A Library Journal Best Fiction Book of 2020 A SheReads Best of 2020: Women’s Fiction Best African Diaspora Book of 2020 “Peace Adzo Medie’s mesmerizing debut novel lives up to both the power of its first sentence and the promise of its author’s first name . . . At a time when adventure is scarce, Medie gives you a lot to look forward to, think about and be grateful for.” —The New York Times Book Review “A fierce and funny first novel . . . [that] cleverly upends a Cinderella story into a tale of feminism.”—People “A story that kept me tied to the page, told in masterful, seamless prose . . . Medie depicts a vivid and dazzling Accra, and it’s impossible not to root for Afi as she finds her footing within it.”—BuzzFeed "With spot-on characterizations of deeply involved extended families and realistic depictions of how money can change everything, Peace Adzo Medie conjures a Cinderella story just right for 2020.”—Time “A fierce and funny debut novel . . . A deeply engrossing chronicle of contemporary Ghanaian womanhood.”—Minneapolis Star Tribune “A hilarious, page-turning, sharply realized portrait of modern womanhood in the most infuriating of circumstances. A gem of a debut.” —Wayétu Moore, author of The Dragons, the Giant, the Women “[A] poignant, timely debut novel.” —GMA.com “A witty Cinderella portrait of modern life and love.” —Parade “In her sparkling debut novel, Ghanaian writer and academic Peace Adzo Medie uses humor, candor and feminism to examine womanhood, marriage and agency in modern Ghana.”—Ms. Magazine “A Cinderella story set in Ghana . . . A Crazy Rich Asians for West Africa, with a healthy splash of feminism.” —Kirkus Reviews, starred review "In her debut novel, Medie writes with a precise rhythm that builds the reader’s anticipation. Themes like deception, ambition, love, and values drench the pages with conflict that evolves into an emotional rollercoaster." —Booklist “This stirring tale sings when Afi learns to flex her limited power.” —Publishers Weekly “A unique and unapologetic marriage story that shines with honesty, humanity, power and grace: once you pick this book up, you won't be able to put it down. Medie's urgent, intimate voice is exactly what the world needs right now.”—Mathangi Subramanian, author of A People’s History of Heaven "Afi’s charm makes her an empowering example of modern womanhood . . . Its message bold and its viewpoint appealing, His Only Wife is an inspiring novel.” —Foreword Reviews "Peace Adzo Medie puts a wonderfully contemporary spin on a fairytale trope." —Christian Science Monitor “Medie gives Afi a voice that winningly combines insecurity, wisdom and dignity . . . The dramas of Afi's marriage and various family conflicts offer an entertaining plot rich with humor, but it is the story of the strong woman in a challenging and changing world that will capture readers' hearts. His Only Wife is a memorable novel of personal growth and choosing one's own destiny . . . [A] winning debut.” —Shelf Awareness, starred review
★ 2020-07-01
A Cinderella story set in Ghana.
“I think I would have been less apprehensive if Eli himself had been present.” Probably so, since this is Afi’s wedding and Elikem is the groom, whom she has barely met. This delightful debut novel from Medie, who was born in Liberia, educated in Ghana and the U.S., and teaches at the University of Bristol in England, is anything but academic. As it begins, Afi—gorgeous, talented at sewing, dirt poor, and very country—is being married in a traditional ceremony to an absent young man whose wealthy and powerful family, the Ganyos, will do anything to separate him from his Liberian mistress. An aging woman known as Aunty is the Don Corleone of the clan, obeyed and feared by all—or almost all. Her selection of Afi as designated daughter-in-law immediately improves the desperate straits of Afi’s widowed mother and a whole slew of other relatives, who begin receiving deliveries of rice and other supplies as part of her bride price. Eli’s brother, Richard, sets Afi up in a fancy apartment in Accra and his sister Yaya helps her enroll in fashion design school. Now…if only Eli would show up. By the time he does, Afi is so lonely and miserable that she might have fallen in love with him even if he weren’t incredibly good looking, generous, and sweet. Unfortunately, he is also completely unwilling to break things off with his other woman, who lives in his primary residence with their daughter. Medie subtly develops Afi’s character as she—mentored by her brother-in-law’s mistress, who lives down the hall—goes from being an innocent, awestruck village girl to a sophisticated, confident woman, accustomed to privilege and luxury, set on a creative career...and mad as hell. She gradually pieces together the scoop on her rival, who “moved to Ghana reluctantly, her cigarettes and booze clutched in one hand and her baby in the other” and now has Eli so wrapped around her little finger that she takes off on a solo vacation to Spain while he’s out of town on business. Afi deserves better. This is war.
A Crazy Rich Asians for West Africa, with a healthy splash of feminism.
