Featuring the Nebula and World Fantasy Award–winning novella “Last Summer at Mars Hill”
Twelve exceptional stories by the multiple award–winning author of Waking the Moon and Black Light prove that Elizabeth Hand is just as adept with short fiction as she is in the novel form. The title story traces a world-changing summer at a New England artists’ colony for young Shadowmoon Starlight Rising, who comes to know life, death, and an unbelievable secret about the strange apparitions that dwell in her community. Other stories include “Snow on Sugar Mountain,” which features a young boy who has the power to shapeshift into any form with the help of a Native American artifact; “The Bacchae,” in which womankind rules a savage futuristic version of our world; and “The Erl-King,” where a fairy tale horrifyingly comes true. Each story includes an afterword by the author. This ebook features an illustrated biography of Elizabeth Hand including rare images and never-before-seen documents from the author’s personal collection.
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About the Author
Elizabeth Hand (b. 1957) is an award-winning author whose science fiction and fantasy novels include the Winterlong series, Waking the Moon, Black Light, Last Summer at Mars Hill, and Glimmering. Her novels and short stories have won the Nebula, World Fantasy, and Shirley Jackson awards, among others. Hand was born in California and raised in Yonkers and Pound Ridge, New York; she now divides her time between London and the coast of Maine. Over the years she has been a regular contributor to the Washington Post, the Village Voice, the Los Angeles Times, and the Magazine of Fantasy and Science Fiction, among many others.
Read an Excerpt
Last Summer at Mars Hill
And Other Short Stories
By Elizabeth Hand
OPEN ROAD INTEGRATED MEDIACopyright © 1998 Elizabeth Hand
All rights reserved.
Last Summer at Mars Hill
Even before they left home, Moony knew her mother wouldn't return from Mars Hill that year. Jason had called her from his father's house in San Francisco—
"I had a dream about you last night," he'd said, his voice cracking the way it did when he was excited. "We were at Mars Hill, and my father was there, and my mother, too—I knew it was a dream, like can you imagine my mother at Mars Hill?—and you had on this sort of long black dress and you were sitting alone by the pier. And you said, 'This is it, Jason. We'll never see this again.' I felt like crying, I tried to hug you but my father pulled me back. And then I woke up."
She didn't say anything. Finally Jason prodded her. "Weird, huh, Moony? I mean, don't you think it's weird?"
She shrugged and rolled her eyes, then sighed loudly so that he'd be able to tell she was upset. "Thanks, Jason. Like that's supposed to cheer me up?"
A long silence, then Jason's breathless voice again. "Shit, Moony, I'm sorry. I didn't—"
She laughed, a little nervously, and said, "Forget it. So when you flying out to Maine?"
Nobody but Jason called her Moony, not at home at least, not in Kamensic Village. There she was Maggie Rheining, which was the name that appeared under her junior picture in the high school yearbook.
But the name that had been neatly typed on the birth certificate in San Francisco sixteen years ago, the name Jason and everyone at Mars Hill knew her by, was Shadowmoon Starlight Rising. Maggie would have shaved her head before she'd admit her real name to anyone at school. At Mars Hill it wasn't so weird: there was Adele Grose, known professionally as Madame Olaf; Shasta Daisy O'Hare and Rvis Capricorn; Martin Dionysos, who was Jason's father; and Ariel Rising, née Amanda Mae Rheining, who was Moony's mother. For most of the year Moony and Ariel lived in Kamensic Village, the affluent New York exurb where her mother ran Earthly Delights Catering and Moony attended high school, and everything was pretty much normal. It was only in June that they headed north to Maine, to the tiny spiritualist community where they had summered for as long as Moony could remember. And even though she could have stayed in Kamensic with Ariel's friends the Loomises, at the last minute (and due in large part to Jason's urging, and threats if she abandoned him there) she decided to go with her mother to Mars Hill. Later, whenever she thought how close she'd come to not going, it made her feel sick: as though she'd missed a flight and later found out the plane had crashed.
Because much as she loved it, Moony had always been a little ashamed of Mars Hill. It was such a dinky place, plopped in the middle of nowhere on the rocky Maine coast—tiny shingle-style Carpenter Gothic cottages, all tumbled into disrepair, their elaborate trim rotting and strung with spiderwebs; poppies and lupines and tiger lilies sprawling bravely atop clumps of chickweed and dandelions of truly monstrous size; even the sign by the pier so faded you almost couldn't read the earnest lettering:
"Why doesn't your father take somebody's violet aura and repaint the damn sign with it?" she'd exploded once to Jason.
Jason looked surprised. "I kind of like it like that," he said, shaking the hair from his face and tossing a sea urchin at the silvered board. "It looks like it was put up by our Founding Mothers." But for years Moony almost couldn't stand to even look at the sign, it embarrassed her so much.
It was Jason who helped her get over that. They'd met when they were both twelve. It was the summer that Ariel started the workshop in Creative Psychokinesis, the first summer that Jason and his father had stayed at Mars Hill.
"Hey," Jason had said, too loudly when they found themselves left alone while the adults swapped wine coolers and introductions at the summer's first barbecue. They were the only kids in sight. There were no other families and few conventionally married couples at Mars Hill. The community had been the cause of more than one custody battle that had ended with wistful children sent to spend the summer with a more respectable parent in Boston or Manhattan or Bar Harbor. "That lady there with my father—"
He stuck his thumb out to indicate Ariel, her long black hair frizzed and bound with leather thongs, an old multicolored skirt flapping around her legs. She was talking to a slender man with close-cropped blond hair and goatee, wearing a sky-blue caftan and shabby Birkenstock sandals. "That your mom?"
"Yeah." Moony shrugged and glanced at the man in the caftan. He and Ariel both turned to look at their children. The man grinned and raised his wine glass. Ariel did a little pirouette and blew a kiss at Moony.
"Looks like she did too much of the brown acid at Woodstock," Jason announced, and flopped onto the grass. Moony glared down at him.
"She wasn't at Woodstock, asshole," she said, and had started to walk away when the boy called after her.
"Hey—it's a joke! My name's Jason—" He pointed at the man with Ariel. "That's my father. Martin Dionysos. But like that's not his real name, okay? His real name is Schuster but he changed it, but I'm Jason Schuster. He's a painter. We don't know anyone here. I mean, does it ever get above forty degrees?"
He scrambled to his feet and looked at her beseechingly. Smaller even than Moony herself, so slender he should have looked younger than her, except that his sharp face beneath floppy white-blond hair was always twisted into some ironic pronouncement, his blue eyes always flickering somewhere between derision and pleading.
"No," Moony said slowly. The part about Jason not changing his name got to her. She stared pointedly at his thin arms prickled with gooseflesh, the fashionable surfer-logo T- shirt that hung nearly to his knees. "You're gonna freeze your skinny ass off here in Maine, Jason Schuster." And she grinned.
He was from San Francisco. His father was a well-known artist and a member of the Raging Faery Queens, a gay pagan group that lived in the Bay Area and staged elaborately beautiful solstice gatherings and AIDS benefits. At Mars Hill, Martin Dionysos gave workshops on strengthening your aura and on clear nights led the community's men in chanting at the moon as it rose above Penobscot Bay. Jason was so diffident about his father and his father's work that Moony was surprised, the single time she visited him on the West Coast, to find her friend's room plastered with flyers advertising Faery gatherings and newspaper photos of Martin and Jason at various ACT-UP events. In the fall Jason would be staying in Maine, while she returned to high school. Ultimately it was the thought that she might not see him again that made Moony decide to spend this last summer at Mars Hill.
"That's what you're wearing to First Night?"
Moony started at her mother's voice, turned to see Ariel in the middle of the summer cottage's tiny living room. Wine rocked back and forth in her mother's glass, gold shot with tiny sunbursts from the crystals hung from every window. "What about your new dress?"
Moony shrugged. She couldn't tell her mother about Jason's dream, about the black dress he'd seen her wearing. Ariel set great store by dreams, especially these last few months. What she'd make of one in which Moony appeared in a black dress and Ariel didn't appear at all, Moony didn't want to know.
"Too hot," Moony said. She paused in front of the window and adjusted one of three silver crosses dangling from her right ear. "Plus I don't want to upstage you."
Ariel smiled. "Smart kid," she said, and took another sip of her wine.
Ariel wore what she wore to every First Night: an ankle-length patchwork skirt so worn and frayed it could only be taken out once a year, on this ceremonial occasion. Squares of velvet and threadbare satin were emblazoned with suns and moons and astrological symbols, each one with a date neatly embroidered in crimson thread.
Sedona, Aug 15 1972.
Mystery Hill, NH, 5/80.
The Winter Garden 1969.
Jajouka, Tangiers, Marrakech 1968.
Along the bottom, where many of the original squares had disintegrated into fine webs of denim and chambray she had begun piecing a new section: squares that each held a pair of dates, a name, an embroidered flower. These were for friends who had died. Some of them were people lost two decades earlier, to the War, or drugs or misadventure; names that Moony knew only from stories told year after year at Mars Hill or in the kitchen at home.
But most of the names were those of people Moony herself had known. Friends of Ariel's who had gathered during the divorce, and again, later, when Moony's father died, and during the myriad affairs and breakups that followed. Men and women who had started out as Ariel's customers and ended as family. Uncle Bob and Uncle Raymond and Uncle Nigel. Laurie Salas. Tommy McElroy and Sean Jacobson. Chas Bowen and Martina Glass. And, on the very bottom edge of the skirt, a square still peacock-bright with its blood-colored rose, crimson letters spelling out John's name and a date the previous spring.
As a child Moony had loved that skirt. She loved to watch her mother sashay into the tiny gazebo at Mars Hill on First Night and see all the others laugh and run to her, their fingers plucking at the patchwork folds as though to read something there, tomorrow's weather perhaps, or the names of suitors yet unmet.
But now Moony hated the skirt. It was morbid, even Jason agreed with that.
"They've already got a fucking quilt," he said, bitterly. "We don't need your mom wearing a goddamn skirt."
Moony nodded, miserable, and tried not to think of what they were most afraid of: Martin's name there beside John's, and a little rosebud done in flower-knots. Martin's name, or Ariel's.
There was a key to the skirt, Moony thought as she watched her mother sip her wine; a way to decode all the arcane symbols Ariel had stitched there over the last few months. It lay in a heavy manila envelope somewhere in Ariel's room, an envelope that Ariel had started carrying with her in February and which grew heavier and heavier as the weeks passed. Moony knew there was something horrible in that envelope, something to do with the countless appointments Ariel had had since February, with the whispered phone calls and macrobiotic diets and the resurgence of her mother's belief in devas and earth spirits and plain old-fashioned ghosts.
But Moony said nothing of this, only smiled and fidgeted with her earrings. "Go ahead," she told Ariel, who had settled at the edge of a wicker hassock and peered up at her daughter through her wineglass. "I just got to get some stuff."
Ariel waited in silence, then drained her glass and set it on the floor. "Okay. Jason and Martin are here. I saw them on the hill—"
"Yeah. I know, I talked to them, they went to Camden for lunch, they can't wait to see you." Moony paced to the door to her room, trying not to look impatient. Already her heart was pounding.
"Okay," Ariel said again. She sounded breathless and a little drunk. She had ringed her aquamarine eyes with kohl, to hide how tired she was. Over the last few months she'd grown so thin that her cheekbones had emerged again, after years of hiding in her round peasant's face. Her voice was hoarse as she asked, "So you'll be there soon?"
Moony nodded. She curled a long tendril of hair, dark as her mother's but finer, and brushed her cheek with it. "I'm just gonna pull my hair back. Jason'll give me shit if I don't."
Ariel laughed. Jason thought that they were all a bunch of hippies. "Okay." She crossed the room unsteadily, touching the backs of chairs, a windowsill, the edge of a buoy hanging from the wall. When the screen door banged shut behind her Moony sighed with relief.
For a few minutes she waited, to make sure her mother hadn't forgotten something, like maybe a joint or another glass of wine. She could see out the window to where people were starting downhill toward the gazebo. If you didn't look too closely, they might have been any group of summer people gathering for a party in the long northern afternoon.
But after a minute or two their oddities started to show. You saw them for what they really were: men and women just getting used to a peculiar middle age. They all had hair a little too long or too short, a little too gray or garishly colored. The women, like Ariel, wrapped in clothes like banners from a triumphant campaign now forgotten. Velvet tunics threaded with silver, miniskirts crossing pale bare blue-veined thighs, Pucci blouses back in vogue again. The men more subdued, in chinos some of them, or old jeans that were a little too bright and neatly pressed. She could see Martin beneath the lilacs by the gazebo, in baggy psychedelic shorts and T-shirt, his gray-blond hair longer than it had been and pulled back into a wispy ponytail. Beside him Jason leaned against a tree, self-consciously casual, smoking a cigarette as he watched the First Night promenade. At sight of Ariel he raised one hand in a lazy wave.
And now the last two stragglers reached the bottom of the hill. Mrs. Grose carrying her familiar, an arthritic wheezing pug named Milton: Ancient Mrs. Grose, who smelled of Sen-sen and whiskey, and prided herself on being one of the spiritualists exposed as a fraud by Houdini. And Gary Bonetti, who (the story went) five years ago had seen a vision of his own death in the City, a knife wielded by a crack-crazed kid in Washington Heights. Since then, he had stayed on at Mars Hill with Mrs. Grose, the community's only other year- round resident.
Moony ducked back from the window as her mother turned to stare up at the cottage. She waited until Ariel looked away again, as Martin and Jason beckoned her toward the gazebo.
"Okay," Moony whispered. She took a step across the room and stopped. An overwhelming smell of cigarette smoke suddenly filled the air, though there was no smoke to be seen. She coughed, waving her hand in front of her face.
"Damn it, Jason," she hissed beneath her breath. The smell was gone as abruptly as it had appeared. "I'll be right there—"
She slipped through the narrow hallway with its old silver-touched mirrors and faded Maxfield Parrish prints, and went into Ariel's room. It still had its beginning-of-summer smell, mothballs and the salt sweetness of rugosa roses blooming at the beach's edge. The old chenille bedspread was rumpled where Ariel had lain upon it, exhausted by the flight from LaGuardia to Boston, from Boston via puddlejumper to the tiny airport at Green Turtle Reach. Moony pressed her hand upon the spread and closed her eyes. She tried to focus as Jason had taught her, tried to dredge up the image of her mother stretched upon the bed. And suddenly there it was, a faint sharp stab of pain in her left breast, like a stitch in her side from running. She opened her eyes quickly, fighting the dizziness and panicky feeling. Then she went to the bureau.
At home she had never been able to find the envelope. It was always hidden away, just as the mail was always carefully sorted, the messages on the answering machine erased before she could get to them. But now it was as if Ariel had finally given up on hiding. The envelope was in the middle drawer, a worn cotton camisole draped halfheartedly across it. Moony took it carefully from the drawer and went to the bed, sat and slowly fanned the papers out.
They were hospital bills. Hospital bills and Blue Cross forms, cash register receipts for vitamins from the Waverly Drugstore with Ariel's crabbed script across the top. The bills were for tests only, tests and consultations. Nothing for treatments; no receipts for medication other than vitamins. At the bottom of the envelope, rolled into a blue cylinder and tightened with a rubber band, she found the test results. Stray words floated in the air in front of her as Moony drew in a long shuddering breath.
Mammography results. Sectional biopsy. Fourth stage malignancy. Metastasized.
Cancer. Her mother had breast cancer.
Excerpted from Last Summer at Mars Hill by Elizabeth Hand. Copyright © 1998 Elizabeth Hand. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Table of Contents
ContentsLast Summer at Mars Hill,
In the Month of Athyr,
Snow on Sugar Mountain,
On the Town Route,
The Boy in the Tree,
Prince of Flowers,
A Biography of Elizabeth Hand,