From the Publisher
"An incredible amount of reflection appears in this slim volume, making this a wonderful choice for group discussions. Brave, sharp, and powerful." — Kirkus Reviews (starred review)
"In this small book, every square inch of every page is full of color and visual depictions of the poem's evocative lines. The palette in Pippin's illustrations—every shade of brown and warm terracotta earth tones—echoes the poem's sentiments... [a] beautiful, inviting presentation of Acevedo's poem." — Booklist (starred review)
"In spoken-word lines that explicate the tension between what people say and what they mean, Acevedo (Clap When You Land) confronts the cultural specter of hair-related prejudice through the lens of colonial history and Afro-Dominican identity." — Publishers Weekly (starred review)
Booklist (starred review)
"In this small book, every square inch of every page is full of color and visual depictions of the poem's evocative lines. The palette in Pippin's illustrations—every shade of brown and warm terracotta earth tones—echoes the poem's sentiments... [a] beautiful, inviting presentation of Acevedo's poem."
Kirkus Reviews
★ 2022-03-02
An illustrated poem that acknowledges prejudice and celebrates Black hair.
Award-winning author and poet Acevedo opens with an insult that will resonate with Black girls and women: “Some people tell me to ‘fix’ my hair.” Her powerful response comes at the very end: “You can’t fix what was never broken.” In between, many themes are explored, some of which apply to Black people broadly, while others specifically reference Dominican culture. Throughout, Pippins’ hand-drawn and digital illustrations showcase an incredible array of natural hairstyles and details, such as the image of a ship within the braided pattern of one character’s hair. Impressively, the poem goes beyond typical dialogues about Black hair, acknowledging Black people’s internalized racism that comes from beauty standards grounded in White supremacy. The poem highlights the reputation that Dominicans have for being able to “flatten the spring in any lock,” following that line with a powerful reframing. From there, Acevedo moves into discussing colorism—in particular, the prejudice against lighter-skinned people partnering with darker-skinned people—and more. Pippins’ bright, colorful, and evocative art covers full pages, lovingly portraying the all-Black cast with a diverse range of skin tones and hair textures. The text varies in size, seamlessly incorporated into the art. An incredible amount of reflection appears in this slim volume, making this a wonderful choice for group discussions.
Brave, sharp, and powerful. (Poetry. 12-adult)
