John Ford's "'Tis Pity She's a Whore": A Retelling

This is an easy-to-read retelling of John Ford's tragedy "'Tis Pity She's a Whore." In this tragedy, a brother and sister fall in love and commit incest.

— 1.1 —

In Friar Bonaventura’s cell, the good friar and Giovanni were in the midst of a serious discussion.

“Dispute and argue no more about this,” Friar Bonaventura said, “for know, young man, that these are no school points.”
School points are topics proposed for discussion in theological schools.

He continued, “Nice philosophy may tolerate unlikely arguments, but Heaven admits no jest.”

“Nice philosophy” is philosophy that makes over-precise distinctions.

“Jest” means both “exception” and “sophistry.”

He continued, “Wits, aka educated men, who presumed on wit, aka human intelligence, too much, by striving how to prove there was no God with the foolish grounds of argumentation and methods of reasoning, discovered first the nearest, shortest way to Hell, and they filled the world with devilish atheism.

“Such questions, youth, are foolish. Far better it is to bless the sun than to reason why it shines. Yet He you talk about — God! — is above the sun.

“No more! I may not hear what you say in argument.”

“Gentle father,” Giovanni said, “to you I have unclasped my burdened soul as if it were a book. I have emptied the storehouse of my thoughts and heart, and I have made myself poor of secrets. I have not left another word untold, which has not spoken all that I ever dared, or think, or know. And yet here is the comfort I shall have?”
The comfort that Friar Bonaventura was saying was available to Giovanni was obedience to God’s laws.

Giovanni continued, “Must I not do what all men else may — love?”

Friar Bonaventura said, “Yes, you may love, fair son.”

Giovanni said, “Must I not praise that beauty, which, if framed anew, the gods would make a god of, if they had it there, and kneel to it, as I kneel to them?”

Giovanni was worshipping the wrong gods — the pagan gods. These gods are not omnipresent, omniscient, omnibenevolent, or omnipotent.

Shocked, Friar Bonaventura said, “What, foolish madman!”

Giovanni interrupted: “Shall a peevish, weak sound, a customary form, passed from man to man — a purely manmade convention passed from generation to generation — concerning brother and sister, be a bar between my perpetual happiness and me?

“Say that we had one father, say that one womb — a curse to my joys! — gave both of us life and birth. Are we not, therefore, each to the other bound so much the more by nature? Are we not, therefore, each to the other bound by the links of blood and of reason?”

By “blood,” Giovanni meant blood relationship, but in this society the word also meant lust.

He continued, “Indeed, if you will have it, are we not, therefore, each to the other bound even by religion, to be forever one: one soul, one flesh, one love, one heart, one all?”
Friar Bonaventura said, “Stop! Be quiet, you unhappy, unfortunate youth! For you are lost!”

Giovanni said, “Because I am her brother born, shall my joys then be forever banished from her bed?”

Giovanni had fallen in love with his sister, Annabella, and he wanted to have sex with her.

1127766028
John Ford's "'Tis Pity She's a Whore": A Retelling

This is an easy-to-read retelling of John Ford's tragedy "'Tis Pity She's a Whore." In this tragedy, a brother and sister fall in love and commit incest.

— 1.1 —

In Friar Bonaventura’s cell, the good friar and Giovanni were in the midst of a serious discussion.

“Dispute and argue no more about this,” Friar Bonaventura said, “for know, young man, that these are no school points.”
School points are topics proposed for discussion in theological schools.

He continued, “Nice philosophy may tolerate unlikely arguments, but Heaven admits no jest.”

“Nice philosophy” is philosophy that makes over-precise distinctions.

“Jest” means both “exception” and “sophistry.”

He continued, “Wits, aka educated men, who presumed on wit, aka human intelligence, too much, by striving how to prove there was no God with the foolish grounds of argumentation and methods of reasoning, discovered first the nearest, shortest way to Hell, and they filled the world with devilish atheism.

“Such questions, youth, are foolish. Far better it is to bless the sun than to reason why it shines. Yet He you talk about — God! — is above the sun.

“No more! I may not hear what you say in argument.”

“Gentle father,” Giovanni said, “to you I have unclasped my burdened soul as if it were a book. I have emptied the storehouse of my thoughts and heart, and I have made myself poor of secrets. I have not left another word untold, which has not spoken all that I ever dared, or think, or know. And yet here is the comfort I shall have?”
The comfort that Friar Bonaventura was saying was available to Giovanni was obedience to God’s laws.

Giovanni continued, “Must I not do what all men else may — love?”

Friar Bonaventura said, “Yes, you may love, fair son.”

Giovanni said, “Must I not praise that beauty, which, if framed anew, the gods would make a god of, if they had it there, and kneel to it, as I kneel to them?”

Giovanni was worshipping the wrong gods — the pagan gods. These gods are not omnipresent, omniscient, omnibenevolent, or omnipotent.

Shocked, Friar Bonaventura said, “What, foolish madman!”

Giovanni interrupted: “Shall a peevish, weak sound, a customary form, passed from man to man — a purely manmade convention passed from generation to generation — concerning brother and sister, be a bar between my perpetual happiness and me?

“Say that we had one father, say that one womb — a curse to my joys! — gave both of us life and birth. Are we not, therefore, each to the other bound so much the more by nature? Are we not, therefore, each to the other bound by the links of blood and of reason?”

By “blood,” Giovanni meant blood relationship, but in this society the word also meant lust.

He continued, “Indeed, if you will have it, are we not, therefore, each to the other bound even by religion, to be forever one: one soul, one flesh, one love, one heart, one all?”
Friar Bonaventura said, “Stop! Be quiet, you unhappy, unfortunate youth! For you are lost!”

Giovanni said, “Because I am her brother born, shall my joys then be forever banished from her bed?”

Giovanni had fallen in love with his sister, Annabella, and he wanted to have sex with her.

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John Ford's 'Tis Pity She's a Whore: A Retelling

John Ford's "'Tis Pity She's a Whore": A Retelling

by David Bruce
John Ford's 'Tis Pity She's a Whore: A Retelling

John Ford's "'Tis Pity She's a Whore": A Retelling

by David Bruce

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Overview

This is an easy-to-read retelling of John Ford's tragedy "'Tis Pity She's a Whore." In this tragedy, a brother and sister fall in love and commit incest.

— 1.1 —

In Friar Bonaventura’s cell, the good friar and Giovanni were in the midst of a serious discussion.

“Dispute and argue no more about this,” Friar Bonaventura said, “for know, young man, that these are no school points.”
School points are topics proposed for discussion in theological schools.

He continued, “Nice philosophy may tolerate unlikely arguments, but Heaven admits no jest.”

“Nice philosophy” is philosophy that makes over-precise distinctions.

“Jest” means both “exception” and “sophistry.”

He continued, “Wits, aka educated men, who presumed on wit, aka human intelligence, too much, by striving how to prove there was no God with the foolish grounds of argumentation and methods of reasoning, discovered first the nearest, shortest way to Hell, and they filled the world with devilish atheism.

“Such questions, youth, are foolish. Far better it is to bless the sun than to reason why it shines. Yet He you talk about — God! — is above the sun.

“No more! I may not hear what you say in argument.”

“Gentle father,” Giovanni said, “to you I have unclasped my burdened soul as if it were a book. I have emptied the storehouse of my thoughts and heart, and I have made myself poor of secrets. I have not left another word untold, which has not spoken all that I ever dared, or think, or know. And yet here is the comfort I shall have?”
The comfort that Friar Bonaventura was saying was available to Giovanni was obedience to God’s laws.

Giovanni continued, “Must I not do what all men else may — love?”

Friar Bonaventura said, “Yes, you may love, fair son.”

Giovanni said, “Must I not praise that beauty, which, if framed anew, the gods would make a god of, if they had it there, and kneel to it, as I kneel to them?”

Giovanni was worshipping the wrong gods — the pagan gods. These gods are not omnipresent, omniscient, omnibenevolent, or omnipotent.

Shocked, Friar Bonaventura said, “What, foolish madman!”

Giovanni interrupted: “Shall a peevish, weak sound, a customary form, passed from man to man — a purely manmade convention passed from generation to generation — concerning brother and sister, be a bar between my perpetual happiness and me?

“Say that we had one father, say that one womb — a curse to my joys! — gave both of us life and birth. Are we not, therefore, each to the other bound so much the more by nature? Are we not, therefore, each to the other bound by the links of blood and of reason?”

By “blood,” Giovanni meant blood relationship, but in this society the word also meant lust.

He continued, “Indeed, if you will have it, are we not, therefore, each to the other bound even by religion, to be forever one: one soul, one flesh, one love, one heart, one all?”
Friar Bonaventura said, “Stop! Be quiet, you unhappy, unfortunate youth! For you are lost!”

Giovanni said, “Because I am her brother born, shall my joys then be forever banished from her bed?”

Giovanni had fallen in love with his sister, Annabella, and he wanted to have sex with her.


Product Details

BN ID: 2940155073536
Publisher: David Bruce
Publication date: 12/22/2017
Series: John Ford
Sold by: Smashwords
Format: eBook
File size: 169 KB

About the Author

I would like to see my retellings of classic literature used in schools, so I give permission to the country of Finland (and all other countries) to give copies of my eBooks to all students and citizens forever. I also give permission to the state of Texas (and all other states) to give copies of my eBooks to all students forever. I also give permission to all teachers to give copies of my eBooks to all students forever.

Teachers need not actually teach my retellings. Teachers are welcome to give students copies of my eBooks as background material. For example, if they are teaching Homer’s “Iliad” and “Odyssey,” teachers are welcome to give students copies of my “Virgil’s ‘Aeneid’: A Retelling in Prose” and tell students, “Here’s another ancient epic you may want to read in your spare time.”

Do you know a language other than English? I give you permission to translate any of my retellings of classic literature, copyright your translation in your name, publish or self-publish your translation (but do say it's a translation of something I wrote), and keep all the royalties for yourself.

Libraries, download my books free. This is from Smashwords' FAQ section:

"Does Smashwords distribute to libraries?

"Yes! We have two methods of distributing to libraries: 1. Via library aggregators. Library aggregators, such as OverDrive and Baker & Taylor's Axis360 service, allow libraries to purchase books. Smashwords is working with multiple library aggregators, and is in the process of signing up additional aggregators. 2. On August 7, 2012, Smashwords announced Library Direct. This distribution option allows libraries and library networks to acquire and host Smashwords ebooks on their own servers. This option is only available to libraries who place large "opening collection" orders, typically in the range of $20,000-$50,000, and the libraries must have the ability to host and manage the books, and apply industry-standard DRM to manage one-checkout-at-a-time borrows."

David Bruce is a retired anecdote columnist at "The Athens News" in Athens, Ohio. He has also retired from teaching English and philosophy at Ohio University in Athens, Ohio.

SOME BOOKS BY DAVID BRUCE

Retellings of a Classic Work of Literature:

Arden of Favorsham: A Retelling

Ben Jonson’s The Alchemist: A Retelling
Ben Jonson’s The Arraignment, or Poetaster: A Retelling
Ben Jonson’s Bartholomew Fair: A Retelling
Ben Jonson’s The Case is Altered: A Retelling
Ben Jonson’s Catiline’s Conspiracy: A Retelling
Ben Jonson’s The Devil is an Ass: A Retelling
Ben Jonson’s Epicene: A Retelling
Ben Jonson’s Every Man in His Humor: A Retelling
Ben Jonson’s Every Man Out of His Humor: A Retelling
Ben Jonson’s The Fountain of Self-Love, or Cynthia’s Revels: A Retelling
Ben Jonson’s The Magnetic Lady: A Retelling
Ben Jonson’s The New Inn: A Retelling
Ben Jonson’s Sejanus' Fall: A Retelling
Ben Jonson’s The Staple of News: A Retelling
Ben Jonson’s A Tale of a Tub: A Retelling
Ben Jonson’s Volpone, or the Fox: A Retelling

Christopher Marlowe’s Complete Plays: Retellings
Christopher Marlowe’s Dido, Queen of Carthage: A Retelling
Christopher Marlowe’s Doctor Faustus: Retellings of the 1604 A-Text and of the 1616 B-Text
Christopher Marlowe’s Edward II: A Retelling
Christopher Marlowe’s The Massacre at Paris: A Retelling
Christopher Marlowe’s The Rich Jew of Malta: A Retelling
Christopher Marlowe’s Tamburlaine, Parts 1 and 2: Retellings

Dante’s Divine Comedy: A Retelling in Prose
Dante’s Inferno: A Retelling in Prose
Dante’s Purgatory: A Retelling in Prose
Dante’s Paradise: A Retelling in Prose

The Famous Victories of Henry V: A Retelling

From the Iliad to the Odyssey: A Retelling in Prose of Quintus of Smyrna’s Posthomerica

George Chapman, Ben Jonson, and John Marston’s Eastward Ho! A Retelling

George Peele: Five Plays Retold in Modern English
George Peele’s The Arraignment of Paris: A Retelling
George Peele’s The Battle of Alcazar: A Retelling
George Peele’s David and Bathsheba, and the Tragedy of Absalom: A Retelling
George Peele’s Edward I: A Retelling
George Peele’s The Old Wives’ Tale: A Retelling

George-A-Greene, The Pinner of Wakefield: A Retelling

The History of King Leir: A Retelling

Homer’s Iliad: A Retelling in Prose
Homer’s Odyssey: A Retelling in Prose

Jason and the Argonauts: A Retelling in Prose of Apollonius of Rhodes’ Argonautica

The Jests of George Peele: A Retelling

John Ford: Eight Plays Translated into Modern English
John Ford’s The Broken Heart: A Retelling
John Ford’s The Fancies, Chaste and Noble: A Retelling
John Ford’s The Lady’s Trial: A Retelling
John Ford’s The Lover’s Melancholy: A Retelling
John Ford’s Love’s Sacrifice: A Retelling
John Ford’s Perkin Warbeck: A Retelling
John Ford’s The Queen: A Retelling
John Ford’s ‘Tis Pity She’s a Whore: A Retelling

John Lyly's Campaspe: A Retelling
John Lyly's Endymion, the Man in the Moon: A Retelling
John Lyly's Gallathea, aka Galathea, aka Galatea: A Retelling
John Lyly's Love's Metamorphosis: A Retelling
John Lyly's Midas: A Retelling
John Lyly's Mother Bombie: A Retelling
John Lyly's Sappho and Phao: A Retelling
John Lyly's The Woman in the Moon: A Retelling

John Webster’s The White Devil: A Retelling

J.W. Gent.'s The Valiant Scot: A Retelling

King Edward III: A Retelling

Mankind: A Medieval Morality Play (A Retelling)

Margaret Cavendish's The Unnatural Tragedy: A Retelling

The Merry Devil of Edmonton: A Retelling

Robert Greene’s Friar Bacon and Friar Bungay: A Retelling

The Taming of a Shrew: A Retelling

Tarlton’s Jests: A Retelling

Thomas Middleton and Thomas Dekker’s The Roaring Girl: A Retelling

Thomas Middleton and William Rowley’s The Changeling: A Retelling

Thomas Middleton's A Chaste Maid in Cheapside: A Retelling
Thomas Middleton's Women Beware Women: A Retelling

The Trojan War and Its Aftermath: Four Ancient Epic Poems

Virgil’s Aeneid: A Retelling in Prose

William Shakespeare’s 5 Late Romances: Retellings in Prose
William Shakespeare’s 10 Histories: Retellings in Prose
William Shakespeare’s 11 Tragedies: Retellings in Prose
William Shakespeare’s 12 Comedies: Retellings in Prose
William Shakespeare’s 38 Plays: Retellings in Prose

William Shakespeare’s 1 Henry IV, aka Henry IV, Part 1: A Retelling in Prose
William Shakespeare’s 2 Henry IV, aka Henry IV, Part 2: A Retelling in Prose
William Shakespeare’s 1 Henry VI, aka Henry VI, Part 1: A Retelling in Prose
William Shakespeare’s 2 Henry VI, aka Henry VI, Part 2: A Retelling in Prose
William Shakespeare’s 3 Henry VI, aka Henry VI, Part 3: A Retelling in Prose
William Shakespeare’s All’s Well that Ends Well: A Retelling in Prose
William Shakespeare’s Antony and Cleopatra: A Retelling in Prose
William Shakespeare’s As You Like It: A Retelling in Prose
William Shakespeare’s The Comedy of Errors: A Retelling in Prose
William Shakespeare’s Coriolanus: A Retelling in Prose
William Shakespeare’s Cymbeline: A Retelling in Prose
William Shakespeare’s Hamlet: A Retelling in Prose
William Shakespeare’s Henry V: A Retelling in Prose
William Shakespeare’s Henry VIII: A Retelling in Prose
William Shakespeare’s Julius Caesar: A Retelling in Prose
William Shakespeare’s King John: A Retelling in Prose
William Shakespeare’s King Lear: A Retelling in Prose
William Shakespeare’s Love’s Labor’s Lost: A Retelling in Prose
William Shakespeare’s Macbeth: A Retelling in Prose
William Shakespeare’s Measure for Measure: A Retelling in Prose
William Shakespeare’s The Merchant of Venice: A Retelling in Prose
William Shakespeare’s The Merry Wives of Windsor: A Retelling in Prose
William Shakespeare’s A Midsummer Night’s Dream: A Retelling in Prose
William Shakespeare’s Much Ado About Nothing: A Retelling in Prose
William Shakespeare’s Othello: A Retelling in Prose
William Shakespeare’s Pericles, Prince of Tyre: A Retelling in Prose
William Shakespeare’s Richard II: A Retelling in Prose
William Shakespeare’s Richard III: A Retelling in Prose
William Shakespeare’s Romeo and Juliet: A Retelling in Prose
William Shakespeare’s The Taming of the Shrew: A Retelling in Prose
William Shakespeare’s The Tempest: A Retelling in Prose
William Shakespeare’s Timon of Athens: A Retelling in Prose
William Shakespeare’s Titus Andronicus: A Retelling in Prose
William Shakespeare’s Troilus and Cressida: A Retelling in Prose
William Shakespeare’s Twelfth Night: A Retelling in Prose
William Shakespeare’s The Two Gentlemen of Verona: A Retelling in Prose
William Shakespeare’s The Two Noble Kinsmen: A Retelling in Prose
William Shakespeare’s The Winter’s Tale: A Retelling in Prose

Children’s Biography:

Nadia Comaneci: Perfect Ten

Anecdote Collections:

250 Anecdotes About Music
250 Anecdotes About Opera
250 Anecdotes About Religion
250 Anecdotes About Religion: Volume 2
Be a Work of Art: 250 Anecdotes and Stories
The Coolest People in Art: 250 Anecdotes
The Coolest People in the Arts: 250 Anecdotes
The Coolest People in Books: 250 Anecdotes
The Coolest People in Comedy: 250 Anecdotes
Create, Then Take a Break: 250 Anecdotes
Don’t Fear the Reaper: 250 Anecdotes
The Funniest People in Art: 250 Anecdotes
The Funniest People in Books: 250 Anecdotes
The Funniest People in Books, Volume 2: 250 Anecdotes
The Funniest People in Books, Volume 3: 250 Anecdotes
The Funniest People in Comedy: 250 Anecdotes
The Funniest People in Dance: 250 Anecdotes
The Funniest People in Families: 250 Anecdotes
The Funniest People in Families, Volume 2: 250 Anecdotes
The Funniest People in Families, Volume 3: 250 Anecdotes
The Funniest People in Families, Volume 4: 250 Anecdotes
The Funniest People in Families, Volume 5: 250 Anecdotes
The Funniest People in Families, Volume 6: 250 Anecdotes
The Funniest People in Movies: 250 Anecdotes
The Funniest People in Music: 250 Anecdotes
The Funniest People in Music, Volume 2: 250 Anecdotes
The Funniest People in Music, Volume 3: 250 Anecdotes
The Funniest People in Neighborhoods: 250 Anecdotes
The Funniest People in Relationships: 250 Anecdotes
The Funniest People in Sports: 250 Anecdotes
The Funniest People in Sports, Volume 2: 250 Anecdotes
The Funniest People in Television and Radio: 250 Anecdotes
The Funniest People in Theater: 250 Anecdotes
The Funniest People Who Live Life: 250 Anecdotes
The Funniest People Who Live Life, Volume 2: 250 Anecdotes
Maximum Cool: 250 Anecdotes
The Most Interesting People in Movies: 250 Anecdotes
The Most Interesting People in Politics and History: 250 Anecdotes
The Most Interesting People in Politics and History, Volume 2: 250 Anecdotes
The Most Interesting People in Politics and History, Volume 3: 250 Anecdotes
The Most Interesting People in Religion: 250 Anecdotes
The Most Interesting People in Sports: 250 Anecdotes
The Most Interesting People Who Live Life: 250 Anecdotes
The Most Interesting People Who Live Life, Volume 2: 250 Anecdotes
Reality is Fabulous: 250 Anecdotes and Stories
Resist Psychic Death: 250 Anecdotes
Seize the Day: 250 Anecdotes and Stories

Kindest People Series:

The Kindest People Who Do Good Deeds: Volume 1
The Kindest People Who Do Good Deeds: Volume 2

Discussion Guide Series:

Dante’s Inferno: A Discussion Guide
Dante’s Paradise: A Discussion Guide
Dante’s Purgatory: A Discussion Guide
Forrest Carter’s The Education of Little Tree: A Discussion Guide
Homer’s Iliad: A Discussion Guide
Homer’s Odyssey: A Discussion Guide
Jane Austen’s Pride and Prejudice: A Discussion Guide
Jerry Spinelli’s Maniac Magee: A Discussion Guide
Jerry Spinelli’s Stargirl: A Discussion Guide
Jonathan Swift’s “A Modest Proposal”: A Discussion Guide
Lloyd Alexander’s The Black Cauldron: A Discussion Guide
Lloyd Alexander’s The Book of Three: A Discussion Guide
Mark Twain’s Adventures of Huckleberry Finn: A Discussion Guide
Mark Twain’s The Adventures of Tom Sawyer: A Discussion Guide
Mark Twain’s A Connecticut Yankee in King Arthur’s Court: A Discussion Guide
Mark Twain’s The Prince and the Pauper: A Discussion Guide
Nancy Garden’s Annie on My Mind: A Discussion Guide
Nicholas Sparks’ A Walk to Remember: A Discussion Guide
Virgil’s Aeneid: A Discussion Guide
Virgil’s “The Fall of Troy”: A Discussion Guide
Voltaire’s Candide: A Discussion Guide
William Shakespeare’s 1 Henry IV: A Discussion Guide
William Shakespeare’s Macbeth: A Discussion Guide
William Shakespeare’s A Midsummer Night’s Dream: A Discussion Guide
William Shakespeare’s Romeo and Juliet: A Discussion Guide
William Sleator’s Oddballs: A Discussion Guide

Composition Projects:

Composition Project: Writing an Autobiographical Essay
Composition Project: Writing a Hero-of-Human-Rights Essay
Composition Project: Writing a Problem-Solving Letter

Teaching:

How to Teach the Autobiographical Essay Composition Project in 9 Classes

Autobiography (of sorts):

My Life and Hard Times, or Down and Out in Athens, Ohio

Miscellaneous:

Mark Twain Anecdotes and Quotes

Problem-Solving 101: Can You Solve the Problem?

Why I Support Same-Sex Civil Marriage

Blogs:

https://davidbruceblog429065578.wordpress.com

https://davidbrucebooks.blogspot.com

https://davidbruceblog4.wordpress.com

https://bruceb22.wixsite.com/website

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