Inventing the Novel: Bakhtin and Petronius Face to Face
Inventing the Novel uses the work of the Russian philosopher Mikhail Bakhtin (1895-1975) to explore the ancient origins of the modern novel. The analysis focuses on one of the most elusive works of classical antiquity, the Satyrica, written by Nero's courtier, Petronius Arbiter (whose singular suicide, described by Tacitus, is as famous as his novel). Petronius was the most lauded ancient novelist of the twentieth century and the Satyrica served as the original model for F. Scott Fitzgerald's The Great Gatsby (1925), as well as providing the epigraph for T. S. Eliot's The Waste Land (1922), and the basis for Fellini Satyricon (1969). Bakhtin's work on the novel was deeply informed by his philosophical views: if, as a phenomenologist, he is a philosopher of consciousness, as a student of the novel, he is a philosopher of the history of consciousness, and it is the role of the novel in this history that held his attention. This volume seeks to lay out an argument in four parts that supports Bakhtin's sweeping assertion that the Satyrica plays an "immense" role in the history of the novel, beginning in Chapter 1 with his equally striking claim that the novel originates as a new way of representing time and proceeding to the question of polyphony in Petronius and the ancient novel.
1131959111
Inventing the Novel: Bakhtin and Petronius Face to Face
Inventing the Novel uses the work of the Russian philosopher Mikhail Bakhtin (1895-1975) to explore the ancient origins of the modern novel. The analysis focuses on one of the most elusive works of classical antiquity, the Satyrica, written by Nero's courtier, Petronius Arbiter (whose singular suicide, described by Tacitus, is as famous as his novel). Petronius was the most lauded ancient novelist of the twentieth century and the Satyrica served as the original model for F. Scott Fitzgerald's The Great Gatsby (1925), as well as providing the epigraph for T. S. Eliot's The Waste Land (1922), and the basis for Fellini Satyricon (1969). Bakhtin's work on the novel was deeply informed by his philosophical views: if, as a phenomenologist, he is a philosopher of consciousness, as a student of the novel, he is a philosopher of the history of consciousness, and it is the role of the novel in this history that held his attention. This volume seeks to lay out an argument in four parts that supports Bakhtin's sweeping assertion that the Satyrica plays an "immense" role in the history of the novel, beginning in Chapter 1 with his equally striking claim that the novel originates as a new way of representing time and proceeding to the question of polyphony in Petronius and the ancient novel.
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Inventing the Novel: Bakhtin and Petronius Face to Face

Inventing the Novel: Bakhtin and Petronius Face to Face

by R. Bracht Branham
Inventing the Novel: Bakhtin and Petronius Face to Face

Inventing the Novel: Bakhtin and Petronius Face to Face

by R. Bracht Branham

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Overview

Inventing the Novel uses the work of the Russian philosopher Mikhail Bakhtin (1895-1975) to explore the ancient origins of the modern novel. The analysis focuses on one of the most elusive works of classical antiquity, the Satyrica, written by Nero's courtier, Petronius Arbiter (whose singular suicide, described by Tacitus, is as famous as his novel). Petronius was the most lauded ancient novelist of the twentieth century and the Satyrica served as the original model for F. Scott Fitzgerald's The Great Gatsby (1925), as well as providing the epigraph for T. S. Eliot's The Waste Land (1922), and the basis for Fellini Satyricon (1969). Bakhtin's work on the novel was deeply informed by his philosophical views: if, as a phenomenologist, he is a philosopher of consciousness, as a student of the novel, he is a philosopher of the history of consciousness, and it is the role of the novel in this history that held his attention. This volume seeks to lay out an argument in four parts that supports Bakhtin's sweeping assertion that the Satyrica plays an "immense" role in the history of the novel, beginning in Chapter 1 with his equally striking claim that the novel originates as a new way of representing time and proceeding to the question of polyphony in Petronius and the ancient novel.

Product Details

ISBN-13: 9780192578228
Publisher: OUP Oxford
Publication date: 11/07/2019
Series: Classics in Theory Series
Sold by: Barnes & Noble
Format: eBook
Pages: 240
File size: 3 MB

About the Author

R. Bracht Branham is the editor of Bakhtin and the Classics (Northwestern University Press, 2002) and The Bakhtin Circle and Ancient Narrative (Barkhuis, 2005), and translator (with Daniel Kinney) of Petronius' Satyrica (University of California Press, 1996). He teaches classics, philosophy, and comparative literature at Emory University.

Table of Contents

  • Frontmatter
  • Prologue: The Argument
  • 0: Introduction: Bakhtin and Petronius
  • 1: Inventing the Novel: The Bakhtinian Model
  • 2: Mapping Time and Space in Ancient Fiction: Toward An Historical Poetics
  • 3: The Poetics of Genre: Bakhtin/Menippus/Petronius
  • 4: Discourse in a Novel
  • Toward a Typology of Narrative Discourse: Plato and Bakhtin
  • Trimalchio's Last Words
  • Appellation d'Origine Contrôlée
  • Trimalchio's Double-Voiced Discourse: The Riddle of the Sibyl
  • Fortunata's Voice: On the Boundaries of Discourse
  • What does Polyphony Sound Like?
  • Ancient Examples?
  • 5: Epilogue: The Last Word
  • Appendices
  • I. Bakhtin and the Collapse of the Fact/Value Dichotomy
  • II. The Wrath of Hermeros
  • III. Nomen Omen: Eumolpus' Name and Discourse
  • IV. Petronius' Title as Discourse
  • Endmatter
  • Works Cited
  • Index
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