North of Boston: A Novel

North of Boston: A Novel

by Elisabeth Elo


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Product Details

ISBN-13: 9780670015658
Publisher: Penguin Publishing Group
Publication date: 01/23/2014
Pages: 400
Product dimensions: 6.30(w) x 9.80(h) x 1.40(d)
Age Range: 18 Years

About the Author

Elisabeth Elo teaches writing in the Boston area. She lives in Brookline, Massachusetts.

Read an Excerpt

***This excerpt is from an advance uncorrected proof.***

Copyright © 2014  by Elisabeth Elo

He was a loser,” Thomasina says, head lolling. “But he was a good loser.” A fifth of Stolichnaya has put her in a nasty, forgiving mood. I’m tempted to take a few shots myself to medicate my grief and survivor’s guilt. But someone has to stay sober for Noah.
Noah pokes his head around the corner. He doesn’t have the heavy, square look of Ned or what was formerly the haunting, big- eyed beauty of Thomasina. He’s small, thin, pale. Dark eye rings give him a monkish quality. He doesn’t talk much, doesn’t have friends. Maybe that’s why we get along.

“Noah, baby. Let mama get you something to eat.” Thomasina lurches to her feet and staggers to the refrigerator. When she opens the door, Noah and I look inside. Lime Gatorade, half a tomato, mold- speckled hamburger buns. “You want a tomato sandwich, baby?”

“No, thank you,” Noah says. He’s always been polite. He wanders back to the living room to continue whatever intricate activity he was engaged in. I’ve seen him build entire futuristic cities out of tongue depressors, popsicle sticks, and toothpicks.

Thomasina sways in a widening arc, her eyes start to roll back in her head, and her eyelids flutter and close. She slides down the refrigerator and collapses. I get one of her arms around my neck and haul her up, drag her across the scuffed linoleum to the dank bedroom at the back of the apartment. Clothes and shoes litter the floor. I recognize the lizard-skin cowboy boots she wears out at night. I let her fall across the king-size bed and push her legs onto the mattress.

The fall brings her back to consciousness. She mumbles, “You have to tell him how it happened, Pirio. He trusts you. He loves you. And you know better than anyone what to say—you were there.” She turns her face toward the closed window shade and says mournfully, “Remember, long time ago, when we were just little girls no one cared about? So we cared about each other. It was sweet, but we were so sad. Weren’t we, Pirio?”

“We were OK,” I say firmly, trying to steer her away from the rabbit hole of old pain.

“Can you believe it, Pirio? I can’t. Ned dead. Hey, it rhymes! Now Noah has no father. My baby’s half an orphan. Poor little kid.”

I don’t say anything. I can’t believe it either. I’d do anything to make it different. I keep asking myself what I could have done, but I keep coming up empty. No one could have saved him. Except the cowards on the ship.

“Want to know who I dreamed about the other night?” Thomasina asks musingly. Sometimes I’m jealous of the way booze gives her mind permission to wander up every alley and side street it sees. “Biggest asshole ever. You know who it is. You and me, we’re like peas and carrots, peas in a pod. Whatever. Insert your vegetable.” She puts two fingers over her lips in self-censorship. “Oops. Didn’t mean it that way.” Her hand flops away from her mouth, and her eyelids begin another rapid-fire fluttering. “Guess, Pirio. You’ll get it on the first try, I bet. Biggest asshole ever was . . . It was . . .” Her voice becomes a whisper. “It was . . .” Her eyes close.

“It was Dickhead Bates,” I say softly.

I push some pillows under her head and shoulders to prop her up so she won’t choke if she vomits, and pull a blanket over her. I take a minute to collect myself, then go into the living room.

Noah looks up from his project. “How’s my mom?”


He nods. With his limited life experience, he has no idea how worried to be. He knows his mom’s been trying hard not to drink so much. Sometimes he comes to my apartment in the evenings so she can go to meetings; then for days she doesn’t go out at all. He’s used to her taking naps at odd times.

I get a whiff of indoles and uric acid. Translation: shit and piss. There’s a small plastic cage on a table in the corner. I slide back the cover, reach inside, curl my hand around a quivering little body huddled in a pile of sawdust, and place the hamster in Noah’s cupped hands. He starts cooing to it, rubs his cheek against the rodent’s fur. Hi, Jerry. Are you OK, Jerry? It takes me a little while to clean the cage. When Noah places Jerry back inside, he makes his body round and hunkers down into the fresh sawdust, which smells confusingly of sweetened pine and searing ammonia. I try to imagine how the cheap chemical additives affect his tiny olfactory glands and decide he probably preferred the smell of his own waste. I hate the whole idea of keeping animals in pens. If he weren’t Noah’s pet, I’d let him go.

“Come on, Noah. I’ll buy you a hamburger,” I say.


Thomasina and I went to boarding school together. I’d been at the Gaston School since seventh grade; it was one of the only schools my father, Milosa, could find that warehoused kids that young. It was located in Boothbay, Maine, but to me it felt like Tomsk, Siberia, which is where I’d been told the Russian government lost track of my maternal grandparents around 1944. My mother died when I was ten, Noah’s age. Never an angel, I became increasingly defiant, noncommunicative. I pretty much just stopped answering adults’ nosy questions and heeding their hysterical warnings. Several of Milosa’s girlfriends tried hard to figure out what was wrong with me but came up clueless. Then he remarried, and my stepmother, Maureen, wasted no time pronouncing me a true, definitive problem child. She had stacks of books to prove herself right and got a doctor at Children’s Hospital to agree. A boarding school with lots of “structure” just made sense. In fact, Headmaster Richard (Dickhead) Bates was not even close to being the biggest asshole at the Gaston School. There were others more sadistic than he.

Thomasina arrived at Gaston in ninth grade, the detritus of a bitter divorce that left neither parent wanting permanent custody. She was eating-disorder thin, deeply tanned from a vacation with her mother in the Azores, bedecked in silver hoop earrings and bracelets that rose halfway up her left arm. And because she still wore braces, top and bottom, on her big square teeth, she gave the impression of being a starving small brown animal trapped in a metal cage. Her eyes looked wet, as if a tear were poised to spill, only it never did. She was too deeply, everlastingly skeptical to cry about anything.

We sized each other up, saw ourselves for what we were, and accepted what we believed to be our dismal fates. We skipped class; drank Boone’s Farm, Budweiser, and Lancers Vin Rosé; climbed over the high stone wall surrounding the school’s eighteen acres and jumped down onto the tarry shoulder of Route 27; hitchhiked into town. Wherever we went, we gloried in pissing off as many people as we could. After two years of being alienated in isolation, it felt good to have someone to get in trouble with.

Neither of us was interested in college, so after graduation I came home to Boston, and Thomasina joined me. We rented apartments a few blocks from each other in Brookline, a mostly ritzy, part-run-down urbanish neighborhood, and settled into independent lives. I joined the family business, a perfume company named after my mother, Inessa Mark. Thomasina’s parents—one in France, one on the West Coast—have scads of money and bottomless guilt, which essentially means she’s never had to work.

For the first few years, Thomasina and I caroused aimlessly. The nicer bars soon bored us; all those guys in Brooks Brothers suits took themselves too seriously. We gravitated toward the seedier taverns, especially down at the waterfront. Dockworkers and fishermen would literally follow us around. We enjoyed the power we had, flattering ourselves that we were breaking hearts wherever we went.

Then Thomasina met Ned, and the two of them fell away from the bar scene to snuggle into their supposed love nest. I boozed and dated a little longer, until I got tired of hearing lame pick-up lines from belching idiots, and eventually put down the bottle to fold myself into the heavy woolen blanket of the Russian novel. I guess it was some kind of roots thing—my attempt to understand the Russian character, to be connected to my Russian past. It didn’t work; I wasn’t really sure what I was looking for, and it wasn’t much of a surprise when I didn’t find it. But I did encounter suffering more brutal and prolonged than anything my poor-little-rich-girl story could offer, and that bit of historical perspective nudged me to start growing up.

It came as no surprise when Thomasina and Ned’s relationship disintegrated. He was working-class Irish-Italian from South Boston. She’s a brilliant, privileged, slothful iconoclast. At first they seemed to transcend all that. They smiled at each other like angels lit from the inside with megawatt bulbs. That phase lasted, by my amazed reckoning, almost three months. Then, probably figuring he’d gone far enough in the conversation department, he started in with the blank stares and inopportune groin scratches, and she began to display the full power of her underused intellect with put-downs so brilliantly satiric he didn’t even understand them. Alcohol brought them to the brink of violence—dinners ruined, plates smashed, neighbors yelling out the windows to shut up. She just couldn’t forgive him for being dull. By the time Noah came along, they’d already split.

They never married, and Ned’s parents and sister refuse to accept that Noah is related to them at all. They prefer to think that Thomasina bewitched Ned into providing for another guy’s brat. I confess that I’ve wondered about Noah’s paternity myself, and I know Ned occasionally felt baffled at having spawned a genius kid who didn’t look like him or act like anyone he knew. But Ned was always a good father, at least as good as anyone could be under the circumstances. He insisted on paying child support, although no court required it and Thomasina didn’t need it. He got tickets to the Bruins, Red Sox, Patriots. Winter, summer, fall—Ned and Noah always had their outing. He visited Noah every other weekend—lunch and a trip to the park or library, depending on the weather. If Thomasina asked, he would even pick up Noah after school. Sometimes Thomasina let Ned stay overnight, and when he did, he seemed glad for it. I imagine him trying to curb his Southie manners, trying not to be stupid. People will do just about anything to get one tender caress.

But even with Ned doing his part, Thomasina was overwhelmed by single motherhood. The parents who hadn’t had time for their only daughter were even less interested in a grandchild, and she didn’t exactly fit in at PTA. But none of that really explains why what used to be a fairly standard type of admittedly ugly but relatively contained debauchery has morphed over the last year into a fierce, pathetic addiction.

She knows she’s in trouble. She’s tried it all. Not just A A, but also Rational Recovery, Tarot cards, the Enneagram, therapy, spas, meditation, confession, reading to the blind, and drinking only wine. Nothing’s worked. She gets a few days of sobriety here, enjoys a clearheaded week or two there, but eventually her shaking hand rewraps itself around the neck of a bottle. Looking at Thomasina today, you’d never guess what she used to be like—that at sixteen she learned flawless French in a few months, knew every character in Shakespeare, and could recite most of the Gettysburg Address backward, collapsing in gales of laughter when she was done. But you’d probably have no trouble guessing that the bulges in her handbag are little pops of airplane gin.

You stand by helplessly; you start getting truly scared. You sense something desperate inside, something far darker than what you thought was there. I’d like nothing better than to turn away from the spectacle of Thomasina’s relentless, incremental self-destruction. But then I remember Noah, and pick up the phone. Hear myself saying, How are you? How’s Noah? What’s up?

I’m Noah’s godmother. Seriously. It’s a Catholic thing. When he was two months old, I stood with Thomasina and Ned at the side altar of a big church, holding him in my arms. The baptismal font was cool white marble; a priest hovered at my shoulder, his pastoral vestments smelling of rich, rotting medieval leather flattened by a dry cleaner’s press. He asked me a question: Do you renounce Satan and all his ways? I blinked, taken aback. Satan? But Ned and Thomasina were watching and Noah was in my arms, so I thought about it seriously and replied, “If I ever met him, I’d know what to do.”

This answer must have been good enough, because the priest gestured for me to hold Noah over the font. He tipped the cup he’d been holding, and water flowed across Noah’s forehead into the marble bowl. Noah screwed up his wrinkled face but only cried a little. Even as a baby he kept his emotions in check, as if he knew there wasn’t going to be a lot of space for his feelings in this world. To my surprise, my eyes were wet with all the godmother blessings I wanted to bestow, but all I had to give him was a kiss. I saw Thomasina and Ned squeeze hands, and we looked at one another with a bit of shy nakedness, knowing we had stumbled across a perfect moment in our lives. A moment as fleeting as any other, already gone.

Now, at Taffy’s, a restaurant on the corner, Noah squares off in front of a hamburger and fries. He gets his fingers around the bun, lifts it to his mouth, and takes an enormous bite. He chews like a lion, gulps it down. He admitted he was hungry when I asked. It’s possible he’s actually starving.

It’s been three days since his father drowned. I have no idea how much he knows about the accident. The story was on the news in a slightly-more-than-sound-bite form. A picture of Ned’s regular-guy mug hovered in a small box next to the news announcer’s perfect cover-girl face, then expanded to fill the entire screen. When his face was in the box, he looked like a nice guy you knew in high school who forgot to comb his hair. When it bloomed to fill the screen, you could see the brown discolorations on the side of his face from years of being outside. His tea-green eyes looked bloodshot, wary, possibly dishonest. Or maybe he only looked that way because, on the news, everyone tends to look like a criminal. In any case, it would have felt drastically wrong to Noah to see his deceased father on a television screen.

“You want to know how it happened, Noah?”

“OK.” He’s learned to be accommodating.

“It was a crash, like the kind on highways, only this one was on the ocean.”

“I know that already.” He dips a French fry in a little paper bucket of ketchup to show how uninteresting this is.

Of course. He knows everything about crashes; he’s seen a million on TV. Sparks fly, buildings dissolve, cars burst into flame. Ho-hum.

I take the paper place mat from under the plate my BLT is on and turn it over. With a pen borrowed from the waitress, I sketch the coastline from Cape Cod to Maine. I put in the islands in Boston Harbor and roughly shade in Georges Bank. “Your dad and I were here,” I say, pointing to a spot that correlates to about twenty-five miles north- east of Boston. “The fog came in thick. Your dad was in the wheelhouse. I was in the stern baiting lobster traps. It was really quiet. I couldn’t even see the bow. The next thing I knew, something huge crashed into us. Huge, Noah. A freighter. It hit starboard, broadside. That means right in the middle of the boat. I bailed, and when I broke the surface and looked back, your dad’s boat was in splinters and the freighter was passing by.”

“My dad swam away, like you did.”

“The Coast Guard looked for him for about five hours that day, until the sun went down, and then from daybreak to sunset the next day. They had two patrol boats, two helicopters, and a C-130 search plane. Almost twenty hours of searching, Noah. Some fishermen were out there, too—your dad’s friends. A lot of people were involved. They searched an eight-mile radius from where I was found.”

“Cool,” he says. His eyes are vacant, as if he doesn’t know what I’m saying is real.

“They didn’t find him, Noah.”

“He got away like you did. He swam underwater.”

“He’d have to come up for air sometime.”

“Not if he went to Atlantis.”

“Atlantis is a made-up place.”

“No, it isn’t.” He looks at me reproachfully.

I’ve babysat him since he was an infant. I’m his good fairy god-mother, the one who plays games and willingly accompanies him on flights of fancy, who doesn’t ever tell him to be sensible or brush his teeth. This is a new me he is seeing.

I wait.

Noah dips another fry in the ketchup. He draws it several times across the thin paper at the bottom of his hamburger basket, leaving reddish streaks. Maybe he’s writing a hieroglyph, trying to communicate. If he is, I’m probably the only person left in the world who would try to decipher it.

“A monster killed my dad,” he says, attempting.

“He drowned, Noah,” I say gently. “He’s gone.”

Fury knits his brows together, makes his tiny nostrils flare. “Why did that boat crash into him? Why didn’t they look where they were going?” He’s been told that a hundred times. Be careful. Don’t run. Watch what you’re doing. But he’s already figured out that adults don’t play by those rules.

“It was an accident, Noah. Collisions at sea happen more often than you’d think.” I could kick myself for making it sound mundane.

“Why didn’t the people stop to look for him?”

“Good question,” I say, buying time.

I feel helpless to the point of despair. I don’t want Noah to see my rage. If the captain had stopped the freighter immediately, as soon as he realized what had happened, he could have saved us both easily. But he didn’t. He just kept going. He probably wanted to spare himself an official inquiry and whatever damage his reputation would suffer.

I can’t say that to Noah. So I give the typical response. “The Coast Guard is looking into it. They’re going to find the people on the boat and ask them that.”

He looks at me with the weary, perplexed eyes of a disappointed man. He knows I’m holding back.

“It’s possible that the people on the ship didn’t even know they hit us,” I say. “That freighter could have been five hundred feet, and I don’t even know how many hundreds of tons. Double steel hull. Bridge about three stories up. And in fog like that, what’s the point of looking out anyway? They rely on radar in that weather. But the ocean is big and they’re not expecting anything, so if they see something small like your dad’s lobster boat, they might think it’s just sea clutter, like floating oil drums or garbage.”

Noah’s lip is trembling. He’s trying not to cry. His tears are so rare that the prospect of just one falling makes my whole body hurt.

But he gets himself together, gazes out the window. Across the street there’s a lamp store, a Walgreens, and an Indian grocery. Down the street there’s a park with a playground where he often went with his dad and where I’ve taken him, too. As a small child, he liked the swings but not the slide. On the swings he could keep an eye peeled for unusual occurrences; the slide was too disorienting.

I wonder what he’s thinking. Maybe that the world is deeply unfair and dangerous, only he wouldn’t have the words for that. Maybe he isn’t thinking at all, just soaking it up. Cars, boats, fog. Drunken mothers, distant fathers. Crash. I wish now I hadn’t said his dad’s boat could have been mistaken for garbage.

I draw a vessel that looks like the Molly Jones. “There’s something important I want you to know. Your dad probably could have jumped overboard and swum away, like I did. But if he’d done that, we both would have died because nobody would have known we were out there. So your dad stayed in the wheelhouse and called the Coast Guard.”

Noah is staring at me, and I’m having a hard time looking back.

“Your dad saved my life.”

Noah frowns. He picks up his hamburger slowly. “Did he want to marry you?”

“No. We were just friends.”


“Why were we friends?”

“Why didn’t he want to marry you?”

“He just didn’t. Marriage is a special thing. We were happy being friends.”

“How come my mom and dad didn’t get married? Were they just friends?”

This one’s tricky. I tell him they used to be more than friends, and then they became friends.

He puts what’s left of his hamburger down, takes the bun off, peels a pickle out of its mustard-ketchup goo, and places it carefully on the wrapper. Without looking at me, he says, “If you and my dad got married, you’d be my stepmom.”

That’s how I know how bad he’s hurting; he’s never said anything like this to me before. I take my time before I answer. “I’m not cut out for parenthood, Noah. But if I had to be someone’s stepmom, I’d want to be yours.”

He looks into my eyes with as much trust as he can give to anyone, and I think three words I haven’t used since my mother died. I love you. I would say them to him, but I’m afraid I haven’t got what it takes to make good on the promise they imply.

Noah takes something out of the pocket of his jacket. It’s a yellowish-white disk riddled with tiny veins and holes. Two inches in diameter, an inch thick, the edges smooth as glass.

“That’s nice,” I say. “Where’d you get it?”

“My dad. He gave me other stuff, too.”

“Where’d he get it?”

“Off a whale.”

“Is that what he told you?” It looks vaguely like it could have come from an animal, but I’ve never seen a bone like that. My guess is it’s some kind of rock. It’s obviously been cut and appears to have been polished.

Noah leans forward and whispers, “My dad fought a whale once. He got in a little boat and followed it and killed it with a harpoon. The whale didn’t die right away. It pulled my dad all over the world, but he hung on with all his might. The whale was bleeding the whole time and finally it bled to death, and my dad pulled it back to the ship. He stayed up all night cutting it into pieces, and he took some of its bones. See?” He waves the ivory disk. “A whalebone.” He gives it to me.

When Noah was a baby, he had enormous dark blue eyes. His lips would pucker in tiny exhaled kisses, as though he couldn’t help sending the love that filled him into the world. We used to play a game together: We would sit face to face, he in a high chair, me in a kitchen chair. We would pass something—a rubber duck or ninja figure or some other little toy—back and forth for a long time while we smiled into each other’s eyes. This reminds me of those times. Only when I try to return the disk, he pushes it right back to me.

Maybe the kind of hero I described—the kind who radios for help—isn’t good enough. He needs one who wielded harpoons.

I turn the treasure slowly in my hand, inspecting it, respecting it. “Nice, Noah. Really nice.”

He grabs it and stuffs it in his jacket pocket, closes and buttons the flap, and looks around the restaurant at the people eating. Suddenly he’s a restless kid again, perked up by a hamburger, secure in his right to believe stories that comfort him and to ignore facts he can’t under- stand. There’s still some time until he has to do homework, and he says, “Hey, Pirio, after this can we go to your place and play dominoes?”


Excerpted from "North of Boston"
by .
Copyright © 2014 Elisabeth Elo.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

From the Publisher

“An utterly riveting debut thriller! Pirio Kasparov is one of the best protagonists I've read in years, tough, cynical, wry and compelling.  Her determination to discover the truth behind her friend's murder will earn your admiration, while her growing desire to be a better daughter, friend, and person will win your heart.”
Lisa Gardner, New York Times bestselling author of Fear Nothing

"Set on the gritty Boston waterfront, Elisabeth Elo's novel starts off as a murder mystery and slowly builds into something larger and more disturbing. North of Boston is a gripping and unorthodox thriller, packed with intriguing characters and unexpected twists."
Tom Perrotta, New York Times bestselling author of Nine Inches and The Leftovers

"I wish I had a friend like Pirio Kasparov—intelligent, loyal, brave, and funny. From the opening pages of North of Boston I was enthralled and deeply committed to following Pirio wherever her brilliant author decided to send her next. What a terrific novel."
Margot Livesey, New York Times bestselling author of The Flight of Gemma Hardy

“As someone who has spent her life on the sea, I can tell you that Elisabeth Elo knows her stuff. Terrific fishing details, a fast-paced plot, and a heroine named Pirio Kasparov who steals the show.  A great debut!”
Linda Greenlaw, New York Times bestselling author of The Hungry Ocean and Lifesaving Lessons

"In North of Boston, Elisabeth Elo has written a modern, sophisticated, and compelling thriller. Her plot is original, her details deft, and her heroine utterly remarkable."
Ivy Pochoda, author of Visitation Street

"Tough and smart, Pirio Kasparov comes alive in this fast-paced novel of unconventional plot twists and damaged relationships."
Audrey Schulman, author of Three Weeks in December

"Pirio Kasparov, the no-nonsense star of Elisabeth Elo’s debut novel, North of Boston, is a multifaceted character. Like its protagonist, North of Boston is many things—a murder mystery, an environmental thriller, and a domestic drama."
The Boston Globe

"North of Boston grapples with and melds seemingly disparate subject matter (commercial fishing, perfume, alcoholism, issues of class, environmental consciousness, self-determination) in an original and entertaining way . . . Judging from North of Boston, Pirio’s next puzzle promises to be nothing short of unpredictable and exciting."

“Pirio Kasparov is an alluring heroine. She’s sharp-witted, hell-bent on finding the truth, and her narrative voice is laced with surly sexiness. Pirio’s baldly honest, slightly melancholic reflections and Elo’s use of extreme natural settings will have strong appeal for Scandinavian crime fans. An impressive debut with surprising literary depth.”
Booklist (starred review)

“Elo’s outstanding debut stars an intelligent, confident woman of Russian descent, Pirio Kasparov . . . The brisk plot smoothly incorporates such far-flung subjects as environmental issues, the fishing industry, and the perfume business.”
Publishers Weekly (starred review)

"Gritty downtown Boston and the awe-inspiring but unforgiving North Atlantic coast come to life in Elisabeth Elo’s debut suspense novel . . . readers will . . . be rooting for the doggedly determined Pirio right to the end."

“The novel’s subplots ripple out from the opening collision, circling a story rich with wicked smart allusions to Russian literature and clever nods to Western culture's most famous fishing story — ‘Moby-Dick.’ Pirio is a fascinating character and Elo a noteworthy new voice in the genre.”
Milwaukee Journal Sentinel

“The author chose the thriller genre for her debut novel because she loves a strong protagonist who drives the action. She’s created a dandy in Pirio Kasparov.”
Fort Worth Star-Telegram

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North of Boston: A Novel 4.1 out of 5 based on 0 ratings. 13 reviews.
Anonymous More than 1 year ago
North of Boston is not only well researched and well plotted, it is skillfully written. Locations spring to life in the mind's eye with ease, and characters are made vivid, but with an economy of exposition. The strength of Elo's writing is most evident in the distinctiveness of Pirio's 1st person narrative voice. It is consistent, often quirky, but always recognizable as a character, not just an observer reporting the action. I never forgot I was living in Pirio's head. Because of that, a reader's doubt that a rich young woman in Boston would undertake this adventure is slowly and subtly dismissed as Elo reveals her heroine's psychology. Cold father, lost mother, the "shadow self" Thomasina, the Siren call of the bad-boy ex-boyfriend, survivor guilt, fascination with a newly discovered super-power -- taken together it all makes sense. A lot of mysteries hinge upon the plot beats being hit at the proper pace; Elo is masterful in her slow and steady reveal of the main character. Honestly, for me the "why" of Ned's death took a backseat to "what" makes Pirio tick. Nothing wrong with that. Here's hoping this book is a grand success that will give momentum to a sequel. And hope that sequel is already started – the time and care taken writing this novel is so evident that one fears we fans will be waiting years to meet this cast again!
literarymuseVC More than 1 year ago
A terrible boating accident leaves one dead man and one woman who barely survived beyond human comprehension! Working in a lobster boat with a friend, Ned Rizzo, Pirio Kasparov spends four hours in frigid waters, a feat that not even the renowned Navy Seals can accomplish without special equipment. At first Pirio and Ned’s friends show the expected comfort; but when Pirio realizes she’s not getting any answers about how a very, large ship came careening out of the dark and fog to totally wipe out Ned’s lobster boat. So she decides she will investigate what is clearly emerging as more of a possibility toward murder rather than just an unfortunate accident! At first she is distrustful of everyone until she realizes that journalist Russell Parnell is onto something important and they begin to work together to solve this complex mystery! Plenty of risk, violence and literal death threats fill these pages and keep the reader riveted to the story. There’s another story within the story that’s just as fascinating, a mysterious world where Pirio’s mother once lived in the Canadian village of Baffin Bay. Pirio’s parents are not your usual Mom and Dad. Intensely interested in the perfume business, she wasn’t always there for Pirio and her father treated her more like a troubled child than a loved one! Several topics are also discussed within this novel that involve environmentalism, the perfume business, the business and legal aspects of fishing, conservation of whales and more. Elisabeth Elo has penned a fine novel that is both quaint and vividly adventurous. The plot is past-faced and characters rather unique – it’s definitely a new generation looking to save almost extinct levels of certain marine animals and fish – and they are just as passionate to make justice happen for both man and beast! Very nicely done, Ms. Elo!
KrittersRamblings More than 1 year ago
Check out the full review at Kritters Ramblings Pirio has had a checkered past (read Elisabeth Elo's novella - A Taste of Power to read about Pirio's days in institution for troubled youth), but she is trying to reform her ways with the help of one of her friends from that school.  She ends up on a boating trip that goes awry and the book starts at that moment.  Pirio must investigate the boating incident and what seems like an easy investigation gets bigger and bigger with each clue.   I love inquisitive books that take you on a thrill of a journey, but this one kept getting bigger and bigger and almost got too big or so I think.  I loved the dynamic between Pirio and Russell Parnell for me that became my favorite part to read; I was waiting for their moments together.  
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Anonymous More than 1 year ago
TheBibliophilicBookBlog More than 1 year ago
After a boat crash which leaves Pirio Kasparov afloat in the Atlantic and kills her friend, Ned, Pirio is known as The Swimmer. She’s the woman who survived deadly cold waters until her rescue by the Coast Guard. Noah is Pirio’s godson and the son of her best friend, Thomasina and Ned. She’s always looking after them both out of love and a sense of duty. Now Noah’s father is dead and Pirio has no answers for him. However, she’s suspicious of the crash and Ned’s death so she decides to look into the “accident” further. There’s much more than meets the eye to this accident and Pirio’s life may be in danger as she gets closer to the truth. NORTH OF BOSTON starts out slowly, but picks up the pace as Pirio digs deeper into the boating “accident” which took the life of her friend and nearly her own. The characters were definitely well-developed, complex, and they felt ‘real’, as if you’d meet them on your travels in Massachusetts. The writing itself is superb, but I think the author got caught up in making the villains more movie villain than those you can find in everyday life. I think it would have worked better if the villains were a little more life-like and less over-the-top evil. Overall, NORTH OF BOSTON is a powerful story with a solid heroine.
Anonymous More than 1 year ago
Thank you misstres
Anonymous More than 1 year ago
Fine with me
Anonymous More than 1 year ago
See ya there then
Anonymous More than 1 year ago
Nuuuuuthin. You?
Anonymous More than 1 year ago
He gets a tree barl peice with a scoop of honey on it, some cobwebs, and comfrey
Anonymous More than 1 year ago
A story full of sound and fury...............