Joan Wulff's New Fly-Casting Techniques

Joan Wulff's New Fly-Casting Techniques

by Joan Wulff
Joan Wulff's New Fly-Casting Techniques

Joan Wulff's New Fly-Casting Techniques

by Joan Wulff

eBook

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Overview

A richly illustrated guide that offers precise terms for every part of the cast, with sections on line speed, improving accuracy and distance, loop control, and much more.

Product Details

ISBN-13: 9780762783984
Publisher: Rowman & Littlefield Publishers, Inc.
Publication date: 05/01/2012
Sold by: Barnes & Noble
Format: eBook
Pages: 224
File size: 12 MB
Note: This product may take a few minutes to download.

About the Author

Joan Wulff is the first instructor to unravel the mystery of fly casting to the point of pioneering a set of mechanics. These were presented in her book, Fly Casting Techniques (1987). She is also the author of Joan Wulff's Fly Fishing: Expert Advice from a Woman's Perspective (1991), and Fly Casting Accuracy (1997). Her fly casting column appears in FLY ROD & REEL magazine.

Read an Excerpt

Chapter One: To Cast a Fly

In boring literal terms, fly casting is the back and forth motion of the hand and arm with a fly rod and fly line, with the goal of creating open-ended unrolling loops to carry an artificial fly to a target area.

To those of us who love the sport of fly fishing, it is so much more!  It is a feeling of an inanimate tool coming to life in your hand!  This feeling may be only in your hand and arm when making short casts, but will start in the tips of your toes and move through your whole body when making long ones.  Something about it reaches deep inside you; it is physically satisfying. Unrolling loops are a thing of beauty and can be mesmerizing, and the satisfaction of presenting a fly perfectly to a rising trout or a moving bonefish has no equal in this sport.

UNDERSTANDING THE DIFFERENCE!

The basic difference between fly casting and all other casting lies in the relative weight of the lure and the line. You can throw a bait-casting or spinning lure by hand, almost as far as you can cast it because it is a contained weight like a rock, with a “string” of weightless monofilament behind it.

As afly fisher, your lures will be essentially weightless:  the imitations of insects and underwater creatures are made with materials like fur, feathers, tinsel, and yarn. Have you ever tried to throw a feather by hand?  It is impossible. It has no weight and lots of air resistance. In fly casting, the weight you’ll cast is in the fly line. (Youcan literally cast a fly line by hand - no rod!)  The fly, then, goes along as a passenger, at the end of a  monofilamentleader.   This ”leader” is the nearly invisible, tapering connection between the thick fly line and the fly.

Because the fly line is long and flexible, its weight cannot flex the rod with just the short, snapping wrist-motion used in bait casting or spinning. The fly-casting stroke must have length.  It is a straight-line movement by the rod hand, in an acceleration to a STOP!

The speed of the acceleration, plus the weight of the fly line, flexes/bends the rod, from the tip downward. This is called “loading” the rod. When the acceleration is ended and the butt section of the rod is stopped, the bent rod unloads, with a spring-like action. The relatively limber rod tip flips over, taking with it the inches of line closest to it.  As the tip oscillates back to straight, those inches of line form the beginning of what becomes an open-endedunrollingloop with upper and lower levels of line.

The formation of a loop is primary to each casting stroke. It must be done both backward (the backcast) and forward (the forward cast) for a complete cast, with the  loops unrolling directly opposite each other. 

TWO STROKES

There is no other sport that uses two strokes.  Other sports, which are mostly ball sports, have you set up slowly on the back-swing and then whack the heck out of the ball to drive it forward.  Not so in fly casting:  the speed and power must be equal backward and forward, for a given length of line.  If you don’t use force on the backcast and then whack the heck out of the forward cast, your leader and fly will crack like a whip and you may lose the fly in the process.  Because nothing in our lives gives us practice in throwing backward, it becomes the first challenge in learning to fly cast!

BASICTACKLE

The flyline is the focal point of your tackle. You will choose the weight and design (the distribution of the weight) to suit the fishing you plan to do, and then choose a rod designated to cast that weight.  This combination of rod and line is referred to as “an X-weight outfit”.  The TACKLE chapter will give you expanded information on choices for various species. However, the ideal outfit to use for this casting instruction is a #6:  a #6 weight fly rod with a #6 weight-forward floating fly line.  This is an all-purposetroutfishingoutfit…as well as an all-purpose learning outfit. It is heavy enough to give you a range of casting distances from short to long but light enough, overall, to keep you from tiring too quickly in practice UNLESS you are a woman.

Women have approximately 55% of the upper body strength of men, pound for pound.  Scary!  It means that the weight of the tackle we use, though it is measured in ounces, can be critical.  In my generation, the weight of bamboo and glass rods (4-1/2oz.) was the primary factor in keeping women out of fly fishing.  Even today, with the comparative lightness of modern materials (graphite and boron) we still have choices to make.  Choose rods that are at the lighter end of the suggested weights in each line category, until experience tells you why you want something heavier. 

AND choose a rod with a relatively small-diameter grip. (See Area of Focus: the Grip)  Grips with uncomfortably large diameters were a second factor in keeping  women from fly fishing.                            

Table of Contents

Table of Contents

INTRODUCTION

Chapter One: To Cast a Fly

Chapter Two: The Area of Focus – Your Rod Hand and Arm

Chapter Three: Basic Discipline

Chapter Four: The Visual Connection

Chapter Five: False Casting

Chapter Six: Tailoring Your Loops

Chapter Seven: Shooting Line

Chapter Eight: Double and Single Hauls

Chapter Nine: Casting for Distance

Chapter Ten: Variation – The Oval

Chapter Eleven: Fishing Adaptations

Chapter Twelve: Wind

Chapter Thirteen: The Saltwater "Quick Cast"

Chapter Fourteen: Tackle

Chapter Fifteen: Fly Casting Without a Fly Rod

Chapter Sixteen: Practice -- Keep it Interesting

Chapter Seventeen: An Introduction to Spey Casting

Chapter Eighteen: Casting with a Handicap

Chapter Nineteen: Introducing Youngsters to Fly Casting

Afterword: Perfect Casts

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