Film does far more than document performanceit actively recreates the time and space of performance and overhauls its rapport with the viewer’s eye and body. The first book to look in-depth at the intersection of film and performance in relation to issues and theories of space, Performance Projections travels from the origins of film in Europe and the United States to the world of digital media today, exploring the dynamic relationship between these vitally connected ideas.
Drawing from a wide range of examplesincluding filmic depictions of German and Japanese and Chinese performance art and street culturesStephen Barber argues that the act of filming has the power to draw distinctively performative dimensions out of unruly human gatherings, such as riots and political protests, while also accentuating the outlandish and aberrant aspects of performance. Spanning the history of film, Barber moves from performance in film’s formative years, such as Edward Muybridge’s work in the 1880s, to contemporary performance artworksfor example, Rabih Mroué’s investigations of the often lethal camera phone filming of snipers in Syrian cities. Proposing that the future conception of filmed performance needs to be radically expanded in response to the transformations of digital film cultures, Performance Projections is a critical addition to the literature on both film and art history.
|Publisher:||Reaktion Books, Limited|
|Product dimensions:||5.40(w) x 8.40(h) x 0.80(d)|
About the Author
Stephen Barber is a fellow of the International Research Center, “Interweaving Performance Cultures,” at the Free University of Berlin and professor in the Faculty of Art, Design and Architecture at Kingston University, London. He is the author of many books, including Abandoned Images: Film and Film’s End, Projected Cities, Extreme Europe, and Fragments of the European City, all published by Reaktion Books.
Table of Contents
1. In Transit: Between and Across Performance and Film
2. Performance’s Elsewheres: Rooftops, Courtyards, Subterranean Spaces
3. Corporeal Projections: Marks of the Body
4. Riot Performance: Filmings of Human Uproar
5. Image Interzones: The Digital World and Performance
Coda: The Lost Films of Performance