In a voice full of authentic grit, poetic verve, and real emotion, Steve Brezenoff weaves a tale that feels both wholly original and instantly classic. Another fantastic book from a writer I envy and admire.” — Sara Zarr, National Book Award finalist for Story Of a Girl
“In a first-person narration that alternates between the boy in black and the girl dungeon master, Brezenoff conjures a wry, wise and deeply sympathetic portrait of the exquisite, excruciating thrill of falling in love. This is not the teen love story you’ve read a thousand times before.” — Kirkus Reviews (starred review)
“Guy In Real Life is a remarkably original, addictive novel that illuminates the roles we play for others and, ultimately, ourselves. A must-read for anyone who questions who they truly are, and who they could be.” — Nova Ren Suma, author of Imaginary Girls and 17 & Gone
“An idiosyncratic romance that offers plenty of cultural food for thought.” — Publishers Weekly
“I suppose Steve Brezenoff will have to grow up one of these days and forget what it was like to be sixteen, but let’s hope it doesn’t happen too soon—at least not to the part of him that can write a book like Guy in Real Life.” — Pete Hautman, National Book Award-winning author of Godless
“Guy in Real Life is a fascinating, original take on the spaces that exist between who we are and who we hope to be. Virtually everyone will love this book.” — John Corey Whaley, Printz Award—winning author of Where Things Come Back
“The gaming motif adds an intriguing layer, as Brezenoff uses it to explore issues of gender identity. Has [Lesh] created this character because he wants to be with the real Svetlana or because he wants to be her? There is, he realizes, no simple answer.” — Chicago Tribune
Guy in Real Life is a fascinating, original take on the spaces that exist between who we are and who we hope to be. Virtually everyone will love this book.
The gaming motif adds an intriguing layer, as Brezenoff uses it to explore issues of gender identity. Has [Lesh] created this character because he wants to be with the real Svetlana or because he wants to be her? There is, he realizes, no simple answer.
Guy In Real Life is a remarkably original, addictive novel that illuminates the roles we play for others and, ultimately, ourselves. A must-read for anyone who questions who they truly are, and who they could be.
In a voice full of authentic grit, poetic verve, and real emotion, Steve Brezenoff weaves a tale that feels both wholly original and instantly classic. Another fantastic book from a writer I envy and admire.
I suppose Steve Brezenoff will have to grow up one of these days and forget what it was like to be sixteen, but let’s hope it doesn’t happen too soon—at least not to the part of him that can write a book like Guy in Real Life.
The gaming motif adds an intriguing layer, as Brezenoff uses it to explore issues of gender identity. Has [Lesh] created this character because he wants to be with the real Svetlana or because he wants to be her? There is, he realizes, no simple answer.
Narrators MacLeod Andrews and Arielle DeLisle both shine in this smart and funny coming-of-age story. High school students Lesh and Svetlana enjoy role-playing games. Metalhead Lesh lets peer pressure get the best of him. Creative Svetlana is a dreamer and happy in her own skin. The story doesn’t simply alternate between Lesh and Svetlana; it also shows the points of view of the characters they role-play. This is delightfully silly as listeners hear Andrews performing as both a huge ogre with a deep, gruff voice and an ethereal female elf with breathless enthusiasm. Brezenoff’s book captures the confusion about identity that many teens feel. DeLisle’s performance is charming and confident while Andrews’s is top-notch, breathing life into ogres, elves, boys, and girls alike. G.D. © AudioFile 2014, Portland, Maine
Narrators MacLeod Andrews and Arielle DeLisle both shine in this smart and funny coming-of-age story. High school students Lesh and Svetlana enjoy role-playing games. Metalhead Lesh lets peer pressure get the best of him. Creative Svetlana is a dreamer and happy in her own skin. The story doesn’t simply alternate between Lesh and Svetlana; it also shows the points of view of the characters they role-play. This is delightfully silly as listeners hear Andrews performing as both a huge ogre with a deep, gruff voice and an ethereal female elf with breathless enthusiasm. Brezenoff’s book captures the confusion about identity that many teens feel. DeLisle’s performance is charming and confident while Andrews’s is top-notch, breathing life into ogres, elves, boys, and girls alike. G.D. © AudioFile 2014, Portland, Maine
★ 2014-02-26
Sulky metal head boy meets artsy gamer girl. Awkward teenage love ensues. When Lesh's and Svetlana's worlds collide—literally—in Saint Paul, Minn., it precipitates a time-honored culture clash wherein magic happens, but that's where predictability ends. In a first-person narration that alternates between the boy in black and the girl dungeon master, Brezenoff conjures a wry, wise and deeply sympathetic portrait of the exquisite, excruciating thrill of falling in love. What might easily have been a stale retread feels fresh and lively in Brezenoff's hands; he weaves multiple perspectives (school life, game life, dream life) together in threads that tangle into an inevitable knot, with startling consequences. The realistic dialogue, internal and otherwise, captures the uncomfortably iterative process of adolescent self-discovery as Lesh and Svetlana struggle to figure out who they are and what they stand for. The typical obstacles to true love (tempting teen sirens, parents who just don't understand) are handily and gently overcome, and a subplot involving a jealous suitor peters out unexpectedly early. The juxtaposition of live, real-time role-playing games like Dungeons and Dragons against the detached anonymity of MMORPGs, plus a playfully thoughtful exploration of gender identity and politics, gives the novel depth and heart that will appeal to audiences beyond the gaming set. This is not the teen love story you've read a thousand times before. (Fiction. 14 & up)
