History of Sex in American Film

In March of 1965 the Supreme Court put into motion legal changes that marked the end of local film censorship as it had existed since the early years of the twentieth century. In Hollywood that same year, The Pawnbroker was released with a Production Code Seal of Approval, despite nudity that violated that Code. As sexual liberation occurred onscreen, parallel developments occurred in the way we lived our lives, and by the end of the 1960s Americans were having sex more often, and with more partners, than ever before. There was also now a public debate surrounding sexuality, and one of the loudest and most continually active voices in this debate was that of American film.

This work begins with an examination of some of the earliest altercations in what later came to be known as "the culture wars," and follows those skirmishes, more often than not provoked by American film, up to the modern day. By looking at how sex in the cinema has contributed to the demise of the fragile consensus between liberals and conservatives on freedom of expression, The History of Sex in American Film suggests a perspective from which today's culture wars can be better understood. This work combines close readings of many representative films-including Who's Afraid of Virginia Woolf?, The Graduate, Blue Velvet, Philadelphia, L.A. Confidential, and Closer-with a social and historical account of the most significant changes in American sexual behavior and sexual representation over the past fifty years.

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History of Sex in American Film

In March of 1965 the Supreme Court put into motion legal changes that marked the end of local film censorship as it had existed since the early years of the twentieth century. In Hollywood that same year, The Pawnbroker was released with a Production Code Seal of Approval, despite nudity that violated that Code. As sexual liberation occurred onscreen, parallel developments occurred in the way we lived our lives, and by the end of the 1960s Americans were having sex more often, and with more partners, than ever before. There was also now a public debate surrounding sexuality, and one of the loudest and most continually active voices in this debate was that of American film.

This work begins with an examination of some of the earliest altercations in what later came to be known as "the culture wars," and follows those skirmishes, more often than not provoked by American film, up to the modern day. By looking at how sex in the cinema has contributed to the demise of the fragile consensus between liberals and conservatives on freedom of expression, The History of Sex in American Film suggests a perspective from which today's culture wars can be better understood. This work combines close readings of many representative films-including Who's Afraid of Virginia Woolf?, The Graduate, Blue Velvet, Philadelphia, L.A. Confidential, and Closer-with a social and historical account of the most significant changes in American sexual behavior and sexual representation over the past fifty years.

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History of Sex in American Film

History of Sex in American Film

by Jody W. Pennington
History of Sex in American Film

History of Sex in American Film

by Jody W. Pennington

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Overview

In March of 1965 the Supreme Court put into motion legal changes that marked the end of local film censorship as it had existed since the early years of the twentieth century. In Hollywood that same year, The Pawnbroker was released with a Production Code Seal of Approval, despite nudity that violated that Code. As sexual liberation occurred onscreen, parallel developments occurred in the way we lived our lives, and by the end of the 1960s Americans were having sex more often, and with more partners, than ever before. There was also now a public debate surrounding sexuality, and one of the loudest and most continually active voices in this debate was that of American film.

This work begins with an examination of some of the earliest altercations in what later came to be known as "the culture wars," and follows those skirmishes, more often than not provoked by American film, up to the modern day. By looking at how sex in the cinema has contributed to the demise of the fragile consensus between liberals and conservatives on freedom of expression, The History of Sex in American Film suggests a perspective from which today's culture wars can be better understood. This work combines close readings of many representative films-including Who's Afraid of Virginia Woolf?, The Graduate, Blue Velvet, Philadelphia, L.A. Confidential, and Closer-with a social and historical account of the most significant changes in American sexual behavior and sexual representation over the past fifty years.


Product Details

ISBN-13: 9780313084546
Publisher: ABC-CLIO, Incorporated
Publication date: 07/30/2007
Sold by: Barnes & Noble
Format: eBook
File size: 612 KB

About the Author

Jody W. Pennington is Associate Professor in Media and Culture Studies at the Department of English, University of Aarhus, Denmark, where he teaches Media and Cultural Studies as well as American Studies. He has published articles and presented papers on various aspects of film and popular music, as well as American constitutional law. He is currently president of the Danish Association of American Studies.

What People are Saying About This

Rebecca Housel

"Engaging and informative, Jody Pennington's insightful A History of Sex in American Cinema is a powerful look at how sex functions on the American silver screen, and will quickly become a classic that his audience will turn to again and again. Pennington's thorough research provides a historical and theoretical context for sex in the cinema, illuminating one of the most socially controversial topics in the United States today. This book is a significant contribution to the study of American film. I recommend A History of Sex in American Cinema to anyone who wants to evolve their current knowledge base on film to a place where sex is no longer a singular act, but a complex symbol of personal freedom, of oppression, of joy, of love, of anger—everything apparent in the human condition."

Aidan Day

"An excellent and well-researched cultural history of the representation of sex in American film. Pennington's discussion of underground and alternative cinema alongside mainstream film is particularly useful."

Richard Raskin

"A must-read for anyone interested in representations of sex in American film. Jody Pennington's discussions of individual films, and of censorship legislation and practices, are admirably clear and to the point and offer the reader fresh insights into the vital questions at hand."

W. Bruce Leslie

"For mature adults only! This sophisticated treatment of Americans' ambivalence toward sex on the silver screen ranges across a full century and considers sexuality in many forms. Pennington blends the law, cinematic technology, Hollywood economics, public attitudes, and sexual behavior in general into a lively discussion of a controversial but rarely studied topic. Read this book and you'll have a new understanding of today's cinematic culture wars."

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