One Shot (Jack Reacher Series #9)
#1 NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • THE BLOCKBUSTER JACK REACHER SERIES THAT INSPIRED THE STREAMING SERIES REACHER

“Pure, escapist gold . . . Mr. Child’s tough talk and thoughtful plotting make an ingenious combination.”—The New York Times


Six shots. Five dead. One heartland city thrown into a state of terror. But within hours the cops have it solved: a slam-dunk case. Except for one thing. The accused man says: You got the wrong guy. Then he says: Get Reacher for me.

And sure enough, ex—military investigator Jack Reacher is coming. He knows this shooter–a trained military sniper who never should have missed a shot. Reacher is certain something is not right–and soon the slam-dunk case explodes.

Now Reacher is teamed with a beautiful young defense lawyer, moving closer to the unseen enemy who is pulling the strings. Reacher knows that no two opponents are created equal. This one has come to the heartland from his own kind of hell. And Reacher knows that the only way to take him down is to match his ruthlessness and cunning–and then beat him shot for shot.
1100299376
One Shot (Jack Reacher Series #9)
#1 NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • THE BLOCKBUSTER JACK REACHER SERIES THAT INSPIRED THE STREAMING SERIES REACHER

“Pure, escapist gold . . . Mr. Child’s tough talk and thoughtful plotting make an ingenious combination.”—The New York Times


Six shots. Five dead. One heartland city thrown into a state of terror. But within hours the cops have it solved: a slam-dunk case. Except for one thing. The accused man says: You got the wrong guy. Then he says: Get Reacher for me.

And sure enough, ex—military investigator Jack Reacher is coming. He knows this shooter–a trained military sniper who never should have missed a shot. Reacher is certain something is not right–and soon the slam-dunk case explodes.

Now Reacher is teamed with a beautiful young defense lawyer, moving closer to the unseen enemy who is pulling the strings. Reacher knows that no two opponents are created equal. This one has come to the heartland from his own kind of hell. And Reacher knows that the only way to take him down is to match his ruthlessness and cunning–and then beat him shot for shot.
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One Shot (Jack Reacher Series #9)

One Shot (Jack Reacher Series #9)

by Lee Child
One Shot (Jack Reacher Series #9)

One Shot (Jack Reacher Series #9)

by Lee Child

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Overview

#1 NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • THE BLOCKBUSTER JACK REACHER SERIES THAT INSPIRED THE STREAMING SERIES REACHER

“Pure, escapist gold . . . Mr. Child’s tough talk and thoughtful plotting make an ingenious combination.”—The New York Times


Six shots. Five dead. One heartland city thrown into a state of terror. But within hours the cops have it solved: a slam-dunk case. Except for one thing. The accused man says: You got the wrong guy. Then he says: Get Reacher for me.

And sure enough, ex—military investigator Jack Reacher is coming. He knows this shooter–a trained military sniper who never should have missed a shot. Reacher is certain something is not right–and soon the slam-dunk case explodes.

Now Reacher is teamed with a beautiful young defense lawyer, moving closer to the unseen enemy who is pulling the strings. Reacher knows that no two opponents are created equal. This one has come to the heartland from his own kind of hell. And Reacher knows that the only way to take him down is to match his ruthlessness and cunning–and then beat him shot for shot.

Product Details

ISBN-13: 9780440246077
Publisher: Random House Publishing Group
Publication date: 10/27/2009
Series: Jack Reacher Series
Edition description: Reprint
Pages: 496
Sales rank: 13,657
Product dimensions: 4.20(w) x 7.50(h) x 1.30(d)

About the Author

About The Author
Lee Child is the author of nineteen New York Times bestselling Jack Reacher thrillers, ten of which have reached the #1 position. All have been optioned for major motion pictures; the first, Jack Reacher, was based on One Shot. Foreign rights in the Reacher series have sold in almost a hundred territories. A native of England and a former television director, Lee Child lives in New York City.

Hometown:

Birmingham, England

Date of Birth:

1954

Place of Birth:

Coventry, England

Education:

Sheffield University

Read an Excerpt

One Shot


By Lee Child

Random House

Lee Child
All right reserved.

ISBN: 0440335477


Chapter One

C H A P T E R 2


Reacher was on his way to them because of a woman. He had spent Friday night in South Beach, Miami, in a salsa club, with a dancer from a cruise ship. The boat was Norwegian, and so was the girl. Reacher guessed she was too tall for ballet, but she was the right size for everything else. They met on the beach in the afternoon. Reacher was working on his tan. He felt better brown. He didn't know what she was working on. But he felt her shadow fall across his face and opened his eyes to find her staring at him. Or maybe at his scars. The browner he got, the more they stood out, white and wicked and obvious. She was pale, in a black bikini. A small black bikini. He pegged her for a dancer long before she told him. It was in the way she held herself.

They ended up having a late dinner together and then going out to the club. South Beach salsa wouldn't have been Reacher's first choice, but her company made it worthwhile. She was fun to be with. And she was a great dancer, obviously. Full of energy. She wore him out. At four in the morning she took him back to her hotel, eager to wear him out some more. Her hotel was a small Art Deco place near the ocean. Clearly the cruise line treated its people well. Certainly it was a much more romantic destination than Reacher's own motel. And much closer.

And it had cable television, which Reacher's place didn't. He woke at eight on Saturday morning when he heard the dancer in the shower. He turned on the TV and went looking for ESPN. He wanted Friday night's American League highlights. He never found them. He clicked his way through successive channels and then stopped dead on CNN because he heard the chief of an Indiana police department say a name he knew: James Barr. The picture was of a press conference. Small room, harsh light. Top of the screen was a caption that said: Courtesy NBC. There was a banner across the bottom that said: Friday Night Massacre. The police chief said the name again, James Barr, and then he introduced a homicide detective called Emerson. Emerson looked tired. Emerson said the name for a third time: James Barr. Then, like he anticipated the exact question in Reacher's mind, he ran through a brief biography: Forty-one years old, local Indiana resident, U.S. Army infantry specialist from 1985 to 1991, Gulf War veteran, never married, currently unemployed.

Reacher watched the screen. Emerson seemed like a concise type of a guy. He was brief. No bullshit. He finished his statement and in response to a reporter's question declined to specify what if anything James Barr had said during interrogation. Then he introduced a District Attorney. This guy's name was Rodin, and he wasn't concise. Wasn't brief. He used plenty of bullshit. He spent ten minutes claiming Emerson's credit for himself. Reacher knew how that worked. He had been a cop of sorts for thirteen years. Cops bust their tails, and prosecutors bask in the glory. Rodin said James Barr a few more times and then said the state was maybe looking to fry him.

For what?

Reacher waited.

A local anchor called Ann Yanni came on. She recapped the events of the night before. Sniper slaying. Senseless slaughter. An automatic weapon. A parking garage. A public plaza. Commuters on their way home after a long workweek. Five dead. A suspect in custody, but a city still grieving.

Reacher thought it was Yanni who was grieving. Emerson's success had cut her story short. She signed off and CNN went to political news. Reacher turned the TV off. The dancer came out of the bathroom. She was pink and fragrant. And naked. She had left her towels inside.

"What shall we do today?" she said, with a wide Norwegian smile.

"I'm going to Indiana," Reacher said.



He walked north in the heat to the Miami bus depot. Then he leafed through a greasy timetable and planned a route. It wasn't going to be an easy trip. Miami to Jacksonville would be the first leg. Then Jacksonville to New Orleans. Then New Orleans to St. Louis. Then St. Louis to Indianapolis. Then a local bus, presumably, south into the heartland. Five separate destinations. Arrival and departure times were not well integrated. Beginning to end, it was going to take more than forty-eight hours. He was tempted to fly or rent a car, but he was short of money and he liked buses better and he figured nothing much was going to happen on the weekend anyway.

What happened on the weekend was that Rosemary Barr called her firm's investigator back. She figured Franklin would have a semiindependent point of view. She got him at home, ten o'clock in the morning on the Sunday.

"I think I should hire different lawyers," she said.

Franklin said nothing.

"David Chapman thinks he's guilty," Rosemary said. "Doesn't he?
So he's already given up."

"I can't comment," Franklin said. "He's one of my employers."

Now Rosemary Barr said nothing.

"How was the hospital?" Franklin asked.

"Awful. He's in intensive care with a bunch of prison deadbeats. They've got him handcuffed to the bed. He's in a coma, for God's sake. How do they think he's going to escape?"

"What's the legal position?"

"He was arrested but not arraigned. He's in a kind of limbo.

They're assuming he wouldn't have gotten bail."

"They're probably right."

"So they claim under the circumstances it's like he actually didn't get bail. So he's theirs. He's in the system. Like a twilight zone."

"What would you like to happen?"

"He shouldn't be in handcuffs. And he should be in a VA hospital at least. But that won't happen until I find a lawyer who's prepared to help him."

Franklin paused. "How do you explain all the evidence?"

"I know my brother."

"You moved out, right?"

"For other reasons. Not because he's a homicidal maniac."

"He blocked off a parking space," Franklin said. "He premeditated this thing."

"You think he's guilty, too."

"I work with what I've got. And what I've got doesn't look good."

Rosemary Barr said nothing.

"I'm sorry," Franklin said.

"Can you recommend another lawyer?"

"Can you make that decision? Do you have a power of attorney?"

"I think it's implied. He's in a coma. I'm his next of kin."

"How much money have you got?"

"Not much."

"How much has he got?"

"There's some equity in his house."

"It won't look good. It'll be like a kick in the teeth for the firm you work for."

"I can't worry about that."

"You could lose everything, including your job."

"I'll lose it anyway, unless I help James. If he's convicted, they'll let me go. I'll be notorious. By association. An embarrassment."

"He had your sleeping pills," Franklin said.

"I gave them to him. He doesn't have insurance."

"Why did he need them?"

"He has trouble sleeping."

Franklin said nothing.

"You think he's guilty," Rosemary said.

"The evidence is overwhelming," Franklin said.

"David Chapman isn't really trying, is he?"

"You have to consider the possibility that David Chapman is right."

"Who should I call?"

Franklin paused.

"Try Helen Rodin," he said.

"Rodin?"

"She's the DA's daughter."

"I don't know her."

"She's downtown. She just hung out her shingle. She's new and she's keen."

"Is it ethical?"

"No law against it."

"It would be father against daughter."

"It was going to be Chapman, and Chapman knows Rodin a lot better than his daughter does, probably. She's been away for a long time."

"Where?"

"College, law school, clerking for a judge in D.C."

"Is she any good?"

"I think she's going to be."




Rosemary Barr called Helen Rodin on her office number. It was like a test. Someone new and keen should be at the office on a Sunday.

Helen Rodin was at the office on a Sunday. She answered the call sitting at her desk. Her desk was secondhand and it sat proudly in a mostly empty two-room suite in the same black glass tower that had NBC as the second-floor tenant. The suite was rented cheap through one of the business subsidies that the city was throwing around like confetti. The idea was to kick-start the rejuvenated downtown area and clean up later with healthy tax revenues.

Rosemary Barr didn't have to tell Helen Rodin about the case because the whole thing had happened right outside Helen Rodin's new office window. Helen had seen some of it for herself, and she had followed the rest on the news afterward. She had caught all of Ann Yanni's TV appearances. She recognized her from the building's lobby, and the elevator.

"Will you help my brother?" Rosemary Barr asked.

Helen Rodin paused. The smart answer would be No way. She knew that. Like No way, forget about it, are you out of your mind? Two reasons. One, she knew a major clash with her father was inevitable at some point, but did she need it now? And two, she knew that a new lawyer's early cases defined her. Paths were taken that led down fixed routes. To end up as a when-all-else-fails criminal-defense attorney would be OK, she guessed, all things considered. But to start out by taking a case that had offended the whole city would be a marketing disaster. The shootings weren't being seen as a crime. They were being seen as an atrocity. Against humanity, against the whole community, against the rejuvenation efforts downtown, against the whole idea of being from Indiana. It was like LA or New York or Baltimore had come to the heartland, and to be the person who tried to excuse it or explain it away would be a fatal mistake. Like a mark of Cain. It would follow her the rest of her life.

"Can we sue the jail?" Rosemary Barr asked. "For letting him get hurt?"

Helen Rodin paused again. Another good reason to say no. An unrealistic client.

"Maybe later," she said. "Right now he wouldn't generate much sympathy as a plaintiff. And it's hard to prove damages, if he's heading for death row anyway."

"Then I can't pay you much," Rosemary Barr said. "I don't have money."

Helen Rodin paused for a third time. Another good reason to say no. It was a little early in her career to be contemplating pro bono work.
But. But. But.

The accused deserved representation. The Bill of Rights said so. And he was innocent until proven guilty. And if the evidence was as bad as her father said it was, then the whole thing would be little more than a supervisory process. She would verify the case against him independently. Then she would advise him to plead guilty. Then she would watch his back as her father fed him through the machine. That was all. It could be seen as honest dues-paying. A constitutional chore. She hoped.

"OK," she said.

"He's innocent," Rosemary Barr said. "I'm sure of it."

They always are,
Helen Rodin thought.

"OK," she said again. Then she told her new client to meet her in her office at seven the next morning. It was like a test. A sister who really believed in her brother's innocence would show up for an early appointment.




Rosemary Barr showed up right on time, at seven o'clock on Monday morning. Franklin was there, too. He believed in Helen Rodin and was prepared to defer his bills until he saw which way the wind was blowing. Helen Rodin herself had already been at her desk for an hour. She had informed David Chapman of the change in representation on Sunday afternoon and had obtained the audiotape of his initial interview with James Barr. Chapman had been happy to hand it over and wash his hands. She had played the tape to herself a dozen times Sunday night and a dozen more that morning. It was all anyone had of James Barr. Maybe all anyone was ever going to get. So she had listened to it carefully, and she had drawn some early conclusions from it.

"Listen," she said.

She had the tape cued up and ready in an old-fashioned machine the size of a shoe box. She pressed Play and they all heard a hiss and breathing and room sounds and then David Chapman's voice: I can't help you if you won't help yourself. There was a long pause, full of more hiss, and then James Barr spoke: They got the wrong guy. . . . They got the wrong guy, he said again. Then Helen watched the tape counter numbers and spooled forward to Chapman saying: Denying it is not an option. Then Barr's voice came through: Get Jack Reacher for me. Helen spooled onward to Chapman's question: Is he a doctor? Then there was nothing on the tape except the sound of Barr beating on the interview room door.

"OK," Helen said. "I think he really believes he didn't do it. He claims as much, and then he gets frustrated and terminates the interview when Chapman doesn't take him seriously. That's clear, isn't it?"

"He didn't do it," Rosemary Barr said.

"I spoke with my father yesterday," Helen Rodin said. "The evidence is all there, Ms. Barr. He did it, I'm afraid. You need to accept that a sister maybe can't know her brother as well as she'd like. Or if she once did, that he changed for some reason."

There was a long silence.

"Is your father telling you the truth about the evidence?" Rosemary asked.

"He has to," Helen said. "We're going to see it all anyway. There's the discovery process. We're going to take depositions.

Continues...


Excerpted from One Shot by Lee Child Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Interviews

The Fan Letter by Lee Child

They say the past is another country, and in my case it really was: provincial England at the end of the fifties and the start of the sixties, the last gasp of the post-war era, before it surrendered to the tectonic shift sparked by the Beatles. My family was neither rich nor poor, not that either condition had much meaning in a society with not much to buy and not much to lack. We accumulated toys at the rate of two a year: one on our birthdays, and one at Christmas. We had a big table radio (which we called "the wireless") in the dining room, and in the living room we had a black and white fishbowl television, full of glowing tubes, but there were only two channels, and they went off the air at ten in the evening, after playing the National Anthem, for which some families stood up, and sometimes we saw a double bill at the pictures on a Saturday morning, but apart from that we had no entertainment.

So we read books. As it happens I just saw some old research from that era which broke down reading habits by class (as so much was categorized in England at that time) and which showed that fully fifty percent of the middle class regarded reading as their main leisure activity. The figure for skilled workers was twenty-five percent, and even among laborers ten percent turned to books as a primary choice.

Not that we bought them. We used the library. Ours was housed in a leftover WW2 Nissen hut (the British version of a Quonset hut) which sat on a bombed-out lot behind a church. It had a low door and a unique warm, musty, dusty smell, which I think came partly from the worn floorboards and partly from the books themselves, of which there were not very many. I finished with the children's picture books by the time I was four, and had read all the chapter books by the time I was eight, and had read all the grown-up books by the time I was ten.

Not that I was unique - or even very bookish. I was one of the rough kids. We fought and stole and broke windows and walked miles to soccer games, where we fought some more. We were covered in scabs and scars. We had knives in our pockets - but we had books in our pockets too. Even the kids who couldn't read tried very hard to, because we all sensed there was more to life than the gray, pinched, post-war horizons seemed to offer. Traveling farther than we could walk in half a day was out of the question - but we could travel in our heads ... to Australia, Africa, America ... by sea, by air, on horseback, in helicopters, in submarines. Meeting people unlike ourselves was very rare ... but we could meet them on the page. For most of us, reading - and imagining, and dreaming - was as useful as breathing.

My parents were decent, dutiful people, and when my mother realized I had read everything the Nissen hut had to offer - most of it twice - she got me a library card for a bigger place the other side of the canal. I would head over there on a Friday afternoon after school and load up with the maximum allowed - six titles - which would make life bearable and get me through the week. Just. Which sounds ungrateful - my parents were doing their best, no question, but lively, energetic kids needed more than that time and place could offer. Once a year we went and spent a week in a trailer near the sea - no better or worse a vacation than anyone else got, for sure, but usually accompanied by lashing rain and biting cold and absolutely nothing to do.

The only thing that got me through one such week was Von Ryan's Express by David Westheimer. I loved that book. It was a WW2 prisoner-of-war story full of tension and suspense and twists and turns, but its biggest "reveal" was moral rather than physical - what at first looked like collaboration with the enemy turned out to be resistance and escape. I read it over and over that week and never forgot it.

Then almost forty years later, when my own writing career was picking up a head of steam, I got a fan letter signed by a David Westheimer. The handwriting was shaky, as if the guy was old. I wondered, could it be? I wrote back and asked, are you the David Westheimer? Turned out yes, it was. We started a correspondence that lasted until he died. I met him in person at a book signing I did in California, near his home, which gave me a chance to tell him how he had kept me sane in a rain-lashed trailer all those years ago. He said he had had the same kind of experience forty years before that. Now I look forward to writing a fan letter to a new author years from now ... and maybe hearing my books had once meant something special to him or her. Because that's what books do - they dig deeper, they mean more, they stick around forever.

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