"I saw that everything going on was tied up in a knot that held this at its center—'I'm not what I wanted to be.' "
It's been ten years since Joshua Rivers had his dream of the girl he believes he is supposed to marry, and she's still nowhere in sight.
Now twenty-two, Joshua is stuck in a life markedly different from what he expected: he's unhappy with his current girlfriend and struggling with his doctoral thesis, and making no headway toward becoming a novelist, as he believes he must to win over his dream girl. Worse, his long-time lover, the nymphomaniac artist Lilian Lau, has cut him off because she thinks he's become dependent on her.
Little does Joshua know that by the end of the year he'll have met his destined love at last, but for now he is mired in darkness. Global terrorism and the lead-up to the Second Iraq War have created a climate of fear and anger in the intellectual world, and Joshua himself begins to manifest the ugly face of radicalism.
Finally, two chance encounters will see him revisit his family's secrets, and give him a reprieve from his loneliness that he knows he does not deserve.
My Generation's Lament is the sequel to Kiss Me, Genius Boy, and the second volume in the No More Dreams trilogy.
Praise for Kiss Me, Genius Boy (No More Dreams #1):
"I’ve been telling my friends how refreshing it is to read something by one of my generation, instead of something by someone that's dead. … Above all I admired the pithy, adroit little maxims on the nature of things." —Dylan Thorn, author of I'm Dead
"Uniquely refreshing … particularly erotic in its unabashed candidness." —Madeline R.
"A page turner, very funny and unusually honest and frank … Lily really steals the show. A nymphomaniacal exploiter of men and women, a deeply interesting, entertaining and wild character who lights up every page she is on." —Nicola G.
"Just read Berko scene from KMGB. Kick ASS! That scene just earnt me buying vol 2 when it comes out. Lily needs a cape and skin-tight leather pants. Lily needs her own graphic novel. Lily should be immortal, and probably is. Read KMGB so you can meet Lily. I secretly think she is Joshua's alter-ego. I think she might now also be mine." —Esme F.
"Simple, direct but with subtle, thought-provoking passages about self-awareness and one’s relation to life and others. I can’t wait for the next book." —Aiza C.
"Honestly I love it. It made me realize more the complexities and dimensions of love and loving." —Mary J. T.
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About the Author
I was born in 1981 in Rosebud, a tourist town on the Mornington Peninsula, about an hour and a half's drive from Australia's second-largest city, Melbourne. The son of two art teachers, I grew up in a large house in nearby Tootgarook, filled with books and art and paints and paper and love. My first novel—Kiss Me, Genius Boy—includes a lot of autobiographical material. It's set in the culturally isolated bayside area where I grew up. Like me, the main character, Joshua Rivers, learned to read very young, and skipped two grades in primary school. He endures a lot of unhappiness in love (all his own fault), but also has some undeserved good luck in that area, which he's frequently ungrateful for. His favorite book and mine are the same: The Dispossessed, by Ursula Le Guin. But my characters are not exactly me, or the people I know, and the stories I tell aren't exactly the stories of our lives. The kind of fiction I write is a mashup: bits cut out of reality, rearranged and spliced with outright fabrications, in the service of telling a story and exploring the deeper truths in life. In this case, what's fascinated me over the past few years I've been working on this first novel, and the two further volumes of No More Dreams that follow it, is the peril of living solely for one's dream of a perfect future. I like to read a wide range of things: aside from Le Guin, I'm deeply attached to Kundera, Tolstoy, Laozi, Nietzsche, Kierkegaard, Leonard Cohen, and Ayn Rand. But the author who's influenced me the most is the Japanese Nobel Prize winner Kenzaburo Ôe, author of A Personal Matter and The Silent Cry. It's Ôe that I've taken my present semi-autobiographical approach from, and Ôe that inspired me not to gloss over the ignoble and grotesque things that we think, that we do, and that are done to us and others. As I grow older, and as I confront the world through art, it strikes me more and more that as humans we are united in suffering, in death, and also in love. My mission as a writer, should I have one, is not just to disseminate whatever small degree of vision or wisdom I may have, but also to remind people that in their alienation and their darkness, they are not alone. May you find, in the pages I have written for you, something to light your way in the night.