High school is a near-universal experience to which we can all relate. It’s also a complicated, messy time in life in which one grows from the end of childhood to the cusp of adulthood, so there’s a lot of feelings to unpack. The result is that hundreds of books have been written about high school…but […]
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Product Details
ISBN-13: | 9781596917545 |
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Publisher: | Bloomsbury Publishing |
Publication date: | 12/02/2008 |
Sold by: | Barnes & Noble |
Format: | eBook |
Pages: | 256 |
File size: | 229 KB |
About the Author
Douglas Coupland was born on a Canadian Armed Forces Base in Baden-Söllingen, Germany, in 1961. He is the author of the novels Miss Wyoming, Generation X, and Girlfriend in a Coma, among others, as well as the nonfiction works Life After God and Polaroids from the Dead. He grew up and lives in Vancouver, Canada.
Read an Excerpt
Internationally bestselling author Douglas Coupland’s eighth novel explores grief, faith and redemption in the wake of a high school shooting.
Several years after the 1988 Delbrook Senior Secondary School massacre, the television cameras have moved on to the next horror show; but for a handful of people in this sleepy corner of North Vancouver, life remains perpetually derailed.
Coupland writes this soul-searching tale in four voices -- Cheryl, who calmly narrates her own death; Jason, the boy no one knew was her husband, still marooned ten years later by his loss; Heather, the woman trying to love the shattered Jason; and Jason’s dad Reg, a cruelly religious man no one suspects is still worth loving.
With his inimitable style and his eye for the remarkable singularities of ordinary lives, Douglas Coupland masterfully weaves themes of alienation, violence and misguided faith throughout Hey Nostradamus!, creating a fateful and unforgettable knot from which three people must untangle their lives.
“I believe that what separates humanity from everything else in this world — spaghetti, binder paper, deep sea creatures, edelweiss and Mount McKinley — is that humanity alone has the capacity at any given moment to commit all possible sins. Even those of us who try to live a good and true life remain as far away from grace as the Hillside Strangler or any demon who ever tried to poison the village well. What happened that morning only confirms this.” -- Excerpt from Hey Nostradamus!
Author Biography: Douglas Coupland was born on a Canadian Armed Forces base in Baden-Söllingen, Germany, on December 30, 1961. He is the author of the novels Miss Wyoming, Generation X, Microserfs, and Girlfriend in a Coma, among others. His most recent books are the novel All Families Are Psychotic and a book of essays and photographs, Souvenir of Canada. He attended Vancouver’s Emily Carr Institute of Art and Design, the Hokkaido College of Art and Design in Sapporo, Milan’s Istituto Europeo di Design, and the Japan/America Institute of Management Science in Honolulu and Tokyo. He lives and works in Vancouver as a novelist, designer and visual artist.
Table of Contents
1988: Cheryl | 1 | |
1999: Jason | 43 | |
2002: Heather | 147 | |
2003: Reg | 229 |
Reading Group Guide
1. Discuss Cheryl’s description of the events in the cafeteria. Does her step-by-step account and her sense of calm make the actions of the young shooters seem more or less real? Is there immediacy here, or distance?
2. Which of the novel’s four narrative voices did you connect with the most? Which the least?
3. One reviewer has written that Cheryl is among the most “spiritually mature” characters in this novel. What do you think?
4. How did the time span of the novel (about 15 years) affect your view of the characters, and the event that set this story in motion?
5. Some reviewers have suggested that this is Douglas Coupland’s most spiritual book to date. Through his characters’ struggles with belief, is Douglas Coupland being supportive or critical of the Christian faith? Or a bit of both? Compare the different approaches to faith shown by the four main characters.
6. Discuss the epigraph from 1 Corinthians that appears at the start of the book. What is Coupland saying about hope and redemption in this novel? Are any of his characters redeemed? Ultimately, what forms does hope take in their lives?
7. Jason’s narrative exists in the form of an open letter to his brother Kent’s twin sons. Heather begins writing her story directly into official court transcripts at work. Reg posts thousands of copies of his narrative in the forest near Chilliwack. Discuss the importance of writing and correspondence in this novel. What might Coupland be saying about the act of writing in general, or about how we as a society deal with grief? Consider also the letters Jason receives from Cheryl’s family, the various letters to God that Cheryl begins composing in her head, and even the list that Jason leaves with the psychic.
8. The title of this book comes from Jason’s reaction to his mother’s “Nostradamus kick” after the massacre, as she searches the astrologer’s prophecies for some sign of it (page 91). Do you think the title fits the book? Why or why not? Discuss how foreseeing the future might relate to this novel.
9. What kind of a person is Heather? What is it about her that appeals to Jason, and allows Reg to open up to her – or perhaps even change?
10. How did your memories of school shootings like those at Columbine and the École Polytechnique affect your reading of this novel? Has Hey Nostradamus! changed the way you think about such horrific events and their aftermath?
11. Cheryl tells us that her conversion took place in her backyard as she sat surrounded by huckleberry bushes, experiencing the smells of warm cedar and dry fir. “The moment made me feel special, and yet, nothing makes a person less special than conversion – it… universalizes you.” Discuss the association of spirituality with the natural world in Hey Nostradamus!
12. Did your opinion of Reg change by the end of the book? Why or why not?
13. Jason tells us that a few celebrities emerged from the massacre: himself, first vilified, then cleared; Cheryl, whose GOD IS NOWHERE/GOD IS NOW HERE note was widely reported as miraculous; and the shooter who repented, only to be shot by the other two. What is Coupland saying about our need to find heroes and villains in such situations? And what is the media’s role in feeding, or creating, this need?
14. While reading, how did you feel about Coupland’s use of humour in the novel? Did it seem out of place at any point, considering the subject matter? Or did it seem to grow naturally out of his characters’ reactions to their experiences? Is embracing the humour, or everyday-ness, of difficult events sometimes the only way to make it through them?