Payback: A Superintendent Mike Yeadings Mystery

This latest from genre veteran Clare Curzon makes a thrilling addition to this entertaining series.

Sandy Craddock witnesses his detested half brother deliberately mown down by a hit-and-run driver outside his place of work, and he guiltily assumes that he himself was the intended victim. Convinced the killers will strike again once they discover they've targeted the wrong man, Sandy goes on the run, leaving his boss to wrongly identify the heavily bandaged and comatose Warren Laing as his missing employee.

In a daze, Sandy takes refuge in Warren's luxurious apartment. However, it isn't long before a mysterious woman turns up at Warren's home and takes charge of Sandy's complex situation, enrolling them both in an arts course in an isolated castle. When one of the students is murdered, Sandy realizes he's in too deep. But how can he distance himself from the enchanting Fiona, who has her own secrets to hide, or explain to the police why he's impersonating his critically injured brother? Caught in a web of his own making, Sandy realizes he is opening himself up to more danger than he could ever have imagined.

Superintendent Mike Yeadings of the Thames Valley team must unravel the web of deceit in the present, while also under pressure to solve a cold case resurrected from the past.

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Payback: A Superintendent Mike Yeadings Mystery

This latest from genre veteran Clare Curzon makes a thrilling addition to this entertaining series.

Sandy Craddock witnesses his detested half brother deliberately mown down by a hit-and-run driver outside his place of work, and he guiltily assumes that he himself was the intended victim. Convinced the killers will strike again once they discover they've targeted the wrong man, Sandy goes on the run, leaving his boss to wrongly identify the heavily bandaged and comatose Warren Laing as his missing employee.

In a daze, Sandy takes refuge in Warren's luxurious apartment. However, it isn't long before a mysterious woman turns up at Warren's home and takes charge of Sandy's complex situation, enrolling them both in an arts course in an isolated castle. When one of the students is murdered, Sandy realizes he's in too deep. But how can he distance himself from the enchanting Fiona, who has her own secrets to hide, or explain to the police why he's impersonating his critically injured brother? Caught in a web of his own making, Sandy realizes he is opening himself up to more danger than he could ever have imagined.

Superintendent Mike Yeadings of the Thames Valley team must unravel the web of deceit in the present, while also under pressure to solve a cold case resurrected from the past.

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Payback: A Superintendent Mike Yeadings Mystery

Payback: A Superintendent Mike Yeadings Mystery

by Clare Curzon
Payback: A Superintendent Mike Yeadings Mystery

Payback: A Superintendent Mike Yeadings Mystery

by Clare Curzon

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Overview

This latest from genre veteran Clare Curzon makes a thrilling addition to this entertaining series.

Sandy Craddock witnesses his detested half brother deliberately mown down by a hit-and-run driver outside his place of work, and he guiltily assumes that he himself was the intended victim. Convinced the killers will strike again once they discover they've targeted the wrong man, Sandy goes on the run, leaving his boss to wrongly identify the heavily bandaged and comatose Warren Laing as his missing employee.

In a daze, Sandy takes refuge in Warren's luxurious apartment. However, it isn't long before a mysterious woman turns up at Warren's home and takes charge of Sandy's complex situation, enrolling them both in an arts course in an isolated castle. When one of the students is murdered, Sandy realizes he's in too deep. But how can he distance himself from the enchanting Fiona, who has her own secrets to hide, or explain to the police why he's impersonating his critically injured brother? Caught in a web of his own making, Sandy realizes he is opening himself up to more danger than he could ever have imagined.

Superintendent Mike Yeadings of the Thames Valley team must unravel the web of deceit in the present, while also under pressure to solve a cold case resurrected from the past.


Product Details

ISBN-13: 9781429939621
Publisher: St. Martin's Publishing Group
Publication date: 09/30/2008
Series: Superintendent Mike Yeadings Mysteries , #21
Sold by: Macmillan
Format: eBook
Pages: 320
File size: 252 KB

About the Author

Clare Curzon began writing in the 1960s and has published over forty novels under a variety of pseudonyms. She studied French and psychology at King's College, London, and much of her work is concerned with the dynamics within closely knit communities. A grandmother to seven, in her free time she enjoys traveling and painting. She lives in Buckinghamshire, England.


Clare Curzon has written and published more than thirty novels, under that name and as "Rhonda Petrie" and "Marie Buchanan." Her previous work has taken her to many European countries, but now she lives and writes at her home in Buckinghamshire, England.

Read an Excerpt

Payback


By Clare Curzon

St. Martin's Press

Copyright © 2007 Clare Curzon
All rights reserved.
ISBN: 978-1-4299-3962-1


CHAPTER 1

A grey morning. Only 8.10, and already a traffic tailback up the steep, slow S-bend of Myron's Hill. It reached down to the roundabout where Detective Superintendent Yeadings was held up. Not sufficiently bothered to switch to Thames Valley traffic news, he inserted a CD, Vivaldi's Seasons, and edged a couple of yards farther.

It was the start of the tape – Spring, all perky lamb-frisking – and he wryly wished it had arrived, with early tulips opening in the borders at home. Still another week or two before the colours revealed themselves. Last year the garden centre had let in some rogues which threw his whole display out of kilter. And he'd planned it for Nan's forty-fifth birthday. Two yellow and three shrieking pink spoiling a swath of Delft Blue hyacinths. Still, the daffs were pushing up well. You couldn't go wrong with them.

An impatient driver a few cars back was leaning on the horn, as if that could move things on. Locals should be used to a brief build-up here. Traffic would clear in a few minutes.

Wednesday was viewing day at the auctioneer's at the top of the Sbend. Access to the trade car park at the rear was too narrow. Some articulated van would be executing a seven-point turn across both lanes to get in.

He knew Nan would drop in there after the morning school run, looking for a new hall table. By 'new', meaning antique. A place to display winter flowers and her sprays of preserved beech leaves.

In the confines of the car, Vivaldi's strings fiddled on in a fine frenzy, ceased, then gave way to languorous Summer. This tailback was lasting longer than expected. Perhaps roadworks, restricting to single-lane traffic. Or a collision. There was no movement in Yeadings's own lane, but the counter-flow had started streaming towards him.

He'd be late. It was just as well, he reflected, that the Hoad family deaths were cleared up. Nothing left now but paperwork. And, thankfully, a blank sheet this time for Crown Prosecution.


The traffic flow was normal as Nan Yeadings arrived on foot, having parked in the multi-storey concrete obscenity near the station. Wandering among the ticketed pieces of furniture, pictures, chinaware and knick-knacks on display she felt the usual stirring of excitement tinged with mild guilt which auction rooms always stimulated. She moved in a sort of child-in-toyshop fascination, coveting a long-case clock here, a ship's bell, a tapestry wall-hanging there: things that belonged to others unknown, and not all of them willingly discarded; objects to which she should have no legitimate access. Maybe these were treasures forced into prostitution through debt or their owner's death.

Sentimental value: there must be a corner in everyone's secret heart for something inanimate that had taken on a patina of love.

'Table,' she disciplined herself aloud. She wasn't here to indulge in proxy nostalgia or play Miriam Rothschild buying up the entire collection. Especially since several objects were undeniably naff. She marvelled that there were people who would go for anything, once collecting mania grabbed them.

Having established her feet firmly on the ground and reviewed the major pieces, she decided there were two possible pieces to bid for: one a seventeenth-century rectangular table, of oak darkened by age and slightly scarred, also a fine early Victorian wall-table with fantastic carved legs ending in balled claws and having a scalloped front. It was in good condition, the wood immaculately waxed: burl walnut with intriguing swirls of pattern.

Either could prompt rocketing bids, except that both were large, unsuitable for the average modern house. For their own square hall the first would look imposing, the other enchanting. There must, thought the seldom-churchgoing Nan, be a patron saint for bidders. If so, she would send up a special double-pronged prayer.

She smiled as Shelagh, the auctioneer's blonde assistant, approached to exchange a few neighbourly words. She mentioned her interest, then departed before further temptation should strike. Tomorrow she would firmly restrict herself to bidding for the tables.


In the auction rooms' cramped little office Charles Hennigan looked up from his computer.

'Shelagh, what now?'

'Sandy's not turned up. I've rung his mobile and it's switched off.'

'Try him at home.'

'I've done that, left a message. And both vans are here, so he's not out collecting.'

'Get someone else in. There's stuff to move and the Simpson chinaware still needs ticketing.'

The woman's lips tightened. Get someone. Like, snatched out of air? Or was she to give birth on the spot? To a large, horny-handed gorilla who could lift four times his own body weight? 'Easy to say, Charlie.'

He switched on his professional smile, smothering annoyance with treacly charm. 'You know you can do it.'

He turned back to his keyboard, flicked on to Sotheby's list. Sucking her cheeks in, Shelagh made a beeline to her car. Rout the blasted man out, lying abed when needed at work. Batter on the oaf's door until he'd no choice but to answer. And if someone reported to Charlie that she too had gone AWOL, he could deal with that problem himself.


Sandy Craddock, auctioneer's porter and amateur antiques fancier, heard the car draw up and, through ancient net curtains, watched Shelagh's approach with concern. When the doorbell shrilled he was flat on the floor below the window. The damn woman rang three times, finally keeping her finger on the bell for at least half a minute. He lay on for a further five while he pictured her rounding the outer wall, trying windows and kitchen door. When finally the car started up and drove away he stood, dusted his knees off and swore out loud.

It would be no lie to claim he was sick. He felt like shit. Already he'd thrown up his breakfast by the dusty laurel hedge behind the auction rooms. From the van's driving seat he'd seen what happened: the man in the baseball cap starting to cross from the opposite side, threading between traffic, and the biker, appearing from nowhere, simply mowing him down; to vanish in a snarl of acceleration.

Over in a second. Enough to shake anyone. But it wasn't until, hovering behind the gawkers, he'd picked up the distinctive cap and got blood on his hands, that it hit him.

He'd known instinctively. This had been meant for him.

He had cowered among the scanty shrubs behind Charlie's office window to puke his heart out. When the shudders ceased, with hunched shoulders, chin buried in roll-neck sweater, and still in a cold sweat, he rammed his wool cap down to his eyes and trudged off uphill, bent on getting lost. He reached home to find the bloodied baseball cap still clenched in one hand. It took a lifetime of shuddering to fit his key in the lock.

Last night, when that message came up on his screen it had given him cause to wonder. But he hadn't believed it. An empty threat. No one could get to him. Nobody knew who 'Proteus' was. The words, 'I know where you live', were hollow. They couldn't know that. Not even where he worked. Surely?

But there'd been this attempt. Someone out to kill him.

So had he been spied on, followed? And murdered by proxy?

One thing he knew for sure: it was no accident. The biker had headed straight for his victim. Only, because of the distinctive baseball cap, he'd got it wrong. Distance and speed had concealed the difference in age. Warren was slighter, younger, but both had inherited Alicia's height and hawklike features. So now the poor bastard was possibly dead, in place of his half-brother.

Except that, to be strictly factual, Sandy himself was the bastard, fathered by an anonymous redhead, when Alicia had been barely sixteen.

Which accounted for his abandoned childhood, raised by a strait-laced grandmother, from whom eventually he'd inherited this house, an ex-council semi. Alicia had floated off to an easier life, and at twenty-three married a middle-aged academic with investments. Andrew Laing, Ph.D., had died three years back, from a subdural haematoma, leaving Warren Laing as their sole legitimate, pampered offspring.

Sandy Craddock groaned aloud, hardness like an icy stone inside his chest. It would have been himself on the morgue slab, if it hadn't been for that ambiguous baseball cap.

Alicia, never highly imaginative, had sent them one each at Christmas. She'd bought them in Miami, where she'd gone to soak up sun. It was only last week that she'd mentioned, during Sandy's annual phone call, that both brothers had the same. Which was enough for him to bin his own. He'd gone straight out and bought this navy woollen knitted thing to cover his cropped red hair and keep out the morning chill.

He'd only ever worn his cap as a sop to Alicia, and he despised himself for sucking up to her. It had been a hideous thing, electric blue, with a golden eagle on the front crossed by a bolt of scarlet lightning. Over the weeks since Christmas, everyone at work had known him by it. It wouldn't have been hard for the attacker to pick him out, walking up the hill to the auction rooms. But today he'd driven in, having taken Hennigan's van home last night, for an early morning pick-up.

So, while he'd sat unobserved in the parked van, for some screwy reason it had been Warren Laing walking up the hill, right into it. Wrong person, in the right place at the right time. And certainly right enough for Sandy, surviving and observing the attack, unseen.

It was deliberate. That biker had meant to kill. And, although the paramedics had been doing their best, he could still have pulled it off. The body had flown through the air for ten yards and landed against the auction rooms' wall. Judging by the bloodied cap, his head had caught the brunt of it.

Don't ask him yet to pity the poor idiot landing in it like that. All he could think of was, they missed me this time, but what'll they do once they know they got the wrong man?

CHAPTER 2

Shelagh Ingram's anger with Sandy Craddock turned to apprehension on the drive back. Charlie, notoriously a needle quivering near hysteria on the emotion gauge, could go berserk over her own absence. At the auction rooms, viewers must already be streaming in, demanding catalogues and registering early bids while her desk yawned empty.

God, what a morning it was turning into, starting off with that horrific accident just outside the showrooms, and Sandy inexcusably doing a runner at the very time he was most needed. No phone warning, nothing. And guess who must act as universal shock-absorber.

Her memory jerked back. She'd been wrong about Sandy not turning up. He must have been there early and then skived off; because both vans were in the yard when she arrived. Then, just as she was checking in with Charlie and opening the safe for the lists, there'd been that hubbub outside with someone rushing in to demand she ring 999; which was why she'd missed seeing the outcome.

Duncan Stott, the other duty porter, said a biker had run someone down in the road. A man, he thought, but such a crowd of gawpers gathered that he hadn't glimpsed much between their shoulders. It seemed that paramedics had turned up promptly, fixed a neck brace and taken the unconscious man off to St Luke's.

End of story. Not for the poor devil injured, though. Shelagh hoped it wasn't one of their Wednesday regulars.

Then, instantly, the coincidence struck her. A man knocked down outside. And a staff member, normally reliable, suddenly missing. And in her heart she'd been cursing Sandy Craddock as an absentee! Heaven forbid he should be the one run down, poor devil.

One consolation: if she told Charlie that possibility, he wouldn't have breath left to bawl her out for disappearing. She made a beeline for his office and poured out her fears. His earlier forced charm shattered like crystal. 'You went there? You're sure he wasn't at home?'

She stared him out. 'Charlie, I need to ring St Luke's.'

He waved a trembling hand. 'Well, do that then. What's the number?'

She produced it out of her head. Two months ago Auntie Phil had gone there with a broken hip and Shelagh had rung her ward sister every day.

She made the call. There was some delay because A&E was at panic stations and couldn't field Reception's query. Finally the admission was confirmed: an unnamed male pedestrian traffic casualty, unconscious and without ID. He was already through triage and transferred to Orthopaedics, awaiting surgery. The hospital required someone to come in and identify him.

'You'd better send Duncan.' Charlie was literally wringing his fine, long hands.

Shelagh baulked. 'He's just opened up for viewing, and obviously I'm needed on the desk.' She waited while Charlie laboured towards the concept that he, as senior partner of the family firm, was at present the least vital performer. He rolled wounded spaniel eyes on her.

She stood her ground. 'Nothing else for it.'

Reluctantly he rose, reached for the wide-brimmed, plush hat from a mahogany coat tree behind his desk and tenderly retrieved his cashmere crombie from the Venetian cupboard. 'You're only guessing Sandy's involved. It's a wild goose chase.'

But it could be our gander. Shelagh had tact enough not to retort aloud.

A stagy lingering. 'Do you think it might rain?' He was wearing his defeated face.

'No. But then I'm only guessing at that too.' She made herself scarce before he could turn the wounded-child look on her. Let the wretched man take a risk for once, and if he got drenched, what harm? She was tired of acting mother hen.


Charles Hennigan had a distinct dislike of hospitals. A healthy dislike, as he saw it. A hospital was no place for anyone to risk being ill in. Such pernicious germs; and the smell! Worse than getting home early for lunch when the cleaner had been spraying that synthetic floral stuff.

Finding the right people to interrogate, the right floor, the right ward, and then the right body concealed behind closely drawn curtains took a deal longer than identifying it. Despite the heavily bandaged head, Sandy's unmistakable nose jutted skywards like a prize-winning piece of twentieth-century architecture – perhaps a section of Sydney Opera House – or the gaunt breastbone of a freshly plucked chicken. His limbs appeared mostly swathed in dressings, and there were flat, circular appendages wired to his bare chest. Charlie had seen their sinister like on TV when fearfully zapping past a hospital drama. A nurse confided in hushed tones that they awaited the arrival of a neurosurgeon.

Hennigan regarded the supine form with regret. Aesthetically the man was never one of evolution's finer works, and now it appeared he hadn't improved the original design. He was distracted by the nurse's demand, 'Well, is he?'

Was he what? he wondered.

'The man you thought he might be. We need a name for him.'

'Oh, yes, undoubtedly. Sandy Craddock. He works for me. Or did until now.'

'Sandy?' she queried.

'Er, well, Alexander, I suppose.' Reluctantly Hennigan allowed her to extract his business address, since he'd no idea where the man actually lived. No, he couldn't give a National Insurance number. She would need to phone someone in his office for that.

He struggled to insert a question of his own while she wrote the name on a card and affixed it to a board above the bed. 'What do you suppose are his chances?'

'Are you a relative, Mr Hennigan?'

'God, no.' Why did they always insist on being so cagey about information? What the hell difference did privacy make to someone in Sandy's present condition?

'I'm afraid we can't divulge'

'Oh, stuff it,' he said pettishly, turned on his heel and squeaked his way out over the polished vinyl flooring.


Sandy Craddock crammed a few necessities into an overnight bag. He needn't take much, because there'd be no scarcity where he was going. He dared not stay on at home, where they could easily find him. The words I know where you live kept ringing in his head. The biker would check hospitals to find out his victim's condition. Once he saw he'd missed Sandy on the way to work and got the wrong brother, he'd come on here. It was only logic.

It was also logic that if Laing was standing in for him as a near-corpse, however briefly, he could himself take on the other's life. Or at least his luxury flat until such time as alternative lodgings could be found.


(Continues...)

Excerpted from Payback by Clare Curzon. Copyright © 2007 Clare Curzon. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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