It was only when Jewish writers gave up on the lofty Enlightenment ideals of progress and improvement that the Yiddish novel could decisively enter modernity. Animating their fictions were a set of unheroic heroes who struck a precarious balance between sanguinity and irony that author Miriam Udel captures through the phrase “never better.” With this rhetorical homage toward the double-voiced utterances of Sholem Aleichem, Udel gestures at these characters’ insouciant proclamation that things had never been better, and their rueful, even despairing admission that things would probably never get better.
The characters defined by this dual consciousness constitute a new kind of protagonist: a distinctively Jewish scapegrace whom Udel denominates the polit or refugee. Cousin to the Golden Age Spanish pícaro, the polit is a socially marginal figure who narrates his own story in discrete episodes, as if stringing beads on a narrative necklace. A deeply unsettled figure, the polit is allergic to sentimentality and even routine domesticity. His sequential misadventures point the way toward the heart of the picaresque, which Jewish authors refashion as a vehicle for modernismnot only in Yiddish, but also in German, Russian, English and Hebrew. Udel draws out the contours of the new Jewish picaresque by contrasting it against the nineteenth-century genre of progress epitomized by the Bildungsroman.
While this book is grounded in modern Jewish literature, its implications stretch toward genre studies in connection with modernist fiction more generally. Udel lays out for a diverse readership concepts in the history and theory of the novel while also explicating the relevant particularities of Jewish literary culture. In addressing the literary stylistics of a “minor” modernism, this study illuminates how the adoption of a picaresque sensibility allowed minority authors to write simultaneously within and against the literary traditions of Europe.
|Publisher:||University of Michigan Press|
|Series:||Michigan Studies in Comparative Jewish Cultures Series|
|Product dimensions:||5.90(w) x 9.00(h) x 0.60(d)|
About the Author
Miriam Udel is an Associate Professor of Yiddish Language, Literature, and Culture in the German Studies department at Emory University, co-appointed in Emory’s Tam Institute for Jewish Studies.
Table of Contents
Introduction "In Life, but Not of It": The Modernist Picaresque 1
Part 1 The Polit on the Move
Chapter 1 Sharks and Marks: The Swindles and Seductions of Modernity 33
Chapter 2 Living Serially: Neoteny and the Polit 67
Part 2 The Polit as Demobilized Soldier
Chapter 3 The Polit at the Waning of Haskalah 93
Demobilized Soldiers, Demobilized Jews 93
Steel and Iron: A Study in Maskilic Manhood 103
Chapter 4 Spillage and Shards: The Polit between the Wars 113
Part 3 The Polit as Soviet Citizen
Chapter 5 The Polit under Tsars and Stripes 143
Epilogue "You Must to Dare!": Afterlives of the Polit 178
Selected Bibliography 229