Me & Joan (of Arc)
Suicidal stand-up comic, Lili, meets her idol, Joan of Arc, and, while playing her side-kick and confidante, makes war on "the Fathers of the Church.," exploring sexuality, love, guilt, faith, and the place of women.
Though the play was nearly Banned In Philadelphia, a Catholic Reverend praised it as “a very authentic interpretation of St. Joan of Arc…renders more clearly than [Shaw or Anouilh] her religious faith…relating Joan’s existence to modern feminism.
ME & JOAN (formerly La Pucelle) was conceived and directed by Ken Marini at Cheltenham Center for the Arts. Interviewed by Philadelphia Inquirer, he said: “Joan is a spiritual woman, but she has lost her physical self, and Lili is a very physical woman who has lost her spiritual self. They are like a single woman who has been divided, and it’s time to reunite the two selves…”
“Joan projects magnificent power and grace, while Lili embodies contemporary sexual energy and charm. .. Despite the fact (the play) reaffirms both Lili's faith and ours, the locals went ballistic and vowed to close it. Sunde's take …nevertheless proves sympathetic toward St Joan and her spirituality” PLAYS INTERNATIONAL















“Crossing the paths of two outcast young women – one of great spirituality but no worldly experience, the other of abundant sexuality, but no faith … having them reach out across the centuries, bringing the assumptions of two vastly different times and cultures to their search … (is) intriguing. … Her (Lili’s) wry, cut-to-the-chase curiosity is meant to be funny, and it is. But what particularly impressed me was the sweet, unaffected nature of the exchange … in which we hear the authentic, unedited voices of these two interesting women as they seek to share a common search for integrity and purpose across a gaping cultural divide.” Clifford A. Ridley, THE PHILADELPHIA INQUIRER

“A holy backfire has occurred at Cheltenham Township on the fringe of Philadelphia, where a group of Roman Catholics freaked at a preview of La Pucelle, (ME & JOAN) …many more Catholics who never saw the show jumped on the pageant bandwagon…: some 200 zealots … descended on the township’s commissioners’ meeting and persuaded the commission to “request” that the center close the show. …(the Center) refused to shut the show, although the feckless faithful protested outside its scheduled closing. The theater’s own congregation grew by 30% on the controversy. And best of all, the commissioners finally did see the show… ‘and they loved it! The theater came out way ahead’”… Porter Anderson, VILLAGE VOICE, (New York)
1108621956
Me & Joan (of Arc)
Suicidal stand-up comic, Lili, meets her idol, Joan of Arc, and, while playing her side-kick and confidante, makes war on "the Fathers of the Church.," exploring sexuality, love, guilt, faith, and the place of women.
Though the play was nearly Banned In Philadelphia, a Catholic Reverend praised it as “a very authentic interpretation of St. Joan of Arc…renders more clearly than [Shaw or Anouilh] her religious faith…relating Joan’s existence to modern feminism.
ME & JOAN (formerly La Pucelle) was conceived and directed by Ken Marini at Cheltenham Center for the Arts. Interviewed by Philadelphia Inquirer, he said: “Joan is a spiritual woman, but she has lost her physical self, and Lili is a very physical woman who has lost her spiritual self. They are like a single woman who has been divided, and it’s time to reunite the two selves…”
“Joan projects magnificent power and grace, while Lili embodies contemporary sexual energy and charm. .. Despite the fact (the play) reaffirms both Lili's faith and ours, the locals went ballistic and vowed to close it. Sunde's take …nevertheless proves sympathetic toward St Joan and her spirituality” PLAYS INTERNATIONAL















“Crossing the paths of two outcast young women – one of great spirituality but no worldly experience, the other of abundant sexuality, but no faith … having them reach out across the centuries, bringing the assumptions of two vastly different times and cultures to their search … (is) intriguing. … Her (Lili’s) wry, cut-to-the-chase curiosity is meant to be funny, and it is. But what particularly impressed me was the sweet, unaffected nature of the exchange … in which we hear the authentic, unedited voices of these two interesting women as they seek to share a common search for integrity and purpose across a gaping cultural divide.” Clifford A. Ridley, THE PHILADELPHIA INQUIRER

“A holy backfire has occurred at Cheltenham Township on the fringe of Philadelphia, where a group of Roman Catholics freaked at a preview of La Pucelle, (ME & JOAN) …many more Catholics who never saw the show jumped on the pageant bandwagon…: some 200 zealots … descended on the township’s commissioners’ meeting and persuaded the commission to “request” that the center close the show. …(the Center) refused to shut the show, although the feckless faithful protested outside its scheduled closing. The theater’s own congregation grew by 30% on the controversy. And best of all, the commissioners finally did see the show… ‘and they loved it! The theater came out way ahead’”… Porter Anderson, VILLAGE VOICE, (New York)
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Me & Joan (of Arc)

Me & Joan (of Arc)

by Karen Sunde
Me & Joan (of Arc)

Me & Joan (of Arc)

by Karen Sunde

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Overview

Suicidal stand-up comic, Lili, meets her idol, Joan of Arc, and, while playing her side-kick and confidante, makes war on "the Fathers of the Church.," exploring sexuality, love, guilt, faith, and the place of women.
Though the play was nearly Banned In Philadelphia, a Catholic Reverend praised it as “a very authentic interpretation of St. Joan of Arc…renders more clearly than [Shaw or Anouilh] her religious faith…relating Joan’s existence to modern feminism.
ME & JOAN (formerly La Pucelle) was conceived and directed by Ken Marini at Cheltenham Center for the Arts. Interviewed by Philadelphia Inquirer, he said: “Joan is a spiritual woman, but she has lost her physical self, and Lili is a very physical woman who has lost her spiritual self. They are like a single woman who has been divided, and it’s time to reunite the two selves…”
“Joan projects magnificent power and grace, while Lili embodies contemporary sexual energy and charm. .. Despite the fact (the play) reaffirms both Lili's faith and ours, the locals went ballistic and vowed to close it. Sunde's take …nevertheless proves sympathetic toward St Joan and her spirituality” PLAYS INTERNATIONAL















“Crossing the paths of two outcast young women – one of great spirituality but no worldly experience, the other of abundant sexuality, but no faith … having them reach out across the centuries, bringing the assumptions of two vastly different times and cultures to their search … (is) intriguing. … Her (Lili’s) wry, cut-to-the-chase curiosity is meant to be funny, and it is. But what particularly impressed me was the sweet, unaffected nature of the exchange … in which we hear the authentic, unedited voices of these two interesting women as they seek to share a common search for integrity and purpose across a gaping cultural divide.” Clifford A. Ridley, THE PHILADELPHIA INQUIRER

“A holy backfire has occurred at Cheltenham Township on the fringe of Philadelphia, where a group of Roman Catholics freaked at a preview of La Pucelle, (ME & JOAN) …many more Catholics who never saw the show jumped on the pageant bandwagon…: some 200 zealots … descended on the township’s commissioners’ meeting and persuaded the commission to “request” that the center close the show. …(the Center) refused to shut the show, although the feckless faithful protested outside its scheduled closing. The theater’s own congregation grew by 30% on the controversy. And best of all, the commissioners finally did see the show… ‘and they loved it! The theater came out way ahead’”… Porter Anderson, VILLAGE VOICE, (New York)

Product Details

BN ID: 2940014045940
Publisher: Karen Sunde
Publication date: 02/07/2012
Sold by: Barnes & Noble
Format: eBook
File size: 302 KB

About the Author

An actor turned writer, Karen performed many leading roles Off-Broadway, and was Associate Director of CSC Repertory. Her plays have been performed Off-Broadway, in regional theatres, on a USA tour, and in eleven countries and seven languages.
Published plays: DARK LADY, produced Abbey Theatre, Ireland, Aalborg State Theatre, Denmark, optioned for film; BALLOON, won three VILLAGER awards Off-Broadway, nominated Best Play by Outer Critics Circle, aired Radio France; HAITI: A DREAM in FACING FORWARD, produced Seven Stages, Atlanta, aired WNYC, WHYY, NPR; TO MOSCOW, premiered Ankara National Theatre, Turkey, Chain Lightning, New York; OH WILD WEST WIND in ROWING TO AMERICA, produced Playwrights Theatre of New Jersey (PTNJ). PLAYS BY KAREN SUNDE includes TRUTH TAKES A HOLIDAY, read La MaMa, New York City (NYC); IN A KINGDOM BY THE SEA produced PTNJ, HOW HIS BRIDE CAME TO ABRAHAM, produced PTNJ, Praxis Theatre Project, NYC, premiered at The Unicorn, Kansas City. ANTON, HIMSELF for Actors Theatre of Louisville, also played The Moscow Art Theatre, the Yalta Festival in Russia, Peoples Light and Theatre, NYU in New York. THE FASTEST WOMAN ALIVE produced Luna Stage, NJ, Praxis, NYC, Edinburgh Festival (2010); KABUKI OTHELLO, produced People's Light and Theatre Company and Annenberg Center, Philadelphia; Wisdom Bridge, Chicago; KABUKI LADY MACBETH produced Chicago Shakespeare Theater, cited for five JEFF Awards, including "Best New Work," Best Production," "Best Direction:" IN A KINGDOM BY THE SEA, 2009. Scenes from TO MOSCOW; ANTON, HIMSELF; MASHA, TOO; and ABRAHAM appear in SCENES & MONOLOGS FROM THE BEST NEW PLAYS.
Sunde’s first screenplay, UNDERCOVER PATRIOT, a finalist at Sundance, optioned. Then PARALLEL LOVES for Terra Bella Entertainment, Los Angeles; BOULE DE SUIF (adapt Maupassant) for Dace Direction, London; DREAM HOUSE for Passport Films, NYC; THE FASTEST WOMAN ALIVE for Howard S Shulman Productions, NYC; THE SECRET SHIP, under option; FINAL QUEST: THE MOUNTAIN OF THE GODS; TRIPPING TAMMY; LOVE HITS EARTH(& Other Disasters); NEXT!; adaptations of HOW HIS BRIDE CAME TO ABRAHAM, AbrahamFilm.org, and IN A KINGDOM BY THE SEA. check howardshulman.com
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