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Magical Realism and the History of the Emotions in Latin America
Iconoclastic in spirit, Magical Realism and the History of the Emotions in LatinAmerica is the first study of affect and emotion in magical realist literature. Against the grain of a vast body of scholarship, it argues that magical realism is neither exotic commodity nor postcolonial resistance, but an art form fueled by a search for spaces of wonder in a disenchanted world. Linking the rise and fall of magical realism and kindred narrative forms to the shifting value of wonder as an emotional experience, this thought-provoking study proposes a radical new approach to canonical novels such as One Hundred Years of Solitude. Received as “one of the most convincing manifestations of the ‘turn to affect’ in contemporary Latin American critical thought,” Magical Realism and the History of the Emotions draws on affect theory, the history of emotions, and new materialism to reframe key questions in Latin American literature and culture.
1121169451
Magical Realism and the History of the Emotions in Latin America
Iconoclastic in spirit, Magical Realism and the History of the Emotions in LatinAmerica is the first study of affect and emotion in magical realist literature. Against the grain of a vast body of scholarship, it argues that magical realism is neither exotic commodity nor postcolonial resistance, but an art form fueled by a search for spaces of wonder in a disenchanted world. Linking the rise and fall of magical realism and kindred narrative forms to the shifting value of wonder as an emotional experience, this thought-provoking study proposes a radical new approach to canonical novels such as One Hundred Years of Solitude. Received as “one of the most convincing manifestations of the ‘turn to affect’ in contemporary Latin American critical thought,” Magical Realism and the History of the Emotions draws on affect theory, the history of emotions, and new materialism to reframe key questions in Latin American literature and culture.
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Magical Realism and the History of the Emotions in Latin America
Iconoclastic in spirit, Magical Realism and the History of the Emotions in LatinAmerica is the first study of affect and emotion in magical realist literature. Against the grain of a vast body of scholarship, it argues that magical realism is neither exotic commodity nor postcolonial resistance, but an art form fueled by a search for spaces of wonder in a disenchanted world. Linking the rise and fall of magical realism and kindred narrative forms to the shifting value of wonder as an emotional experience, this thought-provoking study proposes a radical new approach to canonical novels such as One Hundred Years of Solitude. Received as “one of the most convincing manifestations of the ‘turn to affect’ in contemporary Latin American critical thought,” Magical Realism and the History of the Emotions draws on affect theory, the history of emotions, and new materialism to reframe key questions in Latin American literature and culture.
Jerónimo Arellano is assistant professor of Latin American literature and culture at Brandeis University
Table of Contents
Notes on TranslationsList of IllustrationsAcknowledgmentsIntroduction: Worldly WonderPart I: Wonder in the Colonial HeartChapter: One: The Intermittence of the MarvelousChapter Two: Columbus’s First Journal and the Materiality of the EmotionsChapter Three: Colonial Chronicles as Archives of FeelingsPart II: The Afterlives of FeelingsChapter Four: Alejo Carpentier’s lo real maravilloso americano and the Colonial History of WonderChapter Five: The Afterlives of Feelings: Wonder as Palimpsest in Gabriel García Márquez’s Cien años de soledadChapter Six: In the Graveyards of Magical Realism: The Dissafection of the Marvelous and César Aira’s El magoBibliographyIndexAbout the Author
