Mean Girl Feminism: How White Feminists Gaslight, Gatekeep, and Girlboss
White feminists performing to maintain privilege

Mean girl feminism encourages girls and women to be sassy, sarcastic, and ironic as feminist performance. Yet it coopts its affect, form, and content from racial oppression and protest while aiming meanness toward people in marginalized groups.

Kim Hong Nguyen’s feminist media study examines four types of white mean girl feminism prominent in North American popular culture: the bitch, the mean girl, the power couple, and the global mother. White feminists mime the anger, disempowerment, and resistance felt by people of color and other marginalized groups. Their performance allows them to pursue and claim a special place within established power structures, present as intellectually superior, substitute nonpolitical playacting for a politics of solidarity and community, and position themselves as better, more enlightened masters than patriarchy. But, as Nguyen shows, the racialized meanness found across pop culture opens possibilities for building an intersectional feminist politics that rejects performative civility in favor of turning anger into liberation.

1142970619
Mean Girl Feminism: How White Feminists Gaslight, Gatekeep, and Girlboss
White feminists performing to maintain privilege

Mean girl feminism encourages girls and women to be sassy, sarcastic, and ironic as feminist performance. Yet it coopts its affect, form, and content from racial oppression and protest while aiming meanness toward people in marginalized groups.

Kim Hong Nguyen’s feminist media study examines four types of white mean girl feminism prominent in North American popular culture: the bitch, the mean girl, the power couple, and the global mother. White feminists mime the anger, disempowerment, and resistance felt by people of color and other marginalized groups. Their performance allows them to pursue and claim a special place within established power structures, present as intellectually superior, substitute nonpolitical playacting for a politics of solidarity and community, and position themselves as better, more enlightened masters than patriarchy. But, as Nguyen shows, the racialized meanness found across pop culture opens possibilities for building an intersectional feminist politics that rejects performative civility in favor of turning anger into liberation.

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Mean Girl Feminism: How White Feminists Gaslight, Gatekeep, and Girlboss

Mean Girl Feminism: How White Feminists Gaslight, Gatekeep, and Girlboss

by Kim Hong Nguyen
Mean Girl Feminism: How White Feminists Gaslight, Gatekeep, and Girlboss

Mean Girl Feminism: How White Feminists Gaslight, Gatekeep, and Girlboss

by Kim Hong Nguyen

eBook

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Overview

White feminists performing to maintain privilege

Mean girl feminism encourages girls and women to be sassy, sarcastic, and ironic as feminist performance. Yet it coopts its affect, form, and content from racial oppression and protest while aiming meanness toward people in marginalized groups.

Kim Hong Nguyen’s feminist media study examines four types of white mean girl feminism prominent in North American popular culture: the bitch, the mean girl, the power couple, and the global mother. White feminists mime the anger, disempowerment, and resistance felt by people of color and other marginalized groups. Their performance allows them to pursue and claim a special place within established power structures, present as intellectually superior, substitute nonpolitical playacting for a politics of solidarity and community, and position themselves as better, more enlightened masters than patriarchy. But, as Nguyen shows, the racialized meanness found across pop culture opens possibilities for building an intersectional feminist politics that rejects performative civility in favor of turning anger into liberation.


Product Details

ISBN-13: 9780252055232
Publisher: University of Illinois Press
Publication date: 01/09/2024
Series: Feminist Media Studies
Sold by: Barnes & Noble
Format: eBook
Pages: 160
File size: 856 KB

About the Author

Kim Hong Nguyen is an associate professor of communication arts at the University of Waterloo and the editor of Rhetoric in Neoliberalism.

Table of Contents

Preface

Acknowledgments

Introduction: Feminist Civility and the Right to Be Mean

  1. Bitch Feminism: Blackfaced Girl Boss in Feminist Performative/Performativity Politics
  2. Mean Girl Feminism: Gatekeeping Postfeminist Beauty as Illegible Rage
  3. Power Couple Feminism: Gaslighting and Re-Empowering Heteronormative Aggression
  4. Global Mother Feminism: Gatekeeping Biopower and Sovereignty
Conclusion: Abolishing Mean Girl Feminism

Notes

Index

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