Good Humor, Bad Taste: A Sociology of the Joke
Good Humor, Bad Taste is the first extensive sociological study of the relationship between humor and social background. Using a combination of interview materials, survey data, and historical materials, the book explores the relationship between humor and gender, age, regional background, and especially, humor and social class in the Netherlands. The final chapter focuses on national differences, exploring the differences between the American and the Dutch sense of humor, again using a combination of interview and survey materials.

The starting point for this exploration of differences in sense of humor is one specific humorous genre: the joke. The joke is not a very prestigious genre; in the Netherlands even less so than in the US. It is precisely this lack of status that made it a good starting point for asking questions about humor and taste. Interviewees generally had very pronounced opinions about the genre, calling jokes "their favorite kind humor", but also "completely devoid of humor" and "a form of intellectual poverty". Good Humor, Bad Taste attempts to explain why jokes are good humor to some, bad taste to others.

The focus on this one genre enables Good Humor, Bad Taste to have a very wide scope. The book not only covers the appreciation and evaluation of jokes by different social groups and in different cultures, and its relationship with wider humor styles. It also describes the genre itself: the history of the genre, its decline in status from the sixteenth century onward, and the way the topics and the tone of jokes have changed over the last fifty years of the twentieth century.

1119730860
Good Humor, Bad Taste: A Sociology of the Joke
Good Humor, Bad Taste is the first extensive sociological study of the relationship between humor and social background. Using a combination of interview materials, survey data, and historical materials, the book explores the relationship between humor and gender, age, regional background, and especially, humor and social class in the Netherlands. The final chapter focuses on national differences, exploring the differences between the American and the Dutch sense of humor, again using a combination of interview and survey materials.

The starting point for this exploration of differences in sense of humor is one specific humorous genre: the joke. The joke is not a very prestigious genre; in the Netherlands even less so than in the US. It is precisely this lack of status that made it a good starting point for asking questions about humor and taste. Interviewees generally had very pronounced opinions about the genre, calling jokes "their favorite kind humor", but also "completely devoid of humor" and "a form of intellectual poverty". Good Humor, Bad Taste attempts to explain why jokes are good humor to some, bad taste to others.

The focus on this one genre enables Good Humor, Bad Taste to have a very wide scope. The book not only covers the appreciation and evaluation of jokes by different social groups and in different cultures, and its relationship with wider humor styles. It also describes the genre itself: the history of the genre, its decline in status from the sixteenth century onward, and the way the topics and the tone of jokes have changed over the last fifty years of the twentieth century.

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Good Humor, Bad Taste: A Sociology of the Joke

Good Humor, Bad Taste: A Sociology of the Joke

by Giselinde Kuipers
Good Humor, Bad Taste: A Sociology of the Joke

Good Humor, Bad Taste: A Sociology of the Joke

by Giselinde Kuipers

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$149.99 
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Overview

Good Humor, Bad Taste is the first extensive sociological study of the relationship between humor and social background. Using a combination of interview materials, survey data, and historical materials, the book explores the relationship between humor and gender, age, regional background, and especially, humor and social class in the Netherlands. The final chapter focuses on national differences, exploring the differences between the American and the Dutch sense of humor, again using a combination of interview and survey materials.

The starting point for this exploration of differences in sense of humor is one specific humorous genre: the joke. The joke is not a very prestigious genre; in the Netherlands even less so than in the US. It is precisely this lack of status that made it a good starting point for asking questions about humor and taste. Interviewees generally had very pronounced opinions about the genre, calling jokes "their favorite kind humor", but also "completely devoid of humor" and "a form of intellectual poverty". Good Humor, Bad Taste attempts to explain why jokes are good humor to some, bad taste to others.

The focus on this one genre enables Good Humor, Bad Taste to have a very wide scope. The book not only covers the appreciation and evaluation of jokes by different social groups and in different cultures, and its relationship with wider humor styles. It also describes the genre itself: the history of the genre, its decline in status from the sixteenth century onward, and the way the topics and the tone of jokes have changed over the last fifty years of the twentieth century.


Product Details

ISBN-13: 9783110186154
Publisher: De Gruyter
Publication date: 07/18/2006
Series: Humor Research [HR] , #7
Edition description: New Edition
Pages: 301
Product dimensions: 6.10(w) x 9.06(h) x (d)
Age Range: 18 Years

About the Author

Giselinde Kuipers, Erasmus University, Rotterdam, The Netherlands.

Table of Contents

Preface to the new edition vii

Acknowledgments xiii

Chapter 1 Introduction: jokes, humor, and taste 1

Researching jokes 2

Jokes and humor 4

Humor as a social phenomenon 6

Humor and taste 10

The context of Dutch humor 15

The design of this book 18

Part I Style and social background

Chapter 2 The joke: Genesis of an oral genre 23

The joke as oral culture 24

The spread of the joke 28

The genesis of the joke 30

The status of the joke 34

High and low humor 36

Conclusion: Changing criteria for judging the joke 40

Chapter 3 Joke telling as communication style 42

Joke telling and social background 43

Jokes and gender 47

Jokes and class 50

Gender roles and class cultures 53

Joking and trade 56

Humorous communication styles 58

Gender and speech 62

Class and speech 65

Conclusion: Objections to jokes and criteria for good humor 69

Chapter 4 The humor divide: Class, age and humor styles 71

Humor styles: High and low, old and young 72

Style, status, and knowledge 78

Highbrow and lowbrow humor styles 82

Arguments for lowbrow humor 83

Arguments for highbrow humor 86

The eye of the beholder? 90

Humor styles and taste variations 92

Conclusion: Humor styles beyond standardized Dutch humor? 99

Chapter 5 The logic of humor styles 102

Distinguishing good humor from bad 102

Coarseness: Objections to bad humor 103

"A good sense of humor": Criteria for good humor 107

Class culture and humor style 113

The sense of humor and the self: humor style and authenticity 117

Conclusion: jokes, taste, and authenticity 119

Part II Taste and quality

Chapter 6 The repertoire: Dutch joke culture 123

Jokes and social boundaries 124

Innocuous jokes: Stupidity and other unseemly behavior 126

Sexual jokes: From allusion to transgression 131

Irreverent jokes: Religion, power, suffering and sickness 136

Hurtful jokes: Jokes at the expense of others 142

Conclusion: The hardening of the humor 147

Chapter 7 Temptation and transgression 150

The balance between funny and offensive 152

Varying viewpoints on offensiveness 156

Tempting the laugh 158

World-class jokes: Joke tellers on joke technique 160

The importance of joke-work 163

"Humor is humor": The incompatibility of humor and morals 165

Conclusion: temptation, transgression, and joke quality 168

Chapter 8 Sense and sociability 170

Personal styles of joke tellers 170

Avoiding or transgressing boundaries 171

Specialists and generalists 176

Transgression, identification, and Dutch joke culture(s) 180

Young and old 180

Men and women 183

Non-college and college-educated people 188

Conclusion: Mechanisms of taste and the sense of sociability 192

Part III Comparing humor styles

Chapter 9 National humor styles: Humor styles, joke telling and social background in the United States 197

Researching humor styles in America 198

Jokes and humor styles in the United States: Survey results 201

Transgression and identification in American jokes 207

American humorous identifications 209

The social status of the joke in America 211

American arguments against the joke 214

American views on a good sense of humor 218

"You gotta have a sense of humor": Humor and the moral self 224

Conclusion: Telling a joke to save your life 230

Chapter 10 Sociology and the joke 232

The appreciation of jokes: Genre and individual jokes 232

Style: Evaluating a humorous genre 233

Form and content: Evaluating individual jokes 235

Gender, age, class and nationality: The dynamics of social differences 237

Gender and role 238

Age and phase 239

Class and culture 240

National differences and cultural logics 242

Distinction and difference 245

Good humor and bad taste 249

Appendix 1 The jokes used in the Dutch survey 253

Appendix 2 Dutch humorists and television programs 259

References 264

Subject index 276

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