sonya Hartnett masterfully explores the mysteries of the heart, the sustaining power of memory, and the ultimate consolation that comes to souls who live fully and fearlessly.

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The Ghost's Child

The Ghost's Child

by Sonya Hartnett
The Ghost's Child

The Ghost's Child

by Sonya Hartnett

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Overview

"A one-of-a-kind love story...Those who enjoy fables or magical realism will be spellbound by this redemptive story of a search for love, love lost and love (of a sort) found again...exquisite prose." – Publishers Weekly

Maddy, an old lady now, arrives home one day to find a peculiar boy waiting for her. Over tea, she tells him the story of her life long ago, when she wished for her days to be as romantic and mysterious as a fairy tale. It was then that she fell painfully in love with a free spirit named Feather, who put aside his wild ways to live with her in a little cottage, conceived with her a child never to be born, and disappeared -- leaving an inconsolable Maddy to follow after him on a fantastical journey across the sea. In a beautifully crafted tale Sonya Hartnett masterfully explores the mysteries of the heart, the sustaining power of memory, and the ultimate consolation that comes to souls who live fully and fearlessly.


Product Details

ISBN-13: 9780763688615
Publisher: Candlewick Press
Publication date: 02/09/2016
Sold by: Barnes & Noble
Format: eBook
Lexile: 900L (what's this?)
File size: 840 KB
Age Range: 14 Years

About the Author

Sonya Hartnett is the award-winning author of many novels for teens, including Thursday’s Child, What the Birds See, Stripes of the Sidestep Wolf, The Ghost’s Child, Butterfly, and the Michael L. Printz Honor Book Surrender, as well as a number of books for younger readers. In 2008, Sonya Hartnett was awarded the prestigious Astrid Lindgren Memorial Award for her body of work. She lives in Australia.

“I chose to narrate the story through a child because people like children, they want to like them,” says Sonya Hartnett of Thursday’s Child, her brilliantly original coming-of-age story set during the Great Depression. “Harper [the young narrator] is the reason you get sucked into the characters. Even I, who like to distance myself from my characters, felt protective of her.”

The acclaimed author of several award-winning young adult novels—the first written when she was just thirteen—Australian native Sonya Hartnett says she wrote Thursday’s Child in a mere three months. “It just pulled itself together,” she says. “I’d wanted to set a story in the Depression for some time, in an isolated community that was strongly supportive. Once the dual ideas of the boy who tunneled and the young girl as narrator gelled, it almost wrote itself—I had the cast, I had the setting, I just said ‘go.’” Accustomed to writing about edgy young adult characters, Sonya Hartnett says that identifying with a seven-year-old protagonist was a challenge at first. “I found her difficult to approach,” she admits. “I’m not really used to children. But once I started, I found you could have fun with her: she could tell lies, she could deny the truth.” Whereas most children know “only what adults want them to know,” the author discovered she could bypass that limitation by “turning Harper into an eavesdropper and giving her older siblings to reveal realities.”

In her second book with Candlewick Press, What the Birds See, Sonya Hartnett once again creates a portrait of childhood. This time the subject is Adrian, a nine-year-old boy living in the suburbs with his gran and uncle. For Adrian, childhood is shaped by fear: his dread of quicksand, shopping centers, and self-combustion. Then one day, three neighborhood children vanish—an incident based on a real case in Australia in the 1960s—and Adrian comes to see just how tenuous his safety net is. In speaking about Adrian, the author provocatively reveals parallels between herself and her character. She says, “Adrian is me in many respects, and many of the things that happen to him happened to me.”

Sonya Hartnett’s consistently inspired writing has built her a legion of devotees. Of Thursday’s Child, Newbery Honor–winning author Carolyn Coman says, “Hartnett’s beautifully rendered vision drew me in from the very start and carried me along, above and under ground, to the very end. This book amazed me.” The achingly beautiful What the Birds See has just as quickly garnered critical acclaim. Notes Publishers Weekly in a starred review, “Hartnett again captures the ineffable fragility of childhood in this keenly observed tale. . . . Sophisticated readers will appreciate the work’s acuity and poetic integrity.” Sonya Hartnett’s third young adult novel, Stripes of the Sidestep Wolf, was named an American Library Association Best Book for Young Adults. Her novels also include Surrender, a mesmerizing psychological thriller and a Michael L. Printz Honor Book, and The Silver Donkey, a gently told fable for middle-grade readers. In 2008, she received the Astrid Lindgren Memorial Award.

Read an Excerpt

One damp silvery afternoon an old lady came home from walking her dog and found a boy sitting in her lounge room on the fl oral settee. The boy hadn’t been invited, so the old lady was surprised to see him. It wasn’t a large boy, and he looked annoyed and bored, as if he had been waiting for her for some time. The lounge room was cold, and the tip of his nose had turned softly pink, which made the old lady feel sorry for him. "Youshould have lit the fire," she said, and pressed a button and twisted a dial, causing flames to jump up like cancan dancers inside the silver chest of the heater. Her guest didn’t answer, but looked more aggrieved: beinga boy of a certain age, he had a taste for suffering manfully, and preferred not to be given advice. "Would you like a cup of tea?" she asked him. "I’m about to make a pot."

The boy thought for a moment; then said morosely, "Yes please."

The old lady was relieved to hear that he knew about please and thank you. At least he had some manners. She hung up her cardigan and went to the kitchen and filled the kettle with water. The kitchen was cleanand lined with green cupboards; on the speckled bench were rectangular tins for fl our and coffee and rice. On the windowsill was a posy of drooping fuchsias from the garden. Although she couldn’t see him, the oldlady knew that her curious visitor was still sitting on the settee, hands folded in his lap, waiting and watching for her. She tried not to wonder what he intended to do or say. She determined to keep her thoughts veryblank, so she wouldn’t race ahead of him or turn a wrong corner in her mind. She couldn’t help smiling at the thought of him seated so casually in her lounge room. It was odd, and also somehow fl attering, as when a stray cat chooses your house to call home.

While the kettle boiled she busied herself putting biscuits on a plate and pouring milk into a jug; while the tea was brewing she dressed the pot in its cozy for warmth; then carried the pot, the cups, the jug, the sugar bowl and the biscuits into the lounge on a tray.

The boy was sitting on the verge of his seat and looking down at the dog, who sat by the heater staring intently back at him. The dog was small and longlegged, with a rough coat the color of winter and treacle- colored eyes, and a spiky mustache of wet whiskers after rummaging in the grass. "What’s your dog’s name?" the boy asked, without glancing up.

The old lady — whose name was Matilda — put the tray on the little glass table that stood between the chairs, and poured the tea into porcelain cups. "His name is Peake," she said. "Do you take sugar?"

"What sort of dog is he?"

The tea flowed fragrantly from the teapot’s spout, the color of conifer sap. "The proper sort, I suppose. He quarrels with cats and chats with strangers and keeps himself clean. He buries bones and keeps tabs on his enemies and sleeps under my bed. That sort of dog."

Rather sharply, as if he detested having to explain himself, the boy said, "I meant what breed is he, what kind?"

"Who knows?" Matilda shook her head. "The scruffy kind, the busybody kind, the kind which likes his dinner on time. He’s something of everything, the way a dog should be. Do you take sugar?" she asked again.

"I don’t know." The boy looked suddenly thin with confusion. "Should I?"

"You would prob ably prefer it."

"Yes please, sugar," he said, as if he’d known all along.

Matilda stirred sugar into both cups. The milk turned the tea a pressed- rose brown. Quiffs of white steam waltzed and vanished. The boy returned to studying Peake. "You should have called him Max," he said. "Max is a good name for a dog."

"A good name for some dogs," Matilda agreed, "but not for Peake."

"Does he bite?"

"Occasionally, I’m afraid. There are certain cats, and certain people, of whom he particularly disapproves."

The boy smiled — as if he too disapproved of certain things, and was occasionally tempted to bite them. Peake was watching the visitor closely, neither wagging his tail nor growling but simply staring. Hewatched the boy take the cup and saucer that Matilda passed across the table; his ears, angular as envelopes, twitched when the spoon clinked on the cup. The boy looked appreciatively into the tea, but pouted whenMatilda offered him the biscuit plate. "I prefer biscuits with jam," he said.

"So do I," said Matilda. "There were some in the tin, but I ate them. There’s usually only Peake and myself, you see, so we eat all the fancy biscuits and leave the plain ones for last. I’d have bought a cake or sometarts if I’d known we were expecting a visitor today."

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