Nitrate Won't Wait: A History of Film Preservation in the United States

This study looks at the preservation process: newsreel, television, and color preservation; the often controversial issue of colorization; and commercial film archives. It provides detailed histories of the major players in the preservation battle including the International Museum of Photography at George Eastman House, the American Film Institute, the Museum of Modern Art, the UCLA Film and Television Archive, and the Library of Congress.

This first historical overview of film preservation in the United States is also highly controversial in its exposure and criticism of the politicization of film preservation in recent years, and the rising bureaucracy which has often lost sight of preservation and restoration as the ultimate purpose of film archives.

1136525788
Nitrate Won't Wait: A History of Film Preservation in the United States

This study looks at the preservation process: newsreel, television, and color preservation; the often controversial issue of colorization; and commercial film archives. It provides detailed histories of the major players in the preservation battle including the International Museum of Photography at George Eastman House, the American Film Institute, the Museum of Modern Art, the UCLA Film and Television Archive, and the Library of Congress.

This first historical overview of film preservation in the United States is also highly controversial in its exposure and criticism of the politicization of film preservation in recent years, and the rising bureaucracy which has often lost sight of preservation and restoration as the ultimate purpose of film archives.

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Nitrate Won't Wait: A History of Film Preservation in the United States

Nitrate Won't Wait: A History of Film Preservation in the United States

by Anthony Slide
Nitrate Won't Wait: A History of Film Preservation in the United States

Nitrate Won't Wait: A History of Film Preservation in the United States

by Anthony Slide

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Overview

This study looks at the preservation process: newsreel, television, and color preservation; the often controversial issue of colorization; and commercial film archives. It provides detailed histories of the major players in the preservation battle including the International Museum of Photography at George Eastman House, the American Film Institute, the Museum of Modern Art, the UCLA Film and Television Archive, and the Library of Congress.

This first historical overview of film preservation in the United States is also highly controversial in its exposure and criticism of the politicization of film preservation in recent years, and the rising bureaucracy which has often lost sight of preservation and restoration as the ultimate purpose of film archives.


Product Details

ISBN-13: 9781476604572
Publisher: McFarland & Company, Incorporated Publishers
Publication date: 05/03/2013
Sold by: Barnes & Noble
Format: eBook
Pages: 240
File size: 2 MB
Age Range: 18 Years

About the Author

Film historian Anthony Slide of Studio City, California was hailed by Lillian Gish as “our preeminent historian of the silent film era.” He is the author of numerous works of film scholarship.
Film historian Anthony Slide of Studio City, California, was hailed by Lillian Gish as "our preeminent historian of the silent film era." He is the author of numerous works of film scholarship.

Table of Contents

Acknowledgmentsix
Introduction1
Chapter 1Early Years and the Museum of Modern Art9
Chapter 2Newsreel Preservation and the National Archives25
Chapter 3The Library of Congress36
Chapter 4Thanks to the Film Collectors45
Chapter 5The Fifties and Sixties61
Chapter 6Things Are Seldom What They Seem74
Chapter 7Specialization in the Seventies89
Chapter 8New Areas of Preservation102
Chapter 9Colorization122
Chapter 10Stock Footage Libraries134
Chapter 11Into the Nineties145
Appendices
1Members of FIAF163
2Major U.S. Noncommercial Film Archives168
3Major Non-U.S. Commercial Film and Video Libraries172
4Major U.S. Commercial and Stock Footage Libraries175
5Subject Guide to U.S. Films Preserved in U.S. Archives179
6Recommendation for the Safeguarding and Preservation of Moving Images181
7Restoring Josef von Sternberg's The Saga of Anatahan184
8The Scandinavian Way193
Bibliographies
1General Works203
2Technical Works209
3Colorization and the National Film Preservation Board211
4Specific Projects213
Index219
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