Me & Joan (of Arc)

ME & JOAN (formerly titled La Pucelle) was conceived and directed by Ken Marini at Cheltenham Center for the Arts. In an interview with the Philadelphia Inquirer, he said: “Joan is a spiritual woman, but she has lost her physical self, and Lili is a very physical woman who has lost her spiritual self. They are like a single woman who has been divided, and it’s time to reunite the two selves…”

“Joan projects magnificent power and grace, while Lili embodies contemporary sexual energy and charm. .. Despite the fact (the play) reaffirms both Lili's faith and ours, the locals went ballistic and vowed to close it. ...Sunde's take …nevertheless proves sympathetic toward St Joan and her spirituality” Tish Dace, PLAYS INTERNATIONAL

“Crossing the paths of two outcast young women – one of great spirituality but no worldly experience, the other of abundant sexuality, but no faith … having them reach out across the centuries, bringing the assumptions of two vastly different times and cultures to their search … (is) intriguing. … Her (Lili’s) wry, cut-to-the-chase curiosity is meant to be funny, and it is. But what particularly impressed me was the sweet, unaffected nature of the exchange … in which we hear the authentic, unedited voices of these two interesting women as they seek to share a common search for integrity and purpose across a gaping cultural divide.” Clifford A. Ridley, THE PHILADELPHIA INQUIRER

“A holy backfire has occurred at Cheltenham Township on the fringe of Philadelphia, where a group of Roman Catholics freaked at a preview of La Pucelle, (ME & JOAN) …many more Catholics who never saw the show jumped on the pageant bandwagon…: some 200 zealots … descended on the township’s commissioners’ meeting and persuaded the commission to “request” that the center close the show. …(the Center) refused to shut the show, although the feckless faithful protested outside its scheduled closing. The theater’s own congregation grew by 30% on the controversy. And best of all, the commissioners finally did see the show… ‘and they loved it! The theater came out way ahead’”… Porter Anderson, VILLAGE VOICE, (New York)

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Me & Joan (of Arc)

ME & JOAN (formerly titled La Pucelle) was conceived and directed by Ken Marini at Cheltenham Center for the Arts. In an interview with the Philadelphia Inquirer, he said: “Joan is a spiritual woman, but she has lost her physical self, and Lili is a very physical woman who has lost her spiritual self. They are like a single woman who has been divided, and it’s time to reunite the two selves…”

“Joan projects magnificent power and grace, while Lili embodies contemporary sexual energy and charm. .. Despite the fact (the play) reaffirms both Lili's faith and ours, the locals went ballistic and vowed to close it. ...Sunde's take …nevertheless proves sympathetic toward St Joan and her spirituality” Tish Dace, PLAYS INTERNATIONAL

“Crossing the paths of two outcast young women – one of great spirituality but no worldly experience, the other of abundant sexuality, but no faith … having them reach out across the centuries, bringing the assumptions of two vastly different times and cultures to their search … (is) intriguing. … Her (Lili’s) wry, cut-to-the-chase curiosity is meant to be funny, and it is. But what particularly impressed me was the sweet, unaffected nature of the exchange … in which we hear the authentic, unedited voices of these two interesting women as they seek to share a common search for integrity and purpose across a gaping cultural divide.” Clifford A. Ridley, THE PHILADELPHIA INQUIRER

“A holy backfire has occurred at Cheltenham Township on the fringe of Philadelphia, where a group of Roman Catholics freaked at a preview of La Pucelle, (ME & JOAN) …many more Catholics who never saw the show jumped on the pageant bandwagon…: some 200 zealots … descended on the township’s commissioners’ meeting and persuaded the commission to “request” that the center close the show. …(the Center) refused to shut the show, although the feckless faithful protested outside its scheduled closing. The theater’s own congregation grew by 30% on the controversy. And best of all, the commissioners finally did see the show… ‘and they loved it! The theater came out way ahead’”… Porter Anderson, VILLAGE VOICE, (New York)

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Me & Joan (of Arc)

Me & Joan (of Arc)

by Karen Sunde
Me & Joan (of Arc)

Me & Joan (of Arc)

by Karen Sunde

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Overview

ME & JOAN (formerly titled La Pucelle) was conceived and directed by Ken Marini at Cheltenham Center for the Arts. In an interview with the Philadelphia Inquirer, he said: “Joan is a spiritual woman, but she has lost her physical self, and Lili is a very physical woman who has lost her spiritual self. They are like a single woman who has been divided, and it’s time to reunite the two selves…”

“Joan projects magnificent power and grace, while Lili embodies contemporary sexual energy and charm. .. Despite the fact (the play) reaffirms both Lili's faith and ours, the locals went ballistic and vowed to close it. ...Sunde's take …nevertheless proves sympathetic toward St Joan and her spirituality” Tish Dace, PLAYS INTERNATIONAL

“Crossing the paths of two outcast young women – one of great spirituality but no worldly experience, the other of abundant sexuality, but no faith … having them reach out across the centuries, bringing the assumptions of two vastly different times and cultures to their search … (is) intriguing. … Her (Lili’s) wry, cut-to-the-chase curiosity is meant to be funny, and it is. But what particularly impressed me was the sweet, unaffected nature of the exchange … in which we hear the authentic, unedited voices of these two interesting women as they seek to share a common search for integrity and purpose across a gaping cultural divide.” Clifford A. Ridley, THE PHILADELPHIA INQUIRER

“A holy backfire has occurred at Cheltenham Township on the fringe of Philadelphia, where a group of Roman Catholics freaked at a preview of La Pucelle, (ME & JOAN) …many more Catholics who never saw the show jumped on the pageant bandwagon…: some 200 zealots … descended on the township’s commissioners’ meeting and persuaded the commission to “request” that the center close the show. …(the Center) refused to shut the show, although the feckless faithful protested outside its scheduled closing. The theater’s own congregation grew by 30% on the controversy. And best of all, the commissioners finally did see the show… ‘and they loved it! The theater came out way ahead’”… Porter Anderson, VILLAGE VOICE, (New York)


Product Details

BN ID: 2940033009497
Publisher: Karen Sunde
Publication date: 01/09/2012
Sold by: Smashwords
Format: eBook
File size: 184 KB

About the Author

An actor turned writer, Karen performed many leading roles Off-Broadway, and was Associate Director of CSC Repertory. Her plays have been performed Off-Broadway, in regional theatres, on a USA tour, and in eleven countries and seven languages. Sunde’s first screenplay, UNDERCOVER PATRIOT, a finalist at Sundance, optioned. Then PARALLEL LOVES for Terra Bella Entertainment, Los Angeles; BOULE DE SUIF (adapt Maupassant) for Dace Direction, London; DREAM HOUSE for Passport Films, NYC; THE FASTEST WOMAN ALIVE for Howard S Shulman Productions, NYC; THE SECRET SHIP, under option; FINAL QUEST: THE MOUNTAIN OF THE GODS; TRIPPING TAMMY; LOVE HITS EARTH(& Other Disasters); NEXT!; adaptations of HOW HIS BRIDE CAME TO ABRAHAM, in pre-production as The ABRAHAM FILM PROJECT, and IN A KINGDOM BY THE SEA. check www.howardshulman.com Published plays: DARK LADY, produced Abbey Theatre, Ireland, Aalborg State Theatre, Denmark, optioned for film; BALLOON, won three VILLAGER awards Off-Broadway, nominated Best Play by Outer Critics Circle, aired Radio France; HAITI: A DREAM in FACING FORWARD, produced Seven Stages, Atlanta, aired WNYC, WHYY, NPR; TO MOSCOW, premiered Ankara National Theatre, Turkey, Chain Lightning, New York; OH WILD WEST WIND in ROWING TO AMERICA, produced Playwrights Theatre of New Jersey (PTNJ). PLAYS BY KAREN SUNDE includes TRUTH TAKES A HOLIDAY, read La MaMa, New York City (NYC); IN A KINGDOM BY THE SEA produced PTNJ, HOW HIS BRIDE CAME TO ABRAHAM, produced PTNJ, Praxis Theatre Project, NYC, premiered at The Unicorn, Kansas City. ANTON, HIMSELF for Actors Theatre of Louisville, also played The Moscow Art Theatre, the Yalta Festival in Russia, Peoples Light and Theatre, NYU in New York. THE FASTEST WOMAN ALIVE produced Luna Stage, NJ, Praxis, NYC, Edinburgh Festival (2010); KABUKI OTHELLO, produced People's Light and Theatre Company and Annenberg Center, Philadelphia; Wisdom Bridge, Chicago; KABUKI LADY MACBETH produced Chicago Shakespeare Theater, cited for five JEFF Awards, including "Best New Work," Best Production," "Best Direction:" IN A KINGDOM BY THE SEA, 2009. Scenes from TO MOSCOW; ANTON, HIMSELF; MASHA, TOO; and ABRAHAM appear in SCENES & MONOLOGS FROM THE BEST NEW PLAYS. Among 23 plays--for Actors Theatre of Louisville; People's Light and Theatre; The Acting Company, NYC, Sunde wrote KABUKI MACBETH, KABUKI KING RICHARD and ACHILLES, which toured Hungary, Cyprus, and Japan. She co-wrote musical QUASIMODO,(a musical) premiered Byrdcliffe Festival, Woodstock, NY, produced Lahti City Theatre, Finland. For Cheltenham Center, Philadelphia, she wrote LA PUCELLE (ME & JOAN) and DADDY'S GONE A-HUNTING (TRACKING BLOOD WHITE). In NYC: for Chain Lightning, WHEN REAL LIFE BEGINS, for The Working Theatre, 2020 SEXCARE in FREE MARKET; for Tisch School, NYU, Table and Chair Handmade Theatre, PLEASE GOD, NO WEDDING OR SHOOTING AT THE END! Opera THE SPA with composer Michael Dilthey. also at http://www.dramaticpublishing.com Sunde’s won a McKnight Fellowship, an NDEA Fellowship, the Aide de la Creation award in France, the Bob Hope Award, lives in New York City, served on the theatre panel of New Jersey Council on the Arts, and the new plays panel of the Pennsylvania Council on the Arts, was La MaMa ETC (New York)'s nominee for the Laura Pels/​PEN award.

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