Miéville is an ideal guide through this complex historical moment, giving agency to obscure and better-known participants alike, and depicting the revolution as both a tragically lost opportunity and an ongoing source of inspiration.”
—Publishers Weekly (Starred Review—“Best Summer Books of 2017” & “Best Books 2017”)
“When one of the most marvellously original writers in the world takes on one of the most explosive events in history, the result can only be incendiary.”
—Barbara Ehrenreich
“To give a new generation of readers a fresh account of the great revolution, incorporating all the post-1989 archival discoveries and scholarly research, is a singularly daunting task. To render it in vivid, oracular prose, moving across the pages with the gathering force of a hurricane, is something that only China Miéville could achieve.”
—Mike Davis
“Miéville sifts through the extraordinary disagreements, debates, and debacles that accompanied the Russian reds on every step of the road to revolution … He’s especially evocative when he chronicles the scenes on the chaotic streets. But much of the value of October comes in his mastery of how the intricacies of human decision-making play out in Petrograd, Moscow, and beyond.”
—Christian Science Monitor
“Elegantly constructed and unexpectedly moving.”
—Sheila Fitzpatrick, London Review of Books
“Engaging retelling of the events that rocked the foundations of the twentieth century.”
—Village Voice
“China Miéville’s literary retelling—made to feel like a novel, but scrupulously sourced to real events—captures the vertigo of 1917’s encounter between massive historical forces, plunging us back into the heart of a far-reaching social upheaval, in which time flowed backward and forward even as it marched inexorably forward toward a future that was radically unknown.”
—David Sessions, New Republic
“This is a very fine book — in some ways, I believe, the best work that China Miéville has produced since the three thick volumes of the Bas-Lag trilogy. Indeed, October bears, in certain respects, a deeper affinity to those novels than to anything else he has published since; and it thus provides a convenient opportunity to take stock of the Miéville oeuvre to date...That [October] is an excellent work of art there is no doubt whatever.”
—Carl Freedman, Los Angeles Review of Books
“There are workers, there are peasants, there are soldiers, there are parties, there are tsars, there are courtiers. Each of them bears his or her class position, his or her economic and other concerns, but it is the political field itself, how it hurls its protagonists into combat, combat with its own rules and norms, its own criteria for success and failure, that is front and center here. This may be the most textured, most concrete, account of what political contest and political combat, literal and metaphoric, feels like.”
—Corey Robin
“Provides an introduction to one of the seminal events of the 20th century—the overthrow of the Romanov dynasty and the establishment of the world’s first communist state 100 years ago this year … It has all the makings of a novel, and Miéville’s narrative builds toward its crescendo as the Bolsheviks prepare to take power.”
—Boston Globe
“There are delightful grace notes here over and above a brisk and perceptive narrative.”
—Stuart Kelly, Scotsman
“This gripping account is a re-enactment of the Russian Revolution … His writing can be as passionate as that of the poets of the time: Alexander Blok, Mikhail Kuzmin, Marina Tsvetaeva, to mention some of those quoted here. Miéville’s own special effects are of a piece with them.”
—Financial Times
“Cinematic and vivid.”
—Newsweek
“Even though you know the ending, this is a compulsive page-turner that makes the period come alive in rich, colourful detail. Although he is better known for his science fiction, Miéville’s eye here fleshes out both the spirit of revolution and the horrors that followed. His feelings are evidently complex, which leads to a narrative that draws out elements often left out of more traditional renderings of the Revolution.”
—Caroline Magennis, Times Higher Education
“The story is old but Miéville retells it with verve and empathy. He brilliantly captures the tensions of coup and counter-coup and the kaleidoscope of coalitions that formed and then broke.”
—Guardian
“An inspirational account that lends itself to troubled times.”
—Observer
An exciting account of the revolutionary moment … well-argued and elegiac.”
—Spectator
“An intriguing march to revolution, told here with clarity and insight.”
—Kirkus
“Readers will be satisfied that October gives them the literary equivalent of bearing witness to world history.”
—Booklist
“It’s as if John Reed, author of the classic piece of revolutionary journalism, Ten Days That Shook the World, woke from a decades-long sleep to tell the story of 1917 once again.”
—Counterpunch
“October, by the British author China Miéville, is a gripping account of the Russian Revolution that offers the pleasures and rewards of a great novel … The book has vividly drawn characters, high drama, suspense, and an irresistible narrative momentum that sweeps the reader along from the first page to the tragic—but not inevitable—conclusion … a masterful work.”
—George de Stefano, Pop Matters
“Miéville’s understanding of the intricacies and underlying absurdities of party politics is unmatched … A rich and compelling book.”
—Dallas Morning News
“Miéville, known for his extravagantly weird science fiction and fantasy, is a virtuosic storyteller; here he conjures a society convulsing on the verge of total transformation while staying squarely within the lines of the historical record. Reading this blow-by-blow account of revolution now, when political life is stranger than any fiction, is galvanizing.”
—Artsy
“Miéville's account of the events of 1917 in Petrograd is fast-paced, well-written, and eminently readable. In Miéville’s telling the Russian revolution of exactly a century ago comes alive. This is the book’s primary accomplishement: to recreate the atmosphere of the time trhough a dramatic retelling of some of the events.”
—Grover Furr, Socialism and Democracy
“China Miéville’s October writes an accurate history of the Russian Revolution almost as if it was science fiction—like an alternate history that actually happened, which is how it strikes us now—and achieves a vivid depiction of a gigantic social upheaval without losing sight of agency and decision at every level of the process.”
—Ken MacLeod
06/01/2017
Although Tsar Nicholas II and mystic Grigori Rasputin have come to symbolize the Russian Revolution, Miéville (Perdido Street Station) recounts other pivotal figures (and events) in the months leading up to October 1917. The prerevolution months involved key players such as chief of staff Mikhail Alekseyev and Marxist activist Leon Trotsky negotiating first with the Tsar and then with each other. To complicate matters, the minority Mensheviks and Bolsheviks majority could not agree on what a provisional government should look like. Mensheviks believed the liberal bourgeoisie should take power; Bolsheviks argued for the proletariat to become ultimate leaders. Initially, the two parties were able to work together as Bolshevik leaders suggested the bourgeoisie should take power until the proletariat was ready for their own revolution. Although several players are involved, Miéville includes a beneficial glossary of names and a thorough overview of events, successfully tying together their motives and actions. VERDICT This riveting account offers a different aspect of the revolution that changed the course of Russian history. Recommended for all readers.—Sonnet Ireland, St. Tammany Parish P.L., Mandeville, LA
2017-03-02
The award-winning fiction writer revisits the exciting, messy story of an explosive Russia on the brink of civil war.London-born novelist and political theorist Miéville (Three Moments of an Explosion: Stories, 2015, etc.) takes on the roiling events of the Russian Revolution on the 100th anniversary of the Bolshevik insurrection. From the beginning of 1917, events occurred at a dizzying pace and involved a rich cast of characters, which the author delineates at the end of the book in a "Glossary of Personal Names." Miéville tells the story in a frank, mannerist fashion. Of course, since readers know the outcome ("purges, gulags, starvation, mass murder"), there is a sense of dark foreboding throughout. The author questions whether it was inevitable that Vladimir Lenin and his cohort would shift increasingly to the left and embrace violent insurrection. No: events were constantly shifting and up in the air, and Miéville presents the action with his novelist's eye. Looking to the "prehistory of 1917," the author chronicles the cataclysmic changes in Russia in the late 19th century especially, including emancipation of the serfs in 1861 by Alexander II, who was assassinated by "People's Will" radicals in 1881. "The man of the future in Russia," noted populist writer Alexander Herzen, "is the peasant." The Marxists believed that autocratic Russia was not yet ripe for socialism. Thus, the events that unfolded over the next two decades, as the working class gained confidence and size, were inchoate until brought into sharper focus by external crises such as the Russo-Japanese War, anti-Jewish pogroms, the institution of a "consultative parliament," the Duma, by Czar Nicolas II, and the deeply unpopular mobilization for war against Germany in 1914. It was a "fraught and protean political culture," as the author writes, juggling the many activist protagonists such as Leon Trotsky, who was working to incorporate the incendiary ideals of Lenin. An intriguing march to revolution, told here with clarity and insight.