Piper Robbin and the American Oz Maker

by Warwick Gleeson

Overview

THE AGE OF OZ BEGINS. May the best evil win.

"Jaded sci-fi and fantasy readers should flock to this fearlessly inventive narrative... "
- Kirkus Reviews

It is the end of history, the end of sanity, and for those who survive, the end of life as they know it. The Age of Oz in America is forged into a utopia, but as the Witch Queen seeks to establish her own new order of genocide, the two most powerful women on Earth, Piper Robbin and Czarina Romanova, must put aside their deadly rivalry and resist the onslaught by all means necessary, even if it means beloved friends must perish. World War Oz is on.

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Piper Robbin sets a whole new standard of WTF in fantasy. Upon this 80th anniversary of the Wizard of Oz, Piper Robbin and the American Oz Maker officially joins the "heretical apocrypha of Oz." In other words, a work of imaginative fiction borrowing heavily from Oz, but not subject to the confines and strictures of Oz canon.

This science-fantasy by Warwick Gleeson features three of the most protean and uniquely flawed heroes ever forged in 21st century speculative fiction, and too, a villain that makes Voldemort look like Tinkerbell. As a boldly original adult fantasy, it takes one of world's favorite tales and transforms it into a dark and epic landscape few can escape much less understand.

Product Details

ISBN-13:	9780999842546
Publisher:	del Sol Press
Publication date:	04/10/2019
Series:	Piper Robbin , #1
Pages:	318
Sales rank:	952,343
Product dimensions:	5.50(w) x 8.50(h) x 0.71(d)

Editorial Reviews

2019-07-05
This debut novel sees Earth's best wielders of magic defending humanity against a space-born evil.

In the year 2038, Piper Robbin seems like your average mango-haired barista. The Brooklyn native loves Cambodian khor stew takeout and the idea of singing on Broadway. But she is in fact Bianca Elise Cappello, a centuries-old Grand Sorceress of the Holy Roman Empire. Her father is an immortal World Maker named Edison Godfellow, aka Leonardo da Vinci and Hercules. He's come back from a future in which the War for Utopia has been won but at the cost of the human race. Phase 1 of the Grand Human Transfiguration has already begun, killing off the world's population of sociopaths and narcissists. In two days, a kinder humanity will merge into a "million ton mass of flesh composed...of super brutes and...beautiful divas." But that mass organism must not fall victim to a cosmic predator that waits in the Orion Nebula. When Piper's apartment explodes with Tao energy (on which magic runs), she knows that World Maker Catherine Romanova, her father's nemesis, is responsible. Piper must defeat Catherine so that Edison can create his protective Oz-scapes—or place major cities like New York and Berlin inside magical domes and atop vast towers. Once Gleeson cracks open his frothy imagination, all manner of conceptual madness rushes forth. If Thomas Pynchon wrote an episode of Doctor Who, there might be a scene where "the hyper-velocity shells" of Catherine's Glock generated "a blinding burst and a noise loud as July 4th in Disneyland compressed to one second." Jaded sci-fi and fantasy readers should flock to this fearlessly inventive narrative that sprinkles pop-culture references (like the David Bowie line "We could be heroes, just for one day") on unflagging optimism about humanity's potential. The author's daring plot devices include moving Earth to safety and changing his protagonist's gender. The downside to this kind of full-throttle wackiness is the difficulty in creating believable danger when seemingly anything can happen.

A bold sci-fi tale that delivers an absurdist paradise.

Kirkus Reviews